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Silvana Bareggi

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This is a drawing of mythological figures and symbols. The image shows a group of figures in an elaborate procession or dance. The figures are muscular and scantily clad, some with horns and holding objects like a trident. The central figure holds a staff and could be wearing a crown of leaves. The figures are surrounded by elements like vessels, a cornucopia, and decorative details. The drawing displays meticulous detail and cross-hatching in the shading.
Netherlandish 16th Century, Cornelis Cort, Hieronymus Cock, Venus and Bacchus, 1556, engraving on laid paper, Ailsa Mellon Bruce Fund, 2017.194.1

Venus and Bacchus

Netherlandish 16th Century, Cornelis Cort, Hieronymus Cock · 1556 · engraving on laid paper ·  Accession ID  2017.194.1

The image displays swirling lines and shapes forming an abstract composition. In the center, a figure with exaggerated proportions is depicted. The surrounding colors are muted green and brown tones. Abstract curves and lines resemble trees or foliage and intermingle with dynamic motion. A circular motif at the bottom contains a bird-like shape. The overall scene is a lively blend of shapes hinting at a whimsical, storybook quality.
Giovanni Francesco Costa, Woman Riding a Man, c. 1747, etching, hand-colored with watercolor, on laid paper, New Century Fund, 2014.176.2

Woman Riding a Man

Giovanni Francesco Costa · c. 1747 · etching, hand-colored with watercolor, on laid paper ·  Accession ID  2014.176.2

This is a drawing of animals disembarking from an ark. Animals including pairs of goats, lions, and various creatures are moving down a ramp from a large boat-like structure. Birds are in the background flying overhead or perched. Several figures are near the ramp, observing the animals. The drawing is detailed, depicting a variety of animal life with attention to textures and forms, creating a dynamic scene.
Giulio Bonasone, Noah Leaving the Ark, 1544, engraving on laid paper, Ruth and Jacob Kainen Memorial Acquisition Fund, 2020.45.1

Noah Leaving the Ark

Giulio Bonasone · 1544 · engraving on laid paper ·  Accession ID  2020.45.1

This is a drawing of a collection of objects including figures, a parrot, and decorative vases. The drawing features a sculpted face, three figures in elaborate attire, and a parrot perched on a structure. Ornate vases and a smaller sculpture are positioned nearby. The style evokes a sense of baroque richness with a focus on fanciful decorations and a lively composition.
Giovanni Domenico Tiepolo, Kneeling Pages, a Mask, and a Parrot, 1770s, etching on laid paper [artist's working proof], The Ahmanson Foundation, 2008.89.1

Kneeling Pages, a Mask, and a Parrot

Giovanni Domenico Tiepolo · 1770s · etching on laid paper [artist's working proof] ·  Accession ID  2008.89.1

The image displays swirling lines and curved shapes forming an abstract design. A scallop shell is at the center, encircled by cherubic figures, dragons, and sea creatures. Abstract motifs of flowers, shells, and mythical beasts are present, along with arrows and shields, creating a fantastical scene merging nature and mythology.
Jost Amman, Water, 1568, etching on laid paper [proof without text], Ailsa Mellon Bruce Fund, 2011.78.3

Water

Jost Amman · 1568 · etching on laid paper [proof without text] ·  Accession ID  2011.78.3

This drawing features an ornate symmetrical design with a central leaf surrounded by decorative elements. The ornamentation includes natural and classical motifs, such as scrollwork, fruits, flowers, and mythological figures. The central focus is a large heart-shaped leaf with visible veins. The upper portion includes vases with flowers and a goat head, while small figures holding flowers are on either side. Lower elements like scythes, a sickle, and baskets suggest harvest and nature's cycle. Fine lines and high contrast contribute to the precision of the composition.
Jost Amman, Earth, 1568, etching on laid paper [proof without text], Ailsa Mellon Bruce Fund, 2011.78.1

Earth

Jost Amman · 1568 · etching on laid paper [proof without text] ·  Accession ID  2011.78.1

The image is an artwork depicting a close-up of two faces, that of a woman and a child, within a circular frame. The woman is in a side profile, leaning forward to touch her nose to the child's, with her arms gently holding the child close. Both have soft, delicate features. The woman's hair appears styled around her face, blending into the background, while the child has short, curly hair. The sketch does not distinctly show clothing but focuses mainly on the contact between the two faces. Below the circular frame, a detailed illustration of flowers lies across the bottom of the image. The background outside the circle is abstract and textured.
Luigi Conconi, Maternal Love, 1893, etching with monotype inking on chine collé, The Ahmanson Foundation, 2013.28.1

Maternal Love

Luigi Conconi · 1893 · etching with monotype inking on chine collé ·  Accession ID  2013.28.1

The image shows a narrow urban alley with buildings on either side, drawing the viewer's eye into the scene. The buildings converge at the end of the alley, suggesting depth. The artwork uses etching techniques with intricate lines to depict the buildings. A person is walking in the foreground, and another figure is partially hidden in a doorway on the right. The color palette is primarily black and white, emphasizing high contrast. Light and shadow create a chiaroscuro effect, highlighting the architectural forms and figures.
Telemaco Signorini, House of Dante da Castiglione [Casa di Dante da Castiglione], c. 1883, etching, The Ahmanson Foundation, 2013.28.6

House of Dante da Castiglione [Casa di Dante da Castiglione]

Telemaco Signorini · c. 1883 · etching ·  Accession ID  2013.28.6

The image depicts multiple individuals in 18th-century attire surrounding a central figure. The central figure is wearing a tricorn hat, a long coat, knee-length pants, stockings, and buckled shoes. The other figures are dressed in simpler attire, with differing poses, facial features, and hairstyles. A small dog stands in the foreground, and the background shows an indistinct interior space with a high ceiling.
Marco Alvise Pitteri, Portasi in Valle il Cavalier... (Arrival of the Master), 1763, engraving on laid paper, New Century Fund, Pepita Milmore Memorial Fund and Florian Carr Fund, 2014.176.14

Portasi in Valle il Cavalier... (Arrival of the Master)

Marco Alvise Pitteri · 1763 · engraving on laid paper ·  Accession ID  2014.176.14

The image displays swirling curves and overlapping lines creating an abstract composition. A flowing form occupies the central space, with a lion-like figure at the top, and a spherical object below. An open book and geometric shapes are also included. The background features radiating lines.
Giovanni Francesco Costa, Scholars Consulting Books and a Globe, c. 1747, etching, hand-colored with watercolor and gouache, on laid paper, New Century Fund, 2014.176.1

Scholars Consulting Books and a Globe

Giovanni Francesco Costa · c. 1747 · etching, hand-colored with watercolor and gouache, on laid paper ·  Accession ID  2014.176.1