Michael Shapiro Photographs

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Margaret Bourke-White, Photographs of USSR, 1934, portfolio of 24 photogravures, Gift of Funds from Linda Hackett and Russell Munson, and Pepita Milmore Memorial Fund, 2023.36.1.1-24

Photographs of USSR

Margaret Bourke-White · 1934 · portfolio of 24 photogravures ·  Accession ID  2023.36.1.1-24

Margaret Bourke-White, The World's Largest Blast Furnace: Magnitogorsk: Ural Mountains, 1931, photogravure, Gift of Funds from Linda Hackett and Russell Munson, and Pepita Milmore Memorial Fund, 2023.36.1.12

The World's Largest Blast Furnace: Magnitogorsk: Ural Mountains

Margaret Bourke-White · 1931 · photogravure ·  Accession ID  2023.36.1.12

Margaret Bourke-White, Medical Students: Tiflis, c. 1932, photogravure, Gift of Funds from Linda Hackett and Russell Munson, and Pepita Milmore Memorial Fund, 2023.36.1.16

Medical Students: Tiflis

Margaret Bourke-White · c. 1932 · photogravure ·  Accession ID  2023.36.1.16

Margaret Bourke-White, Bolshevic Babies in the Nursery: AMO Automobile Factory, 1930–1932, photogravure, Gift of Funds from Linda Hackett and Russell Munson, and Pepita Milmore Memorial Fund, 2023.36.1.5

Bolshevic Babies in the Nursery: AMO Automobile Factory

Margaret Bourke-White · 1930–1932 · photogravure ·  Accession ID  2023.36.1.5

Margaret Bourke-White, For the Iron Mine Foundations: Magnet Mountain, 1930–1932, photogravure, Gift of Funds from Linda Hackett and Russell Munson, and Pepita Milmore Memorial Fund, 2023.36.1.11

For the Iron Mine Foundations: Magnet Mountain

Margaret Bourke-White · 1930–1932 · photogravure ·  Accession ID  2023.36.1.11

Margaret Bourke-White, Village School: Kolomna: Volga Region, 1932, photogravure, Gift of Funds from Linda Hackett and Russell Munson, and Pepita Milmore Memorial Fund, 2023.36.1.9

Village School: Kolomna: Volga Region

Margaret Bourke-White · 1932 · photogravure ·  Accession ID  2023.36.1.9

Margaret Bourke-White, Chain Belt Movement: Machine Dance Moscow Ballet School, 1931, photogravure, Gift of Funds from Linda Hackett and Russell Munson, and Pepita Milmore Memorial Fund, 2023.36.1.20

Chain Belt Movement: Machine Dance Moscow Ballet School

Margaret Bourke-White · 1931 · photogravure ·  Accession ID  2023.36.1.20

A uniformed policeman standing in front of a dense crowd of men holding protest signs in English and Japanese nearly fills the height of this vertical black and white photograph. The policeman either has a ruddy complexion or his face might be in shadow. He stands with his body facing us but he turns his head to our left in profile. His hands are crossed over his chest and one thumb is hooked into his jacket between two of the eight brass buttons down the front. A seven-pointed star reflects light on his chest and his flat-topped hat has a short, shiny brim angled down over his eyes. The jacket comes to his knees and his pants are lined with gold or other light material down the side. His feet are widely planted, and he wears dark shoes. The men in the crowd behind appear to be light skinned. Many wear button-down, collared shirts with ties tucked into long coats. Many also wear fedora hats and look off to our left, the same direction as the policeman. One man to our right wearing a floppy cap and glasses looks out at us with his hands in his jacket pockets. Some of the legible English words on the protest signs read “UNION,” “AMERICAN PRESS SLANDER against the,” and “JA.”
Dorothea Lange, Street Demonstration, San Francisco, 1934, gelatin silver print, Diana and Mallory Walker Fund and Robert Menschel and the Vital Projects Fund, in Honor of the 25th Anniversary of Photography at the National Gallery of Art, 2015.183.1

Street Demonstration, San Francisco

Dorothea Lange · 1934 · gelatin silver print ·  Accession ID  2015.183.1

Margaret Bourke-White, Soviet Serenade, 1931, photogravure, Gift of Funds from Linda Hackett and Russell Munson, and Pepita Milmore Memorial Fund, 2023.36.1.6

Soviet Serenade

Margaret Bourke-White · 1931 · photogravure ·  Accession ID  2023.36.1.6

Alma Lavenson, Self-Portrait, 1932, gelatin silver print, Robert B. Menschel and the Vital Projects Fund, Diana and Mallory Walker Fund, New Century Fund, and the Eugene L. and Marie-Louise Garbáty Fund, 2014.78.1

Self-Portrait

Alma Lavenson · 1932 · gelatin silver print ·  Accession ID  2014.78.1