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Open 10:00 a.m.–5:00 p.m.

National Gallery of Art

  • Visit

    • Plan Your Visit
    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Tours and Guides
    • Explore the Campus

    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    East building

    Must-Sees at the National Gallery

    Make the most of your visit

    Learn more

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events

    America’s 250th

    Celebrating American art and artists

  • Art & Artists

    • Artworks
    • Artists
    • Stories
    • Fun and Games
    • Educational Resources
    • Research

    Open Call

    Artists Reimagining the Collection

    Meet the 50 makers selected from more than 1,600 submissions

Utility

  • Support
  • Shop
  • Become a Member

  • Visit

    • Plan Your Visit
    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Tours and Guides
    • Explore the Campus

    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    East building

    Must-Sees at the National Gallery

    Make the most of your visit

    Learn more

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events

    America’s 250th

    Celebrating American art and artists

  • Art & Artists

    • Artworks
    • Artists
    • Stories
    • Fun and Games
    • Educational Resources
    • Research

    Open Call

    Artists Reimagining the Collection

    Meet the 50 makers selected from more than 1,600 submissions

Utility

  • Support
  • Shop
  • Become a Member

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  • Open 10:00 a.m.–5:00 p.m.
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    3. Eugène Deudon
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    Eugène Deudon

    French, 1841 - 1916

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    Artwork

    A pale-skinned girl wearing an arctic-blue ballet costume stands looking at us and almost fills this vertical painting. The scene is painted with blended strokes, giving it a soft, almost blurry look. In pale pink ballet slippers, she stands with her feet in fifth position, so the toes are turned out while her feet are almost parallel, the heel of the front foot touching the toes of the other. Her body faces our left, and she turns her head to look at us with blue eyes. She has delicate, dark brows, rosy cheeks, and full pink lips. Her long honey-brown hair is tied with a sky-blue ribbon like a headband. The fitted bodice of her pale blue dress has a lapis-blue bow at the chest, and the short sleeves tie around the sides of her shoulders. A sash around her middle is also lapis blue. The knee-length tutu has layers of light fabric, and seems to fly up behind her. She wears a black choker necklace and a black bracelet on each wrist. She holds a white object, perhaps a lacy handkerchief, in her right hand at her waist. Her other arm, closer to us, hangs down by her side as she touches the tutu. The background is painted with strokes of spring, sage, and pine green with touches of teal blue. The artist signed and dated the lower right, “A. Renoir. 74.”
    Auguste Renoir, The Dancer, 1874, oil on canvas, Widener Collection, 1942.9.72

    The Dancer

    The Dancer

    Auguste Renoir · 1874 · oil on canvas ·  Accession ID  1942.9.72

    Artwork

    In a darkened room, two women sit at a round table near a man who stands leaning against a fireplace mantle, all illuminated only by a soft, yellow light from a ceiling lamp hanging over the table in this nearly square painting. All the people are light skinned and have brown or dark hair. The brushwork throughout is loose and details are indistinct. The brightest object in the room, the light, has a flaring shade over a spherical body, and hangs from three curling, scrolling arms. Painted in butter and golden yellow, it seems to be made from brass. The table is bare except for a white teapot and two small, white teacups on saucers near the women who sit to our right. The women have turned their wooden chairs to face each other next to the table, so the one closer to us sits with her back to us. Both have brown hair pulled up in buns, and they look down at their hands. The woman farther away wears a pine-green dress with white trim at the cuffs, and the one facing away from us wears a slate-blue, high-necked dress with a white collar. The one who faces us wears holds something white in her hands, presumably needlework. A third chair at the table, closest to us, is turned toward the women, but is empty. The man stands in semi-darkness behind the two women next to a glowing fireplace. He has a full beard and wears a black suit. He leans on the mantel with his left arm, on our right, with his other hand on his hip. Though his eyes are deeply shaded, he seems to look down at the woman in the blue-gray dress. A large mirror over the fireplace reflects the heads of the man and the woman facing us, as well as the back of a blue-gray lidded vase on the mantel and a clock hanging on the opposite wall, out of our view. A curtain runs along the wall beyond the fireplace and is painted with the suggestion of a floral pattern in strokes of forest green, burnt orange, gray, and tan. The rest of the room is swallowed in shadowy areas of dusky browns, grays, and tans. The artist signed the work in red letters in the lower left corner: “Claude Monet.”
    Claude Monet, Interior, after Dinner, 1868/1869, oil on canvas, Collection of Mr. and Mrs. Paul Mellon, 1983.1.26

    Interior, after Dinner

    Interior, after Dinner

    Claude Monet · 1868/1869 · oil on canvas ·  Accession ID  1983.1.26

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