Provenance

June Wayne

Wayne, June C.
Wayne, June Claire

American, 1918 - 2011

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The image depicts swirling, elongated lines and shapes converging into a central figure, creating an abstract composition. The forms resemble the intertwining of organic elements, merging into a human form with raised arms. The background consists of darker, textured areas contrasting with the lighter forms.
Wayne Simpkins, Madonna with Upraised Horns, lithograph, Gift of June Wayne, 1974.99.143

Madonna with Upraised Horns

Wayne Simpkins · · lithograph ·  Accession ID  1974.99.143

The image shows a large rectangular shape filled with varying textures and scattered lines resembling short, delicate strokes. The surface features a warm, ochre tone that transitions subtly and the edges have a texture similar to stained parchment or a weathered wall. Small colored dots, one orange and a faint green, punctuate the space. The image's abstract nature invites viewers to draw connections to familiar natural surfaces.
Cheryl Olsen Bowers, Map for Encounter with Hariless Government Heads, lithograph, Gift of June Wayne, 1974.99.25

Map for Encounter with Hariless Government Heads

Cheryl Olsen Bowers · · lithograph ·  Accession ID  1974.99.25

The image shows rectangular shapes in a grid pattern with intersecting diagonal lines. The composition includes various textures and colors like tan, blue, green, and orange, resembling patchwork or quilt fabric. The rectangles and lines create a tapestry-like design.
Joyce Kozloff, Christopher Cordes, Tamarind Institute, Taos Pueblo, 1972, color lithograph on wove Rives BFK paper, Gift of June Wayne, 1974.99.96

Taos Pueblo

Joyce Kozloff, Christopher Cordes, Tamarind Institute · 1972 · color lithograph on wove Rives BFK paper ·  Accession ID  1974.99.96

The image shows a horizontal black strip with textured speckles and scattered lines on a white background.
Albert Christ-Janer, Untitled, color lithograph, Gift of June Wayne, 1974.99.53

Untitled

Albert Christ-Janer · · color lithograph ·  Accession ID  1974.99.53

The image includes rectangular shapes arranged into six equal sections, each recessed into the plane of the drawing. Within these compartments are smooth, round spheres placed in various positions. The composition appears like segmented boxes or a bookshelf, with each section containing a ball. Sharp lines and contrasts emphasize the geometric forms, creating a visual interplay where the spheres appear to defy gravity within their confined spaces.
David Richard Smyth, Untitled, 1972, lithograph, Gift of June Wayne, 1974.99.146

Untitled

David Richard Smyth · 1972 · lithograph ·  Accession ID  1974.99.146

The image features textured arcs and lines in black and white, creating a layered landscape. Diagonal lines intersect, resembling hills or dunes under ambient light. The artwork evokes geological formations with smooth and grainy textures, offering an abstract depiction of nature.
Albert Christ-Janer, Untitled, color lithograph, Gift of June Wayne, 1974.99.42

Untitled

Albert Christ-Janer · · color lithograph ·  Accession ID  1974.99.42

The image features an elongated, irregular vertical shape against a gradient background of teal and light aqua. Linear geometries like a faint triangular outline are interspersed amid the textured layers. Small, dark, round shapes float nearby.
Matsumi Kanemitsu, North Wind I, 1977, color lithograph, Gift of June Wayne, 1977.54.5

North Wind I

Matsumi Kanemitsu · 1977 · color lithograph ·  Accession ID  1977.54.5

This is a photograph of a printed document. The document describes a suite of nine original lithographs by Leonard Lehrer, drawn and hand-printed at Tamarind Institute in Albuquerque, New Mexico, during August 1971 through February 1972. The edition consists of twenty numbered impressions on calendered Rives BFK paper and additional prints, involving several collaborating printers. The printing was supervised by John Sommers, a Tamarind Master Printer. The text is neatly centered and typed in a serif font on a light background, with a margin surrounding the text, detailing information about the lithographs and the printing process.
Leonard Lehrer, Colophon, 1972, lithograph, Gift of June Wayne, 1974.99.114

Colophon

Leonard Lehrer · 1972 · lithograph ·  Accession ID  1974.99.114

The image shows a close-up of a person's face filling a circular frame. The individual is facing forward with prominent facial features, including full lips and a strong gaze. Their hair is styled in a natural, rounded afro. They are not wearing any visible clothing or jewelry. Below their face is a vivid red rose against a light-colored background.
Charles White, Love Letter II (Fannie Lou Hamer), 1977, color lithograph, Gift of June Wayne, 1977.54.12

Love Letter II (Fannie Lou Hamer)

Charles White · 1977 · color lithograph ·  Accession ID  1977.54.12

The image features smoothly curving, wavelike shapes that intertwine and overlap with one another. The colors transition from teal to brown, resembling twisting ribbons or swirling folds of fabric. The shapes form a series of elongated S shapes, creating a graceful flow across the canvas.
Samia Asaad Halaby, Tamarind Institute, Untitled, 1972, color lithograph, Gift of June Wayne, 1974.99.90

Untitled

Samia Asaad Halaby, Tamarind Institute · 1972 · color lithograph ·  Accession ID  1974.99.90