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Cheim & Read

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This image depicts flowing and swirling lines in predominantly red ink. An abstract form resembling a large, fluid wave or cascading curtain sweeps across the paper, reaching upward and curling delicately at the ends. A circular spiral shape is situated to the right of this form, along with a smaller spiral positioned slightly below it. Together, these elements create an abstract composition resembling stylized natural forms such as ocean waves or coiled tendrils.
Louise Bourgeois, M is for Mother, 1998, pen and red ink with red colored pencil and graphite on wove paper, Gift of Dian Woodner, 2008.72.1

M is for Mother

Louise Bourgeois · 1998 · pen and red ink with red colored pencil and graphite on wove paper ·  Accession ID  2008.72.1

The image shows two tall vertical structures with clean, distinct lines and rectangular shapes. The structure on the left consists of a rectangular column supporting a wide top, resembling an elevated platform or a lookout tower. The structure on the right appears more cylindrical, with vertical lines giving it the appearance of a tightly banded silo or pillar. Both forms are set against a subtly textured background.
Louise Bourgeois, Atelier 17, Gemor Press, He Disappeared into Complete Silence, Plate 2, 1947, engraving on wove paper, Purchased as the Gift of Dian Woodner, 2010.132.2

He Disappeared into Complete Silence, Plate 2

Louise Bourgeois, Atelier 17, Gemor Press · 1947 · engraving on wove paper ·  Accession ID  2010.132.2

This is a drawing of an abstract construction or structure. The image portrays a geometric structure composed of several interlocking linear elements that resemble a scaffold or an architectural framework. The structure is vertically oriented and symmetrical, with a series of horizontal and vertical lines creating a grid-like appearance. It appears to be a mechanical or architectural blueprint rendered in fine lines with a sepia or brownish tone. The overall design is minimalistic and suggests a sense of balance and engineering precision.
Louise Bourgeois, Atelier 17, Gemor Press, He Disappeared into Complete Silence, Plate 5, 1947, engraving on wove paper, Purchased as the Gift of Dian Woodner, 2010.132.5

He Disappeared into Complete Silence, Plate 5

Louise Bourgeois, Atelier 17, Gemor Press · 1947 · engraving on wove paper ·  Accession ID  2010.132.5

The image displays a complex assembly of geometric shapes and lines. A vertical composition is formed, resembling a tall, abstract structure. At the center is a triangular form with a vertical cylindrical shape beneath it. On the left, a coiled spiral and a circular form with radiating lines are noticeable. To the right, an angular arrangement is present, interspersed with linear and curved elements. The lower section features a tiled pattern that suggests a floor. The overall assembly gives the impression of a machine or architectural blueprint, with esoteric components that may remind one of familiar mechanical or architectural objects.
Louise Bourgeois, Atelier 17, Gemor Press, He Disappeared into Complete Silence, Plate 7, 1947, engraving on wove paper, Purchased as the Gift of Dian Woodner, 2010.132.7

He Disappeared into Complete Silence, Plate 7

Louise Bourgeois, Atelier 17, Gemor Press · 1947 · engraving on wove paper ·  Accession ID  2010.132.7

This print shows an array of thin lines that intersect and crisscross, creating abstract shapes. Most of the lines are vertical, but there is a small band of horizontal lines in the top third of the print. There appear to be three vertical pillars in the center of the print, with the middle pillar curving over slightly towards the left. They have abstract shapes on top of them, including a dark cube-like shape, a rhombus, and a shape similar to a candlestick. The thin lines are rough and uneven, and the print is surrounded by a beige border.
Louise Bourgeois, Atelier 17, Gemor Press, He Disappeared into Complete Silence, Plate 9, 1947, engraving on wove paper, Purchased as the Gift of Dian Woodner, 2010.132.9

He Disappeared into Complete Silence, Plate 9

Louise Bourgeois, Atelier 17, Gemor Press · 1947 · engraving on wove paper ·  Accession ID  2010.132.9

The image displays various geometric shapes such as straight lines, triangles, rectangles, and a circle. There is an abstract quality to the composition, conveying tall, elongated structures resembling towers or stilts next to a thin tree-like object with radial lines at the top. A narrow, rectangular shape on the left could be interpreted as a house on stilts with a sloping roof, while a smaller rectangular form with vertical lines might suggest a billboard or signpost. The artwork is minimalistic, with precise linework against a plain background, creating a simple and stark visual design.
Louise Bourgeois, Atelier 17, Gemor Press, He Disappeared into Complete Silence, Plate 6, 1947, engraving on wove paper, Purchased as the Gift of Dian Woodner, 2010.132.6

He Disappeared into Complete Silence, Plate 6

Louise Bourgeois, Atelier 17, Gemor Press · 1947 · engraving on wove paper ·  Accession ID  2010.132.6

The image displays elongated linear shapes resembling ladders arranged within a geometric space that suggests a room. The composition uses the ladders to create a play of perspective and depth, with some ladders leaning against walls and others appearing to ascend or descend. The configuration evokes a sense of construction tools, placed in an unconventional manner within the room. Floor and wall details, along with shadow lines, enhance the impression of a structured interior setting.
Louise Bourgeois, Atelier 17, Gemor Press, He Disappeared into Complete Silence, Plate 8, 1947, engraving on wove paper, Purchased as the Gift of Dian Woodner, 2010.132.8

He Disappeared into Complete Silence, Plate 8

Louise Bourgeois, Atelier 17, Gemor Press · 1947 · engraving on wove paper ·  Accession ID  2010.132.8

The image depicts vertical rectangular shapes and lines forming three tall tower-like structures. The structures suggest a minimalist city skyline or industrial silos, with simple linear accents defining them. The far-left and center structures have domes on top. The composition conveys a sense of verticality and repetition commonly seen in urban landscapes or architectural designs.
Louise Bourgeois, Atelier 17, Gemor Press, He Disappeared into Complete Silence, Plate 3, 1947, engraving on wove paper, Purchased as the Gift of Dian Woodner, 2010.132.3

He Disappeared into Complete Silence, Plate 3

Louise Bourgeois, Atelier 17, Gemor Press · 1947 · engraving on wove paper ·  Accession ID  2010.132.3

The image contains geometric shapes and lines forming an abstract structure resembling a house with a triangular roof. The structure is divided into sections with horizontal and vertical lines creating shelves and walls. Inside, a flame-like shape hovers on a shelf. Next to the house, a tall vertical line with a T-shaped element at the top stands. A small star shape is in the upper right corner.
Louise Bourgeois, Atelier 17, Gemor Press, He Disappeared into Complete Silence, Plate 4, 1947, engraving on wove paper, Purchased as the Gift of Dian Woodner, 2010.132.4

He Disappeared into Complete Silence, Plate 4

Louise Bourgeois, Atelier 17, Gemor Press · 1947 · engraving on wove paper ·  Accession ID  2010.132.4

The image shows a composition of vertical and horizontal lines forming geometric shapes, including a tall rectangular form with a smaller trapezoidal shape on top. The design resembles an abstract architectural structure, with parallel lines adding texture.
Louise Bourgeois, Atelier 17, Gemor Press, He Disappeared into Complete Silence, Plate 1, 1947, engraving on wove paper, Purchased as the Gift of Dian Woodner, 2010.132.1

He Disappeared into Complete Silence, Plate 1

Louise Bourgeois, Atelier 17, Gemor Press · 1947 · engraving on wove paper ·  Accession ID  2010.132.1