Provenance

Estate of Brassaï

de Gouvion Saint-Cyr, Agnès

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The image shows a carved representation of a human face on a textured surface. The face is depicted using basic lines and shapes, with two round indentations for eyes, an elongated indentation for the nose, and a line or space for the mouth. Lines suggest hair on top of the head. The background is a stone-like surface with scratches and imperfections. No other objects are depicted.
Brassaï, Untitled, c. 1931-1960, gelatin silver print, Gift of Madame Gilberte Brassaï Estate, 2013.5.19

Untitled

Brassaï · c. 1931-1960 · gelatin silver print ·  Accession ID  2013.5.19

The image shows a row of metal chairs stacked together in a snowy environment. The point of view is slightly elevated, looking down at the chairs. The horizon merges with a line of trees stretching into the distance. Snow-covered trees provide a backdrop, adding texture and pattern. The chairs are heavily dusted with snow, revealing their metalwork. The black and white palette emphasizes the contrast between the chairs and the snow. The snow-dusted trees create vertical lines that lead the eye into the background, evoking a wintery atmosphere.
Brassaï, L'hiver au jardin du Luxembourg (Winter in the Luxembourg Gardens), 1947, gelatin silver print, Gift of Madame Gilberte Brassaï Estate, 2013.5.2

L'hiver au jardin du Luxembourg (Winter in the Luxembourg Gardens)

Brassaï · 1947 · gelatin silver print ·  Accession ID  2013.5.2

The image shows an intricate abstract composition of curved and angular shapes intersecting with vertical and diagonal lines. These lines form a silhouette resembling a jester with a triangular hat and circular eyes on a rounded face. The body is represented by geometric patterns mimicking clothing with an ornate design. Contrasting textures and patterns create an abstract impression.
Brassaï, Sévillane dénudée (Naked Woman of Seville), from Transmutations, 1934-1935, printed 1967, gelatin silver print, Gift of Madame Gilberte Brassaï Estate, 2013.5.24.2

Sévillane dénudée (Naked Woman of Seville), from Transmutations

Brassaï · 1934-1935, printed 1967 · gelatin silver print ·  Accession ID  2013.5.24.2

The image displays a tall, slender shape with curved lines and an elongated form that resembles an abstract musical instrument. It is set against a textured background composed of various patterns and geometric shapes. To the right, a section with an interlocking pattern of triangles and circles resembles a mosaic or tiled wall. A thin, curving object on the ground in the bottom right corner might evoke the idea of a ribbon or a piece of string.
Brassaï, Fille de joie se déshabillant (Prostitute Undressing), from Transmutations, 1934-1935, printed 1967, gelatin silver print, Gift of Madame Gilberte Brassaï Estate, 2013.5.24.6

Fille de joie se déshabillant (Prostitute Undressing), from Transmutations

Brassaï · 1934-1935, printed 1967 · gelatin silver print ·  Accession ID  2013.5.24.6

The image depicts a large oval shape filled with intricate lines and patterns. The design resembles a face with stylized eyes, a simple nose, and textured skin. One side has a fabric-like pattern, while the other side features circular forms. The face rests on a surface with a grid of diamond shapes.
Brassaï, Visage minéral (Mineral Face), from Transmutations, 1934-1935, printed 1967, gelatin silver print, Gift of Madame Gilberte Brassaï Estate, 2013.5.24.7

Visage minéral (Mineral Face), from Transmutations

Brassaï · 1934-1935, printed 1967 · gelatin silver print ·  Accession ID  2013.5.24.7

The image showcases a composition of circular and geometric shapes against a textured background. There are various shapes including circles and lines, creating an abstract design.
Brassaï, Femme-Fruit (Woman-Fruit), from Transmutations, 1934-1935, printed 1967, gelatin silver print, Gift of Madame Gilberte Brassaï Estate, 2013.5.24.1

Femme-Fruit (Woman-Fruit), from Transmutations

Brassaï · 1934-1935, printed 1967 · gelatin silver print ·  Accession ID  2013.5.24.1

This image features an abstract composition with an organic shape in the center. The smooth, curved lines of this form contrast against the textured, basketweave-like pattern around it. A circular form with gradient shading is at the top of the shape. The arrangement and interplay of forms evoke human figure contours, resembling body parts.
Brassaï, Femme-Amphore (Woman-Amphora), from Transmutations, 1934-1935, printed 1967, gelatin silver print, Gift of Madame Gilberte Brassaï Estate, 2013.5.24.5

Femme-Amphore (Woman-Amphora), from Transmutations

Brassaï · 1934-1935, printed 1967 · gelatin silver print ·  Accession ID  2013.5.24.5

The image shows a man from the knees up, positioned at the corner of a grand staircase. He is standing upright, facing to the side with a serious expression. His facial features are partially obscured by the ornate helmet he is wearing, which is adorned with a prominent plume. The man's hair is not visible due to the helmet. He is dressed in a ceremonial uniform including a dark jacket with decorative buttons, a shoulder sash, and a belt featuring a detailed buckle. His white trousers are tucked into polished boots, and he is wearing a pair of gloves. The man's hands are relaxed by his sides, and he appears to be holding a long object, possibly a ceremonial staff or sword, that rests on the ground. The background reveals an opulent setting with an elaborate candelabra on a pedestal, part of a wide staircase with marble and wooden elements. The lighting suggests a dimly lit interior with reflective surfaces creating subtle highlights.
Brassaï, Garde républicain en tenue (Republican Guard in Uniform), 1938, gelatin silver print, Gift of Madame Gilberte Brassaï Estate, 2013.5.8

Garde républicain en tenue (Republican Guard in Uniform)

Brassaï · 1938 · gelatin silver print ·  Accession ID  2013.5.8

The image depicts an abstract carving with shapes resembling a heart enclosing two circles on a textured surface. The lines and patterns throughout the image evoke hieroglyphs or urban graffiti. The scratched texture adds depth, resembling bark or a cliff face.
Brassaï, Untitled, c. 1931-1960, gelatin silver print, Gift of Madame Gilberte Brassaï Estate, 2013.5.16

Untitled

Brassaï · c. 1931-1960 · gelatin silver print ·  Accession ID  2013.5.16

This image features white etched lines forming abstract shapes on a rough, textured surface. The central design resembles a simplistic human figure, with a circular head, facial features, and an angular body with stick-like limbs. Swirling lines extend outward from the figure's head, resembling tangled hair or flames. The background is filled with additional engraved marks, adding to the complexity and texture of the scene.
Brassaï, Untitled, c. 1931-1960, gelatin silver print, Gift of Madame Gilberte Brassaï Estate, 2013.5.22

Untitled

Brassaï · c. 1931-1960 · gelatin silver print ·  Accession ID  2013.5.22