Provenance

Frederick Keppel & Co.

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The image shows a ship with large masts dominating the horizon. The scene is illuminated by soft, diffused light, creating a silhouette of the ship against a darker backdrop. The horizon is high in the composition, emphasizing the ship's structure. The artwork features fine engraving or etching with horizontal lines across the water's surface. The color palette is sepia, with deep browns and soft golds accentuating the contrast between light and shadow. The water reflects the ship's image in gentle ripples, extending into the distance where the ship is outlined against the dark sky.
Kerr Eby, Night Loading, 1930, etching in black on Médian laid paper, Corcoran Collection (Museum Purchase, Mary E. Maxwell Fund, 1931), 2015.19.344

Night Loading

Kerr Eby · 1930 · etching in black on Médian laid paper ·  Accession ID  2015.19.344

The image displays an etching featuring an individual seen from the side, emphasizing the head, torso, and upper part of the legs. The person is seated with a slight leftward body turn, maintaining an upright posture. They have curly hair and a delicate facial profile with a prominent nose. The clothing is depicted with fine lines and shading, and they are holding a small, dark object on their lap. The background is simple, directing attention to the figure. The piece is signed by Whistler in the bottom right corner, along with the date 1859.
James McNeill Whistler, Bibi Lalouette, 1859, etching and drypoint in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.405

Bibi Lalouette

James McNeill Whistler · 1859 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.405

The image shows a man in profile view with distinct facial features, a light brown, medium-length hair, and wearing a dark flat cap and a patterned robe. The background features a green pattern of scrolls and floral designs. Below the portrait is a text panel in bold, serif typeface.
Daniel Hopfer, Hieronymus Hopfer, Emperor Charles V, 1520 (1521?), etching (iron) with open biting and unique contemporary hand-coloring in green, red, yellow, pink and brown, Purchased as the Gift of Ladislaus and Beatrix von Hoffmann, 2011.102.1

Emperor Charles V

Daniel Hopfer, Hieronymus Hopfer · 1520 (1521?) · etching (iron) with open biting and unique contemporary hand-coloring in green, red, yellow, pink and brown ·  Accession ID  2011.102.1

The drawing depicts a figure bending forward, with their back towards the viewer. The figure's body has abstract and disproportionate features, like elongated limbs and a large, exaggerated head. The use of shading and bold lines create depth and contrast. The drawing style suggests an exploration of form and movement in a minimalist and abstract manner.
George Bellows, Study for "Riverfront No. 1", c. 1915, conté crayon on wove paper, Corcoran Collection (Museum Purchase through a gift of Emily Crane Chadbourne, Charles C. Glover, Jr., and Arthur C. Nash, 1977), 2015.19.2612

Study for "Riverfront No. 1"

George Bellows · c. 1915 · conté crayon on wove paper ·  Accession ID  2015.19.2612

The image shows a young child in a relaxed seated pose. The child has a slight lean, with their head tilted and gazing straight ahead. The facial features are depicted with large eyes, a small nose, and medium-length hair. The child wears a loose-fitting outfit with long sleeves and a high collar. They are barefoot, with one leg extended forward and the other bent at the knee. The background is minimalistic with faint horizontal lines.
James McNeill Whistler, Bibi Valentin, 1859, etching and drypoint in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.430

Bibi Valentin

James McNeill Whistler · 1859 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.430

The image features a view looking slightly upward at an old, rustic building. The focus is on the structure itself, displaying detailed textures created through etching. The building is depicted with intricate lines, conveying the appearance of weathered wood and aged masonry. Near an entrance, a figure is seen standing in a shadowed area, adding depth and scale to the scene. The color palette is monochromatic, using shades of black, grey, and off-white to evoke antiquity and somberness. The background is obscured, highlighting the building within the frame.
James McNeill Whistler, The Unsafe Tenement, 1858, etching in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.429

The Unsafe Tenement

James McNeill Whistler · 1858 · etching in black on laid paper ·  Accession ID  2015.19.429

The image is an etching of a harbor scene showing various activities. Several sailboats are tightly lined up with their masts reaching up. A stairway on the left leads to buildings. People and animals are depicted with fine lines. The artwork has a monochromatic color scheme. In the distance, a bridge and skyline complete the harbor background.
James McNeill Whistler, Billingsgate, 1859, etching and drypoint in black on laid paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1531

Billingsgate

James McNeill Whistler · 1859 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.1531

This is a drawing of an indoor scene with tables and chairs. The image depicts a rustic interior setting, likely a cafe or tavern, featuring several figures seated at tables. There is a table with a tray, a knife, and a glass. The lines are sketchy and loosely detailed, capturing an informal atmosphere. The background shows details such as the wooden roof and walls. The drawing employs techniques of etching or line drawing, indicated by fine lines and shaded areas.
James McNeill Whistler, Soupe à Trois Sous, 1859, etching in black on laid paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1492

Soupe à Trois Sous

James McNeill Whistler · 1859 · etching in black on laid paper ·  Accession ID  2015.19.1492

This is a drawing of an interior scene with two figures. The drawing depicts a rustic indoor space with rough and textured walls. There are two figures in the back of the room, one seated and the other standing. A table with bowls and items is between them. Shadows from the light source emphasize the textures of the space. The perspective leads the eye into the scene, showcasing the interior's humble characteristics. Textiles or cloth hang on the left side of the image.
James McNeill Whistler, Rag Pickers, Quartier Mouffetard, Paris, 1858, etching and drypoint in black on laid paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1491

Rag Pickers, Quartier Mouffetard, Paris

James McNeill Whistler · 1858 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.1491

The image shows an etching of an archway and open space, evoking a courtyard. The view is slightly angled, revealing the covered area and a distant section with a small cart or horse-drawn carriage. The horizon is obscured by the arch and shadow, with dark foliage etched above. The etching technique consists of fine lines for shadows and textures, creating a soft quality. Figures are depicted on the left and seated individuals around a table on the right, adding depth and activity to the scene. The color palette is monochrome, using variations of sepia tones for an antique feel.
James McNeill Whistler, The Traghetto, No. 2, 1880, etching and drypoint in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.428

The Traghetto, No. 2

James McNeill Whistler · 1880 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.428