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    Open today 10:00 a.m. to 5:00 p.m.
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    6th and Constitution Ave NW 
    Washington, DC 20565

    Ice Rink at the Sculpture Garden

    Step into a winter wonderland.

    Learn more
  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events

    Featured exhibition:

    The Stars We Do Not See: Australian Indigenous Art

    Now on view
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    Artle

    A refreshed experience for our puzzle game

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    Open today 10:00 a.m. to 5:00 p.m.
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    6th and Constitution Ave NW 
    Washington, DC 20565

    Ice Rink at the Sculpture Garden

    Step into a winter wonderland.

    Learn more
  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events

    Featured exhibition:

    The Stars We Do Not See: Australian Indigenous Art

    Now on view
  • Art & Artists

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    Anthony

    British

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    Three scenes showing the same person, Saint Anthony, are spaced along a path that winds from the lower right corner and around hills and trees into the distance in this vertical painting. In all three scenes, Saint Anthony has pale skin, a long white beard, and a halo framing a fringe of white hair around a balding head. He is barefoot and wears a black monk’s robe, and wears or carries a coral-pink cloak. Closest to us, in front of the mouth of a dark cave, Saint Anthony embraces a light-skinned, bearded man with long, curly blond hair. That man wears cream-white robes and also has a halo. Two walking sticks lie on the ground at their feet. The pebble-lined path disappears between stylized trees painted with smooth dark brown trunks and canopies created with pine and spring-green dots over a ground of forest green. To our right and farther along the path as it rises along the ridge of a hill, Saint Anthony meets a centaur, which has the torso and head of a man and the body and legs of a horse. The centaur holds a palm frond, and Saint Anthony raises one hand. On the opposite side of the hill, in the distance to our left, Saint Anthony walks along the path with a walking stick, and his pink robe hangs over a second long stick slung over his shoulder. Trees running along the background come nearly to the top of the panel, but a sliver of sky is painted gold, and the top edge is punched or embossed with a decorative pattern. Pale red shapes beyond the trees could be a building, perhaps a church, rising in the distance.
    Master of the Osservanza, Sano di Pietro, The Meeting of Saint Anthony and Saint Paul, c. 1430/1435, tempera on poplar panel, Samuel H. Kress Collection, 1939.1.293

    The Meeting of Saint Anthony and Saint Paul

    The Meeting of Saint Anthony and Saint Paul

    Master of the Osservanza, Sano di Pietro · c. 1430/1435 · tempera on poplar panel ·  Accession ID  1939.1.293

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