Provenance

Andrew Stasik

American, born 1932

Explore selected works

See all 12 works of art
The image shows abstract figures in white hats and dresses against a green background. The figures are faceless and drawn in a minimalist style. They appear to be standing or walking, with dark shadows on a textured grey surface. The green background contrasts with the white figures and grey ground. The figures' movement and distinctive hats are emphasized by their simplistic forms. This painting may be inspired by Emilio Sánchez's style, known for his focus on architectural scenes and stylized figures.
Emilio Sanchez, Negritas Pasendo, c. 1955, color lithograph on wove paper, Gift of Jacob Kainen, 2002.98.241

Negritas Pasendo

Emilio Sanchez · c. 1955 · color lithograph on wove paper ·  Accession ID  2002.98.241

The image depicts a landscape scene viewed from an elevated perspective. The horizon is not clearly defined, and there are dense, dark trees along the upper edge. The trees are detailed with thick brushstrokes, conveying depth and texture. The color palette is monochromatic with shades of grey and black, creating contrast. Two figures in light clothing stand near a dark path or surface, while a third person stands alone in the distance. The brushstrokes add texture to the scene, creating a serene yet mysterious atmosphere.
Emilio Sanchez, Black Beach, c. 1955, lithograph in black on wove paper, Gift of Jacob Kainen, 2002.98.238

Black Beach

Emilio Sanchez · c. 1955 · lithograph in black on wove paper ·  Accession ID  2002.98.238

The image shows a landscape with a calm body of water, distant hills, a line of trees, and a small bridge. The perspective is low to the ground, with a monochromatic color palette of varying shades of gray and sepia. The brushstrokes are delicate and soft. Vegetation lines the water's edge, and the water surface reflects the sky above.
James David Smillie, An Old Dam Near Montrose, 1891, aquatint in black on chine collé, Gift of Jacob Kainen, 2002.98.193

An Old Dam Near Montrose

James David Smillie · 1891 · aquatint in black on chine collé ·  Accession ID  2002.98.193

The image displays curving, fluid lines and bold, sketchy strokes forming an abstract design on a plain background. The shapes suggest abstract human-like figures, with the central form resembling a figure standing with arms bent upwards and the top half evoking a head or bust. The lines convey a sense of movement or transformation, reminiscent of textured, folded fabric.
Willem de Kooning, Irwin Hollander, Hollander Graphic Workshop, Clam Digger, 1966 (published 1967), lithograph in black on Arches wove paper, Gift of Jacob Kainen, 2002.98.231

Clam Digger

Willem de Kooning, Irwin Hollander, Hollander Graphic Workshop · 1966 (published 1967) · lithograph in black on Arches wove paper ·  Accession ID  2002.98.231

The image displays various elongated, vertical shapes composed of straight lines and sharp angles. The colors used are red, yellow, blue, black, and white against a teal green background with a blue area above. Some shapes contain small circular details.
Attilio Salemme, One Against Many, 1946, color screenprint on wove paper, Gift of Jacob Kainen, 2002.98.402

One Against Many

Attilio Salemme · 1946 · color screenprint on wove paper ·  Accession ID  2002.98.402

The image depicts a landscape with a high horizon featuring rolling hills, trees, and a shallow river or stream in the foreground. The water reflects surrounding foliage with gentle ripples and varied light patches. The brushstrokes are varied and delicate, capturing the surface textures and dense vegetation. The color palette is muted with sepia tones. Natural elements like grasses and trees are loosely sketched, creating a tranquil atmosphere under a softly rendered sky with diffused clouds.
James David Smillie, An Old Dam Near Montrose, 1891, aquatint in black on chine collé, Gift of Jacob Kainen, 2002.98.192

An Old Dam Near Montrose

James David Smillie · 1891 · aquatint in black on chine collé ·  Accession ID  2002.98.192

This image depicts an abstract representation of a seated human figure from the upper body to the lower legs. The figure has one arm across the lap and the other raised towards the face. The facial features are angular with large asymmetrical eyes and an elongated nose. The stylized hair covers part of the face. The clothing is simple with circular patterns on the chest and flowing lines indicating a long garment. The background contains abstract patterns and an arch-like shape framing the figure. The image is monochromatic with contrasting dark and light sections.
Max Weber, Seated Figure, 1919-1920, woodcut in black on laid paper, Gift of Jack and Margrit Vanderryn, 2015.114.9

Seated Figure

Max Weber · 1919-1920 · woodcut in black on laid paper ·  Accession ID  2015.114.9

The image consists of abstract elongated shapes and lines forming human figures in different postures. These figures suggest a gathering or dance, with the use of dark lines against lighter areas creating high contrast. The simplified figures are depicted with basic shapes like ovals for heads and rectangles for bodies, along with flowing garments or hat-like lines. The arrangement conveys movement and social interaction, reminiscent of people gathering in groups.
Emilio Sanchez, Jamaican Women, c. 1955, lithograph in black and green on wove paper, Gift of Jacob Kainen, 2002.98.240

Jamaican Women

Emilio Sanchez · c. 1955 · lithograph in black and green on wove paper ·  Accession ID  2002.98.240

The image displays intricate shapes and lines forming an abstract figure resembling a distorted human body with exaggerated muscles and fragmented limbs. The composition features bold, curving lines creating a contorted form reminiscent of a person in mid-motion, surrounded by what could be interpreted as window or door frames. The figure is positioned off-center, suggesting familiar human postures, while its structure implies movement or tension within an enclosed space.
Albert Müller, Woman Before Window, woodcut on wove paper, Gift of Jacob Kainen, 2002.98.354

Woman Before Window

Albert Müller · · woodcut on wove paper ·  Accession ID  2002.98.354

The image displays swirling and intersecting lines in turquoise against a dark background, creating an intricate abstract scene. The lines form a network of shapes, with splatters and droplets dispersed across the image, adding to the sense of movement.
Stanley William Hayter, Perseïdes (Perseids), 1958, color etching, Gift of Ruth Cole Kainen, 2012.92.94

Perseïdes (Perseids)

Stanley William Hayter · 1958 · color etching ·  Accession ID  2012.92.94