Provenance

Jane Haslem Gallery

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The image shows two sections divided by a vertical line. On the left side, there is a figure in a striped top and pants leaning forward and extending their arm. On the right side, another figure, a girl in a dress, sits back with their knees bent.
Anthony Gorny, H. T. A. D., 1974, color etching and aquatint on wove paper, Gift of Bob Stana and Tom Judy, 2017.148.23

H. T. A. D.

Anthony Gorny · 1974 · color etching and aquatint on wove paper ·  Accession ID  2017.148.23

The image shows a series of curved lines and elliptical shapes intersecting with horizontal and vertical elements, creating an abstract composition. The central form has smooth, rounded edges and a segmented pattern. Surrounding elements have grid-like patterns and features that could be interpreted as vents or windows. Shading is used to add depth and a sense of three-dimensionality.
Lee Bontecou, Frank Akers, Universal Limited Art Editions, Thirteenth Stone, 1966-1970, lithograph on wove paper, Gift of Werner H. and Sarah-Ann Kramarsky, 1993.22.1

Thirteenth Stone

Lee Bontecou, Frank Akers, Universal Limited Art Editions · 1966-1970 · lithograph on wove paper ·  Accession ID  1993.22.1

The image features intersecting lines and irregular shapes forming an abstract composition. The elements create a design reminiscent of a garden with shapes resembling leaves, flowers, and stems defined by vertical and diagonal lines. Vibrant colors such as red, yellow, blue, and green are abstractly suggestive of blossoms. The overall effect is akin to viewing a scene through a stained glass window, hinting at an outdoor setting with abstract visual cues.
Clare Romano, Summer Garden, 1958, color collagraph on red laid paper, Gift of Bob Stana and Tom Judy, 2016.148.43

Summer Garden

Clare Romano · 1958 · color collagraph on red laid paper ·  Accession ID  2016.148.43

The image contains a series of panels with vertical and horizontal lines creating rectangular shapes in an abstract composition. Figures, some resembling human forms, are depicted in the scene, appearing confined or grouped closely together. The central figures wear uniforms resembling those of police or security personnel, suggesting authority. The combination of abstract patterns and recognizable forms conveys a sense of containment.
Warrington Colescott, In Birmingham Jail, 1963, color hardground and softground etching, aquatint, and drypoint on wove paper, Gift of Bob Stana and Tom Judy, 2015.115.12

In Birmingham Jail

Warrington Colescott · 1963 · color hardground and softground etching, aquatint, and drypoint on wove paper ·  Accession ID  2015.115.12

The image features intertwining shapes and lines creating an abstract assembly. In the foreground, two large, overlapping profiles of faces. Within the abstract scene, various figures engaging in tasks resembling an art studio or printing room, with tools and equipment scattered about. The room is framed by angular and linear structures resembling a window or skylight. The composition creates a tapestry of different activities, blending into each other, evoking an industrious and creative atmosphere.
Warrington Colescott, Mantegna Press, S. W. Hayter Discovers Viscosity Printing, 1976, color softground etching, aquatint, engraving, and stenciled relief on Arches wove paper, Gift of Bob Stana and Tom Judy, 2019.109.23

S. W. Hayter Discovers Viscosity Printing

Warrington Colescott, Mantegna Press · 1976 · color softground etching, aquatint, engraving, and stenciled relief on Arches wove paper ·  Accession ID  2019.109.23

The image shows a person with a bird perched on their right arm. The person is intricately designed with heavy textured lines and detailed features, including a focused expression. They are wearing a suit with bold, flowing lines. The bird is also intricately drawn with detailed feathers. Surrounding the person are swirling lines and shapes creating an abstract background. There are no visible jewelry pieces, and the background is a simple, light plane contrasting with the complexity of the black line work.
Leonard Baskin, Man of Peace, 1952, woodcut in black on wove paper, Ailsa Mellon Bruce Fund, 1981.20.2

Man of Peace

Leonard Baskin · 1952 · woodcut in black on wove paper ·  Accession ID  1981.20.2

This is a drawing of a figure seated in a contemplative posture. The image is rendered in a monochromatic color scheme, utilizing varying shades of black and white. The composition is centered around a figure seated on what appears to be a chair, with blurred, swirling lines creating the impression of movement. The figure's posture is one of contemplation, enhanced by the play of light and shadow that adds depth to the form. The background is textured and somewhat abstract, with light streaming in from a window, illuminating the scene. The use of rough lines and the dark palette contribute to a somber mood, and the overall style is suggestive of expressionism. The environment is sparse and undefined.
Michael Mazur, The Occupant, 1962, etching and aquatint in black on Fabriano Murillo wove paper, Gift of Bob Stana and Tom Judy, 2019.109.51

The Occupant

Michael Mazur · 1962 · etching and aquatint in black on Fabriano Murillo wove paper ·  Accession ID  2019.109.51

The image shows overlapping rectangular shapes in shades of orange and yellow, with thin vertical lines running across the artwork. The composition resembles sunlit blocks or panels stacked on top of each other, creating a sense of depth and movement through warm colors and a linear pattern.
Julian Stanczak, Dimensional, 1971, screenprint, Gift of the Jane Haslem Gallery, 1974.45.3

Dimensional

Julian Stanczak · 1971 · screenprint ·  Accession ID  1974.45.3

The image features an array of small, evenly spaced squares forming a grid-like pattern. The squares vary in color, with deeper purples at the edges transitioning to brighter blues and teals towards the center. The overall composition gives an impression of depth and dimension.
Julian Stanczak, Filtration Eleven, 1977, screenprint blue and green on wove paper, Gift of Bob Stana and Tom Judy, 2016.148.49

Filtration Eleven

Julian Stanczak · 1977 · screenprint blue and green on wove paper ·  Accession ID  2016.148.49

The image contains intricate shapes and lines, forming an abstract narrative of space exploration. Geometric forms resembling astronauts and a lunar module are at the top, with a cosmic background. Below are circular phases akin to the moon's cycle, with an Earth-like orb in the center. Further down, figures in spacesuits appear from a blue pattern, evoking a space shuttle scene. Rockets, spacecraft, and celestial motifs are integrated into the background, connecting human technology with a space journey.
Rudy Pozzatti, Apollo, 1970, color etching and aquatint on wove paper, Gift of Bob Stana and Tom Judy, 2016.148.41

Apollo

Rudy Pozzatti · 1970 · color etching and aquatint on wove paper ·  Accession ID  2016.148.41