Provenance

Matthew and Ann Nimetz

Nimetz, Matthew

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This is a black and white drawing of a chaotic scene in a town at night. The detailed image features people gathered outdoors under a crescent moon. A woman lies on the ground in front of them next to various objects including a lantern, a bag, papers, and bottles. One paper reads, "Here Lieth the Body." The figures show expressions of confusion, panic, or distress with one pointing and others conversing. The background shows a tall brick building, trees, and a distant building. The scene suggests an alarming event among the onlookers.
John Bell, Cruelty in Perfection, 1750, woodcut on thick laid paper, Purchased as the Gift of Ann and Matthew Nimetz, 2012.2.1

Cruelty in Perfection

John Bell · 1750 · woodcut on thick laid paper ·  Accession ID  2012.2.1

The image features a dense woodland area with an arrangement of trees. The horizon is not visible, as the focus is on the trees and foliage. The composition shows a network of trunks and branches, with a central tree trunk standing prominently. The style of the brushstrokes is textured and sketch-like, depicting detail and movement in the bark and foliage. The color palette is monochrome, with varying shades of black, white, and grey creating contrast between the tree trunks and the background.
Mosè Bianchi, Woods in the Park near Monza, 1895, etching, softground etching, and aquatint on wove paper, Purchased as the Gift of Ann and Matthew Nimetz, 2013.115.2

Woods in the Park near Monza

Mosè Bianchi · 1895 · etching, softground etching, and aquatint on wove paper ·  Accession ID  2013.115.2

The image shows a boy sitting in an ornate chair with his full body visible. He is leaning slightly to his left with his arms resting on the armrests. The boy has short, curly hair and a neutral expression. He is wearing a loose garment with a darker collar and his legs are covered with darker fabric. There is no visible jewelry or objects. The background consists of a textured, shadowy wall and a minimalistic floor.
Mosè Bianchi, Seated Acolyte, c. 1872, etching with roulette and aquatint (artist's proof), Purchased as the Gift of Ann and Matthew Nimetz, 2016.82.1

Seated Acolyte

Mosè Bianchi · c. 1872 · etching with roulette and aquatint (artist's proof) ·  Accession ID  2016.82.1

The image shows a person's upper body in a seated or reclining position, turned slightly to the side. One hand is brought up to their chin in a contemplative manner. The face is detailed with a focused gaze and prominent features. The individual has short hair covered by a draped fabric forming a hood around their head. They wear a robe or cloak that matches the head covering. The background consists of swirling, crosshatched lines creating depth and texture, with no distinct objects or scenery visible.
Adolfo De Carolis, Gabriele D'Annunzio, c. 1910, etching with monotone wiping, printed in dark brown on buff wove paper, Purchased as the Gift of Ann and Matthew Nimetz, 2014.81.2

Gabriele D'Annunzio

Adolfo De Carolis · c. 1910 · etching with monotone wiping, printed in dark brown on buff wove paper ·  Accession ID  2014.81.2

This is a monochrome print showcasing a landscape. In the distance, an industrial setting is depicted, featuring thin trees and industrial chimneys emitting smoke. The sky is lighter in contrast. The foreground shows various textures, with rough, slightly abstract forms suggesting terrain or fields. The color palette is limited to shades of grey and black, emphasizing the industrial atmosphere. Delicate linear etchings create detailed yet sketch-like textures throughout the scene.
Umberto Boccioni, Periphery [Periferia], 1908, drypoint in black, Purchased as the Gift of Ann and Matthew Nimetz, 2014.102.1

Periphery [Periferia]

Umberto Boccioni · 1908 · drypoint in black ·  Accession ID  2014.102.1

The image depicts a pastoral scene with a shepherd riding a donkey surrounded by sheep. The horizon is visible through sketched foliage. The etching technique conveys textures like the wool of sheep and tree foliage. The color palette is monochromatic using shades of grey and black for depth. Sheep and donkey show detailed textures, while trees and foliage extend into a soft background.
Giovanni Benedetto Castiglione, Young Shepherd on Horseback, 1638, etching on laid paper, Purchased as the Gift of Ann and Matthew Nimetz and Ailsa Mellon Bruce Fund, 2016.166.1

Young Shepherd on Horseback

Giovanni Benedetto Castiglione · 1638 · etching on laid paper ·  Accession ID  2016.166.1

This is a painting of a dimly lit interior of a cathedral or chapel. The interior features towering arches and columns, decorative wrought iron railings, intricate carvings, stained glass windows, and stone walls. The lighting creates dramatic play of light and shadows within the large space. The overall atmosphere is quiet and serene, potentially depicting a moment of solitude or prayer.
Lionello Balestrieri, Matins, c. 1905, aquatint with etching on wove paper, Purchased as the Gift of Ann and Matthew Nimetz, 2016.82.2

Matins

Lionello Balestrieri · c. 1905 · aquatint with etching on wove paper ·  Accession ID  2016.82.2

This is a drawing of a gathering with a mythical theme. The image shows a group of figures in dynamic motion. To the left, there is a circular temple-like structure with Corinthian columns, inside of which a statue stands prominently. Figures are congregated around the temple, gesturing and engaged with one another. To the right, a figure on a chariot drawn by horses is depicted in a dramatic pose. The background shows an architectural and natural setting with ancient buildings and trees. The detailed line work creates a sense of depth and vibrancy across the tableau.
Pietro Testa, Camma and Sinorix, c. 1635/1645, etching on laid paper, Gift of Ann and Matthew Nimetz, 2021.24.3

Camma and Sinorix

Pietro Testa · c. 1635/1645 · etching on laid paper ·  Accession ID  2021.24.3

The image depicts a countryside landscape from an elevated perspective. The sun partially emerges from clouds at the upper center, casting rays across the sky. A train of clouds stretches along the horizon, adding depth. The scene is rendered with stippling, creating texture and shading. The color palette is monochromatic in sepia tones. In the foreground, there is a silhouetted tree and a building with a tiled roof.
Luigi Russolo, Morning (Mattino), 1910, etching and aquatint on wove paper, Purchased as the Gift of Ann and Matthew Nimetz, 2014.64.2

Morning (Mattino)

Luigi Russolo · 1910 · etching and aquatint on wove paper ·  Accession ID  2014.64.2

The image shows a rural village with a church tower slightly to the right of the center. The viewpoint appears elevated, overlooking the village landscape with a low horizon line where fields meet structures. The church tower stands out against the sky. The etching displays precise lines detailing buildings and tree foliage. Figures, including a person with a walking stick and a dog, are in the foreground, with cattle and sheep in the field. Houses with thatched roofs and trees lead to the dominating church tower in the distance. The color scheme is monochromatic, using shades of black and white for contrast and depth.
Esaias van de Velde I, Johannes Pietersz Berendrecht, Landscape with a Meadow and a Village Church, c. 1615, etching on laid paper, Purchased as the Gift of Ann and Matthew Nimetz, 2016.36.3

Landscape with a Meadow and a Village Church

Esaias van de Velde I, Johannes Pietersz Berendrecht · c. 1615 · etching on laid paper ·  Accession ID  2016.36.3