Provenance

Mrs. Ruth Carter Stevenson

Johnson, J. Lee III Mrs.
Johnson, Ruth Carter Mrs.
Stevenson, John R. Mrs.
Stevenson, Ruth Carter Johnson

American, 1923 - 2013

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See all 27 works of art
The painting depicts a rural landscape from a distance, showing a hill, houses, and trees. At the bottom of the painting is a body of water with two green banks on either side. The water reflects the green surroundings. On the right, a grassy path with rocks cuts across the landscape. Behind the water is a hill in the distance, with several small buildings on its top. At the base of the hill are several small figures on a grassy field, perhaps a mixture of humans and animals. The colors are predominately shades of green and brown, with some hints of rusty orange. The sky takes up the top half of the image and is a light blue color. Light brushstrokes are visible in the sky.
Henri-Joseph Harpignies, Landscape in Auvergne, 1870, oil on canvas, Gift of Ruth Carter Stevenson in memory of Philip Conisbee, 2008.132.1

Landscape in Auvergne

Henri-Joseph Harpignies · 1870 · oil on canvas ·  Accession ID  2008.132.1

The image displays an assortment of rectangular and irregular shapes in blue and yellow hues scattered across the canvas. The composition combines blocks of color resembling puzzle pieces or patches of sky. The streaks and swirls convey movement, suggesting light filtering through leaves or reflections on water. The layered brushstrokes and tones form a textured landscape reminiscent of nature.
William Kienbusch, Summertime, 1962, casein, Gift of Ruth Carter Johnson, 1982.65.1

Summertime

William Kienbusch · 1962 · casein ·  Accession ID  1982.65.1

The image depicts an abstract composition of geometric shapes and lines. Rectangles, squares, zigzagged, and curved lines are arranged in a dynamic layout on the canvas. The colors of red, yellow, blue, and black dominate the scene, resembling pieces of a puzzle or segments of a comic strip. Bold black outlines define each figure, reminiscent of stained glass or illustration. Some shapes suggest flags, doors, and abstracted architectural structures, evoking a fragmented cityscape or modernist patchwork quilt.
Joaquín Torres-García, Port of Uruguay, 1933, gouache over graphite on paperboard, Gift of Mrs. Ruth Carter Johnson, 1980.54.1

Port of Uruguay

Joaquín Torres-García · 1933 · gouache over graphite on paperboard ·  Accession ID  1980.54.1

This abstract image features a composition of intersecting lines and shapes creating a textured design. There are etched lines giving a sense of motion, and fluid curves resembling drapery. The background includes crosshatched patterns and dots, adding depth. The overall artwork encourages viewers to interpret familiar objects like birds, textiles, or natural formations within its intricate design.
Anton Lehmden, Hemd (Shirt), 1960, etching in black on wove paper, Gift of Ruth Carter Stevenson, 1996.90.14

Hemd (Shirt)

Anton Lehmden · 1960 · etching in black on wove paper ·  Accession ID  1996.90.14

This is a drawing of a Romanesque-style building resembling an ancient amphitheater. The drawing also includes a natural landscape with undulating forms, potentially mountains or hills. Abstract shapes are included in the foreground next to the detailed architectural structure. Swirling strokes in the background add to the overall surreal effect of the image.
Anton Lehmden, Marcellus-Theater (Theater of Marcellus), 1961, etching in black on wove paper, Gift of Ruth Carter Stevenson, 1996.90.16

Marcellus-Theater (Theater of Marcellus)

Anton Lehmden · 1961 · etching in black on wove paper ·  Accession ID  1996.90.16

The image shows intersecting curved lines creating an abstract composition. In the center, a small cube structure resembles a house with a single window or opening. Surrounding shapes form a tall figure, resembling a hunched or seated humanoid with a suggestion of an oval face near the top.
Anton Lehmden, Katakombe (Catacomb), 1960, etching in black on wove paper, Gift of Ruth Carter Stevenson, 1996.90.7

Katakombe (Catacomb)

Anton Lehmden · 1960 · etching in black on wove paper ·  Accession ID  1996.90.7

The image shows an aerial view of a cityscape with intricate linework. The scene features swirling patterns suggesting movement across water or land. The monochromatic palette includes shades of beige and dark brown to create depth and texture. A prominent archway leads to historical buildings in the foreground, while the upper part of the image shows lines conveying a dynamic sense of motion.
Anton Lehmden, Tiberinsel (Island in the Tiber River), 1961, etching in black on wove paper, Gift of Ruth Carter Stevenson, 1996.90.15

Tiberinsel (Island in the Tiber River)

Anton Lehmden · 1961 · etching in black on wove paper ·  Accession ID  1996.90.15

The image depicts an aerial view of a historical and architecturally significant landscape. A pathway made of small stones is in the center, surrounded by structures of varying heights. Some notable structures include a round tower on the left and a tower-like structure on a rocky hill to the right. The etching shows detailed textures of brickwork, rocky surfaces, and vegetation in black and white tones. The style gives a sense of history, resembling medieval or traditional sketches.
Anton Lehmden, Via Appia (Appian Way), 1960, etching in black on wove paper, Gift of Ruth Carter Stevenson, 1996.90.19

Via Appia (Appian Way)

Anton Lehmden · 1960 · etching in black on wove paper ·  Accession ID  1996.90.19

The image displays intricate lines and a combination of curves and angular shapes creating an abstract composition. In the center, there is a structure resembling a cylindrical tower with a brick-like pattern on its surface. Surrounding the tower are intersecting lines and arcs suggesting architectural elements like walls or fortifications. In the upper left, there is a dome-like form with radial lines. The overall scene resembles an imaginative cityscape or fortress, blending reality and creativity.
Anton Lehmden, Engelsburg (Castel Sant'Angelo), 1961, etching in black on wove paper, Gift of Ruth Carter Stevenson, 1996.90.8

Engelsburg (Castel Sant'Angelo)

Anton Lehmden · 1961 · etching in black on wove paper ·  Accession ID  1996.90.8

The image shows a detailed rock formation with various plants, stylized trees in the distance, intricate brushstrokes depicting swirling patterns on the rock, and dense vegetation covering the rock and reaching towards the sky. The color scheme is black and white, emphasizing texture and depth.
Anton Lehmden, Garten (Garden), 1959, etching in black on wove paper, Gift of Ruth Carter Stevenson, 1996.90.6

Garten (Garden)

Anton Lehmden · 1959 · etching in black on wove paper ·  Accession ID  1996.90.6