Provenance

Canadeesche Hypothek Bank

Explore Selected Works

Shown from the knees up, a nearly nude, young woman with pale pink skin stands with her hands on her upswept, chestnut-brown hair in front of a pile of cloth, probably clothing, in this vertical painting. Blended brushstrokes give the painting a soft, almost blurred look. She stands with her body angled slightly to our left and her head tipped forward under her hands, which work in her hair. Her cheeks are flushed and her wide, pink lips are closed. Her round breasts are firm, and a piece of bright white fabric is bunched around her upper thighs below a smooth pubic area. Garments in the pile of fabric behind her are petal pink, vivid white, ruby red, and buttercup yellow. The area behind and around the woman and fabric is loosely painted with sage green, caramel brown, and golden yellow. Touches of yellow on a field of green to our right suggest grass and flowers. The artist signed the work with dark paint in the lower right corner: “Renoir.”
Auguste Renoir, Bather Arranging Her Hair, 1893, oil on canvas, Chester Dale Collection, 1963.10.204

Bather Arranging Her Hair

Auguste Renoir · 1893 · oil on canvas ·  Accession ID  1963.10.204

A pale, nearly nude woman with dark hair sits on a mossy rock, holding an archer's bow, with a dead deer at her feet in this vertical painting. Her body is angled to our left and she looks down toward the animal with dark eyes. Her hair is pulled up, and her pale pink lips are closed. She is covered only by a light, celery-green cloth and rose-pink ribbon across her hips. She has full, round breasts and curving belly, hips, and thighs. The deer’s legs face the woman as it lies on the ground, but its head is pulled back at a dramatic angle into the lower left corner, seeping blood from the mouth and from a slash across its neck. A quiver of arrows lies to the woman’s right, farther from us, on the moss-covered rock on which she is seated. More boulders behind her create the impression of hills, nearly filling the composition. Trees grow up against a corner of pale blue sky above.
Auguste Renoir, Diana, 1867, oil on canvas, Chester Dale Collection, 1963.10.205

Diana

Auguste Renoir · 1867 · oil on canvas ·  Accession ID  1963.10.205

Shown from the lap up, a pale-skinned woman wearing a floral-print dress holds a black lap dog in this vertical portrait painting. The woman’s body is angled to our right, and she gently smiles as she looks slightly down in that direction with blue eyes. She has a round face, rosy, smooth cheeks, pale pink lips, and a double chin. Her brown hair is mostly covered by a hat with a brown brim and pale yellow crown. A bloom of white feathers nestles at the top front of the hat. Her dress is pale pink with a floral pattern painted with dabs of yellow, red, blue, and green. A burgundy-red bow is tied around her neck and lies limply down her chest. The woman wears gold bracelets over pale olive-green gloves that stretch almost to her elbows. Her fingers are interlaced as she holds the shaggy black dog in her lap. The dog’s front paws rest over the woman’s right forearm, to our left. A table in the background to the right holds a wide-mouthed, lapis-blue vase painted with a yellow and orange bird and white flowers. The vase holds at least a dozen pink, red, and white flowers and greenery. The background is painted with strokes of turquoise and mint green. Some brushstrokes are visible, as in the flowers and the woman’s dress, and some brushstrokes are blended, as in the woman’s face. The artist signed the painting near the bottom right corner, “Renoir 83.”
Auguste Renoir, Mlle Charlotte Berthier, 1883, oil on canvas, Gift of Angelika Wertheim Frink, 1969.10.1

Mlle Charlotte Berthier

Auguste Renoir · 1883 · oil on canvas ·  Accession ID  1969.10.1

A pale-skinned young girl with blond hair, wearing a blue dress, stands in a garden in this vertical painting. The girl and background are painted with blended strokes, giving the scene and especially the girl a soft look. She faces our right and stands in the middle of the composition. Her shoulder-length cloud of hair is topped with a red bow, and long bangs frame her round face. Under faint brows, her sapphire-blue eyes look to our right. She has a petite nose, and her coral-pink mouth turns up in a slight smile. Her cobalt-blue dress is trimmed with wide, blue-white lace on the neckline, across the bottom hem, and down the front to either side of a row of white buttons. The white edges her petticoats come down to just below her knees, peeking out from under the flaring skirt. She wears white socks over blue ankle boots, which also have a row of white buttons down the side we can see. Her near hand is raised with her index finger hooked in the handle of a green watering can, and she holds two daisies by her side in her other hand. She stands on a path flecked with ivory white, pale purples, greens, and pink that curves up and to her left. A bush with emerald and pine-green leaves dotted with pink blooms fills the lower left corner. Behind her, green grass runs back to meet a profusion of pink, purple, and poppy-red plants and flowers that run along the top edge of the composition. The artist signed and dated the lower right, “Renoir. 76.”
Auguste Renoir, A Girl with a Watering Can, 1876, oil on canvas, Chester Dale Collection, 1963.10.206

A Girl with a Watering Can

Auguste Renoir · 1876 · oil on canvas ·  Accession ID  1963.10.206