Jules Strauss

French, 1861 - 1943

Explore Selected Works

Six men on horseback and wearing jockeys’ uniforms line up on a grassy field in front of us in this loosely painted horizontal scene. The jockeys and horses’ features are especially freely painted so much of the detail is indistinct. The horses are all chestnut brown except for two at the middle, which are dark brown. One horse, second from our right, rears up on its hind legs, and one to our left nuzzles its neighbor. The riders all wear brimmed caps or helmets, white pants, and knee-high black boots. Their caps and high-necked shirts are painted in shades of goldenrod yellow, aquamarine blue, white, red, or peach. Their faces and hands are peach-colored or light brown. Some of the horses and the rider’s clothing are outlined in black. One of the riders is set a little farther back than the others. A black silhouette in the near distance to our right suggests a man wearing a suit and tall top hat. Swipes of black, brown, sky blue, and white create the impression of a crowd across from us, gathered on the far side of the grassy area. Light green fields continue back to a line of shamrock-green trees at the foot of gently sloping hills. White clouds screen the ice-blue sky above, which takes up the top quarter of the painting. The paint seems thinly applied in many areas, especially the horses and the grassy fields, so the weave of the canvas is visible under strokes of green and brown. The artist signed the lower right corner, “Degas.”
Edgar Degas, The Riders, c. 1885, oil on canvas, Collection of Mr. and Mrs. Paul Mellon, 2014.18.7

The Riders

Edgar Degas · c. 1885 · oil on canvas ·  Accession ID  2014.18.7

Painted in mostly in jewel tones of topaz and aquamarine blue, and sage, spring, and pine green, a meadow is enclosed by a wooden fence, against a landscape of gently rolling hills under a vibrant sky in this horizontal painting. The scene is loosely painted with visible brushstrokes. Touches of white, cotton candy-pink, ruby-red, and azure-blue paint in the long grasses close to us could be wildflowers. A few swipes of straw yellow and pale and lapis blue could represent two people, standing and kneeling, in the field close to the fence. The rickety fence starts at the right edge of the canvas and extends into the distance, angling away from us to our left. Rolling hills beyond are a patchwork of emerald green and caramel brown, and are dotted with trees with full, dark green canopies. One brown building sits on the crest of a hill to our right of center. The horizon comes about halfway up this picture, and the turquoise-colored sky is dotted with white puffs of clouds. The artist signed and dated the painting in the lower right corner, “Sisley 75.”
Alfred Sisley, Meadow, 1875, oil on canvas, Ailsa Mellon Bruce Collection, 1970.17.83

Meadow

Alfred Sisley · 1875 · oil on canvas ·  Accession ID  1970.17.83

Bibliography

1933

  • "Prices Received in Strauss Sale." Art News 31 (7 January 1933): 3+

1938

  • "La collection de M Jules Strauss." Beaux-Arts (1 April 1938): 3