Provenance

Jane Haslem Gallery

Explore selected works

See all 24 works of art
The image contains overlapping trapezoidal shapes formed by vertical lines, creating movement and depth. The shapes are in red and pink hues blending together, appearing like transparent sheets. These shapes overlap against a background of red and pink vertical stripes, resembling blinds or window slats. This gives the artwork a layered transparency and spatial interaction.
Julian Stanczak, Dedicated, 1971, screenprint, Gift of the Jane Haslem Gallery, 1974.45.2

Dedicated

Julian Stanczak · 1971 · screenprint ·  Accession ID  1974.45.2

""

Early Solar

Julian Stanczak · 1973 · screenprint ·  Accession ID  1974.45.4

The image shows parallel orange lines arranged in a grid pattern across four horizontal bands. The lines vary slightly in thickness and spacing, creating a sense of movement. The pattern resembles tightly packed string lights or venetian blinds. The orange color is mixed with yellow and pink accents.
Julian Stanczak, Shimmer, 1972, acrylic on canvas, Gift of the Jane Haslem Gallery, 1974.45.1

Shimmer

Julian Stanczak · 1972 · acrylic on canvas ·  Accession ID  1974.45.1

The image features interlocking geometric shapes, lines, and forms creating an abstract composition. A figure suggests a musician with arms extended playing a keyboard instrument. Additionally, abstract shapes resemble a drummer with sticks poised over a cylindrical form resembling a drum. Curved and angular lines add depth and dynamism, while shading and textural details evoke familiar objects like a microphone stand at the center of the composition.
Billy Morrow Jackson, After Hours, 1954, etching and aquatint in black on wove paper, Gift of Bob Stana and Tom Judy, 2017.148.26

After Hours

Billy Morrow Jackson · 1954 · etching and aquatint in black on wove paper ·  Accession ID  2017.148.26

The image displays a composition of curving lines and fragmented shapes that overlap and intersect throughout. The abstract arrangement features colors such as green, orange, pink, and yellow. The shapes resemble figures in motion, with limbs extending in various directions. The design evokes a sense of rhythm and movement, similar to a lively choreography captured on canvas.
Warrington Colescott, A Moonlight Swim, 1952, color screenprint on gray wove paper, Gift of Bob Stana and Tom Judy, 2016.148.8

A Moonlight Swim

Warrington Colescott · 1952 · color screenprint on gray wove paper ·  Accession ID  2016.148.8

The image shows a cultivated landscape with tended fields stretching out below. The viewpoint is slightly elevated, offering a wide view of the landscape. The horizon is high in the composition, with distant hills or mountains visible. The artwork features fine and detailed brushstrokes or etching, creating texture and movement across the land. The color scheme is monochromatic, primarily using shades of gray and black to contrast the land and sky. The overall impression is of a vast and serene landscape with meticulous cultivation.
Tom Edwards, Cultivated Landscape, 1982, etching in black on wove paper, Gift of Bob Stana and Tom Judy, 2019.109.34

Cultivated Landscape

Tom Edwards · 1982 · etching in black on wove paper ·  Accession ID  2019.109.34

The image features abstract shapes and lines on a dark background. The shapes intertwine and connect, forming a complex composition. The various configurations suggest forms like insects, wing-like patterns, tendrils, roots, musical instruments, and skeletal structures. The interconnected objects create a dense tapestry.
Gabor Peterdi, Dark Visit, 1948, etching and aquatint in black on wove paper, Gift of Bob Stana and Tom Judy, 2016.148.40

Dark Visit

Gabor Peterdi · 1948 · etching and aquatint in black on wove paper ·  Accession ID  2016.148.40

""

Time in Space

Mauricio Lasansky · 1946 · engraving, etching, and aquatint in black on wove paper ·  Accession ID  2017.148.37

The image features an array of small, evenly spaced squares forming a grid-like pattern. The squares vary in color, with deeper purples at the edges transitioning to brighter blues and teals towards the center. The overall composition gives an impression of depth and dimension.
Julian Stanczak, Filtration Eleven, 1977, screenprint blue and green on wove paper, Gift of Bob Stana and Tom Judy, 2016.148.49

Filtration Eleven

Julian Stanczak · 1977 · screenprint blue and green on wove paper ·  Accession ID  2016.148.49

The image shows overlapping rectangular shapes in shades of orange and yellow, with thin vertical lines running across the artwork. The composition resembles sunlit blocks or panels stacked on top of each other, creating a sense of depth and movement through warm colors and a linear pattern.
Julian Stanczak, Dimensional, 1971, screenprint, Gift of the Jane Haslem Gallery, 1974.45.3

Dimensional

Julian Stanczak · 1971 · screenprint ·  Accession ID  1974.45.3