Provenance

Roger Marx

French, 1859 - 1913

Explore Selected Works

Mary Cassatt, Interior: On the Sofa, c. 1883, softground etching in black on wove paper, Rosenwald Collection, 1949.5.469

Interior: On the Sofa

Mary Cassatt · c. 1883 · softground etching in black on wove paper ·  Accession ID  1949.5.469

We look slightly down onto a young woman sitting at a writing desk as she licks an envelope in this vertical, color print. A table folds down or extends from a tall secretary desk to our right. The blotter on the table and the woman’s long dress are both royal blue. The dress has a vaguely floral pattern in the cream-white of the paper, and the jacket is open to reveal a vertically pleated, beige-pink shirt beneath. The woman’s skin is also the color of the paper. Her black hair is pulled back over dark brows and a delicate nose. She holds the open flap of the envelope to her mouth with both hands. A piece of white paper lies on the desktop in front of her. She sits in a brown chair, and the wallpaper of the room is patterned with green leaves against a white background. The sheet is inscribed with graphite across the right half of the bottom margin, “Imprimée par l’artiste et M. Leroy Mary Cassatt (25 épreuves)."
Mary Cassatt, The Letter, 1890-1891, color drypoint and aquatint on laid paper, Gift of Mrs. Jane C. Carey as an addition to the Addie Burr Clark Memorial Collection, 1959.12.5

The Letter

Mary Cassatt · 1890-1891 · color drypoint and aquatint on laid paper ·  Accession ID  1959.12.5

Jean-Louis Forain, "J'ose pas encore aller le décrocher...ça lui fera trop de peine." ("I don't dare take them down...it would hurt him too much."), c. 1892, lithograph on wove Arches vellum paper, Rosenwald Collection, 1943.3.3839

"J'ose pas encore aller le décrocher...ça lui fera trop de peine." ("I don't dare take them down...it would hurt him too much.")

Jean-Louis Forain · c. 1892 · lithograph on wove Arches vellum paper ·  Accession ID  1943.3.3839

Mary Cassatt, Mimi as a Brunette, c. 1889, drypoint on laid paper, Rosenwald Collection, 1946.21.84

Mimi as a Brunette

Mary Cassatt · c. 1889 · drypoint on laid paper ·  Accession ID  1946.21.84

Two women with pale, peachy skin sit next to a table holding a silver tray and royal-blue tea cups and saucers in this colored, vertical etching and aquatint. Faint black lines outline the women, their features, clothing, and objects in the room, and each area is filled in a flat color. The women face each other and take up most of the composition. Both have oval faces, rounded noses, pale pink lips, and their hair is pulled up and back. The woman to our right has brown hair and leans forward as she holds up a blue plate with her right hand, closer to us. The other hand rests on the arm of her tawny-brown chair. Her dress has a petal pink bodice and long skirt with fog-white long sleeves and white fabric covering her chest and tucked into the low, rounded neckline. The other woman wears a blue cap over black hair. The hat has a celery-green feather and is tied in a bow under the chin. She wears a hip-length, charcoal-gray cloak over a pale, sage-green dress. She looks down at the plate and holds what might be a cookie or biscuit with one hand and a cup and a dish-like saucer with the other. Her lips are downturned and her head pulled slightly back to create a double chin. She sits upright in another brown chair. In the lower right corner of the sheet, the round gray table is barely bigger than the round gray tray it holds. On it are two more cups and saucers and a silver jug, presumably holding milk. What might be another cup and saucer set or the teapot is cut off by the right edge of the paper. The rims of the cups and saucers are painted gold. A very pale, mint-green screen with openings across the top stands to the left behind the second woman, and a window is behind the first. Spiky fronds of a houseplant angle up toward the sunlight and a coral-pink curtain is pulled to the left side. Squiggles and flowers printed in rust red suggest a pattern on white curtains covering the window and the pink curtain to the left. The wall behind the screen is straw yellow. The artist signed and inscribed the sheet under the lower right corner, “Imprimée par l'artiste et M. Leroy, Mary Cassatt (25 épreuves).” A tiny dark blue stamp with a short, wide C overlaid on a capital letter M is inked along the bottom edge of the image.
Mary Cassatt, Afternoon Tea Party, 1890-1891, color drypoint and aquatint with touches of gold metallic paint on laid paper, Rosenwald Collection, 1946.21.77

Afternoon Tea Party

Mary Cassatt · 1890-1891 · color drypoint and aquatint with touches of gold metallic paint on laid paper ·  Accession ID  1946.21.77

Two women with sit next to a table holding a tray with teacups and saucers in this vertical etching and aquatint. Faint black lines outline the women, their features, clothing, and objects in the room. The women face each other and take up most of the composition. Both have oval faces, rounded noses, and their hair is pulled up and back. The woman to our right leans forward as she holds up a plate with her right hand, closer to us. The other hand rests on the arm of her chair. Her dress has a tight-fitting bodice, long sleeves, and a long skirt. The other woman’s cap has a feather and is tied in a bow under the chin. She wears a hip-length cloak over a long dress. She looks down at the plate and holds what might be a cookie or biscuit with one hand and a cup and a dish-like saucer with the other. Her lips are downturned, her head pulled slightly back to create a double chin, and she sits upright in her chair. In the lower right corner of the sheet, the round table is barely bigger than the tray it holds. On it are two more cups and saucers and a jug, presumably holding milk. What might be another cup-and-saucer set or the teapot is cut off by the right edge of the paper. A screen with openings across the top stands to the left behind the second woman, and a window is behind the first. Spiky fronds of a houseplant angle across the window, and a curtain is pulled to the left side. Squiggles on that second curtain suggest a floral pattern. A few areas are colored in gray, including the second woman’s cloak, the tray, and the milk jug.
Mary Cassatt, Afternoon Tea Party, 1890-1891, drypoint and aquatint on wove paper, Rosenwald Collection, 1946.21.78

Afternoon Tea Party

Mary Cassatt · 1890-1891 · drypoint and aquatint on wove paper ·  Accession ID  1946.21.78

We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”
Mary Cassatt, Woman with a Sunflower, c. 1905, oil on canvas, Chester Dale Collection, 1963.10.98

Woman with a Sunflower

Mary Cassatt · c. 1905 · oil on canvas ·  Accession ID  1963.10.98

Auguste Lepère, Au coq du brûyeres, 1888, wood engraving, Corcoran Collection (Gift of Jack and Margrit Vanderryn), 2015.19.3236

Au coq du brûyeres

Auguste Lepère · 1888 · wood engraving ·  Accession ID  2015.19.3236