Provenance

Jonathan Bober

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It is a drawing of mythical figures gathered in a wooded landscape. The scene depicts various figures interacting among themselves. The figures are satyrs and other mythological beings with human and animalistic features. They are surrounded by trees with mountains in the background. The figures are depicted in dynamic poses and expressive gestures, suggesting a lively moment. Monochrome shading is used to add depth and detail to the scene.
Andrea Scacciati, The Musical Contest Between Apollo and Pan, c. 1766, etching and sulfur tint printed in blue on laid paper, Gift of Andrée and Jonathan Bober, in honor of Andrew Robison, 2016.137.1

The Musical Contest Between Apollo and Pan

Andrea Scacciati · c. 1766 · etching and sulfur tint printed in blue on laid paper ·  Accession ID  2016.137.1

The image features ancient architectural ruins with large archways dominating the scene. The perspective shows a view through the arches with a distant space beyond. The detailed etching technique is evident in the intricate line work and hatching, depicting textures and shadows, especially in the stone and architectural details. The color palette is monochromatic in shades of black and white, emphasizing contrast. Foliage grows atop some structures, adding texture and depth.
Giovanni Battista Mercati, Antonine Baths, or Baths of Caracalla, 1629, etching on laid paper, Gift of Andrée and Jonathan Bober, 2022.189.3

Antonine Baths, or Baths of Caracalla

Giovanni Battista Mercati · 1629 · etching on laid paper ·  Accession ID  2022.189.3

The image is an etching depicting the upper torso of a person in a slight recline, with their head turned downward and slightly to the left. The person's facial features include a somber expression with detailed, delicately rendered eyes, nose, and mouth. The individual has loosely wavy hair falling around the face, partially covered by a cloth headscarf or wrap tied at the back or atop their head. The clothing shown is a textured garment draped around the shoulders with loose, flowing lines. The person's arms are resting in front of the body. The background consists of textured lines implying vegetation or a neutral space. The etching has a border, and in the upper left corner, the text "CASTIONE" is visible.
Bartholomäus Ignaz Weiss, Half-Length Figure of a Woman Looking Sideward, etching on laid paper, Gift of Andrée and Jonathan Bober, 2011.121.1

Half-Length Figure of a Woman Looking Sideward

Bartholomäus Ignaz Weiss · · etching on laid paper ·  Accession ID  2011.121.1

The image depicts a classical artwork with various figures. In the foreground, a seated woman is reaching towards a small child standing before her, while a kneeling man is beside them. Surrounding them are winged cherubs floating on clouds. In the background, faint outlines of architectural elements are visible.
Giacinto Gimignani, The Holy Family with Saint Philip Neri in Adoration, an Angel, and Putti, 1649, etching on laid paper, Ailsa Mellon Bruce Fund and Purchased as the Gift of Robert B. Loper, 2019.129.2

The Holy Family with Saint Philip Neri in Adoration, an Angel, and Putti

Giacinto Gimignani · 1649 · etching on laid paper ·  Accession ID  2019.129.2

This is a drawing of a group scene with several figures surrounding a monumental column under clouds. The figures are in various postures and gestures, and some are seated or kneeling while others are standing. In the upper right corner, there are cloud formations with figures on them. The central focus is on converging figures with dramatic gestures, emphasized by the lighting and contrasts of the etching technique. The column adds grandeur and timelessness, while the details suggest a historic or religious significance.
Francesco Fontebasso, The Madonna and Child with Two Angels and Saints Scholastica, Benedict, Roch, Peter, Paul and Jerome, c. 1740, etching on laid paper, Gift of Andrée and Jonathan Bober, 2014.130.1

The Madonna and Child with Two Angels and Saints Scholastica, Benedict, Roch, Peter, Paul and Jerome

Francesco Fontebasso · c. 1740 · etching on laid paper ·  Accession ID  2014.130.1

This image is an engraved portrait featuring the upper body of a person framed in an oval. The person is slightly turned to the left, with their head facing forward. They have a composed expression, with clearly depicted facial features: sharp eyes, a straight nose, and a defined mouth. Their hair is styled in curls typical of a formal portrait from the 18th century. They are dressed in a finely detailed coat with ruffles at the collar, suggesting formality. The background features foliage, a tree trunk, and leaves. A decorative banner below the portrait bears the name "Franz Edmund Weirotter" and additional text in ornate lettering. The composition is set against a plain backdrop, emphasizing the detailed engraving work on the central subject.
Jacob Matthias Schmutzer, Franz Edmund Weirotter, 1771, etching on laid paper, Gift of Andrée and Jonathan Bober, 2012.121.1

Franz Edmund Weirotter

Jacob Matthias Schmutzer · 1771 · etching on laid paper ·  Accession ID  2012.121.1

The image depicts an old building with intricate arches, brickwork, and detailed lines. In the background, there are rolling hills and remains of old structures. The style is characterized by variations in hatching and cross-hatching for shading and texture, creating depth. The color palette is monochromatic, primarily black and white, emphasizing details and light and shadow. The ancient structure stands out against the background.
Giovanni Battista Mercati, Palazzo Maggiore (Imperial Palace on the Palatine), 1629, etching on laid paper, Gift of Andrée and Jonathan Bober, 2022.189.2

Palazzo Maggiore (Imperial Palace on the Palatine)

Giovanni Battista Mercati · 1629 · etching on laid paper ·  Accession ID  2022.189.2

The image shows two male figures, one kneeling and the other standing with a knife. An angel hovers above them, reaching one hand downwards. A ram stands to the left, looking towards the figures. The background features a large tree with a draped cloth and swirling clouds in the sky.
Battista Franco, The Sacrifice of Abraham, 1550s, etching with engraving on laid paper, Ailsa Mellon Bruce Fund, 2007.14.2

The Sacrifice of Abraham

Battista Franco · 1550s · etching with engraving on laid paper ·  Accession ID  2007.14.2

This is an etching of a person shown from the waist up, positioned leaning slightly forward. The person's face is tilted downward, with closed eyes and serene facial features. They have curly hair that is tousled and extends around their face. The clothing appears to be a simple draped garment that covers the shoulders and chest. There is no visible jewelry or objects being held. The background consists of a textured surface with some plantlike details, suggesting foliage, adding depth to the scene. The overall presentation appears classical, consistent with pen and ink etching styles.
Bartholomäus Ignaz Weiss, Half-Length Figure Reading, etching on laid paper, Gift of Andrée and Jonathan Bober, 2011.121.2

Half-Length Figure Reading

Bartholomäus Ignaz Weiss · · etching on laid paper ·  Accession ID  2011.121.2

This is a drawing of a dimly lit interior scene featuring a slumbering figure. The image depicts a sparse room with a bed, a small nightstand or table, a window, and a person lying in bed. Above the resting figure, there appears to be a faint, ethereal form. On the table next to the bed, a single burning lamp casts a soft glow illuminating an open book. The room is lined with curtains and a window is visible. The style of the drawing employs a stippling technique.
Charles West Cope, Milton's Dream of his Deceased Wife, 1850/1857, etching on chine collé, Gift of Thomas Vogler in Memory of his brother, Donald Vogler, 2017.130.1

Milton's Dream of his Deceased Wife

Charles West Cope · 1850/1857 · etching on chine collé ·  Accession ID  2017.130.1