Provenance

Mr. Robert M. Light

Explore selected works

See all 91 works of art
The image shows a seated woman in profile, facing right. She has soft facial features, closed eyes, long hair, and she is dressed in layered clothing revealing part of her feet. She is holding a double flute to her lips. In the background, there are rolling hills, trees, a distant structure, and a detailed tree behind her. The ground has small tufts of grass, and the image frame is decorated.
Master of the E-Series Tarocchi, Euterpe, c. 1465, engraving with gilding, Ailsa Mellon Bruce Fund, 1969.6.9

Euterpe

Master of the E-Series Tarocchi · c. 1465 · engraving with gilding ·  Accession ID  1969.6.9

The drawing shows a person lying down on their back in a reclined position. The figure has closed eyes, a serene expression, and chin-length hair. The person is nude, and the sketch emphasizes the natural contours and form of the body with shaded detail. Soft lines around the body suggest a textured surface or bedding underneath. The background is plain with minimal detail, ensuring the figure remains the focal point of the artwork.
Charles Despiau, Reclining Nude, lithograph, Ailsa Mellon Bruce Fund, 1971.34.1

Reclining Nude

Charles Despiau · · lithograph ·  Accession ID  1971.34.1

The image shows a drawing of a man's head and upper torso in a three-quarter view. The man has expressive facial features, a mustache, and a beard. He has short, textured hair and wears a loose garment, possibly a shirt. There is minimal detail in the background. The drawing is monochromatic, using shades of black and gray.
Max Pechstein, Erich Heckel, 1909, lithograph in black on wove paper, Ailsa Mellon Bruce Fund, 1972.27.1

Erich Heckel

Max Pechstein · 1909 · lithograph in black on wove paper ·  Accession ID  1972.27.1

The image shows swirling lines and geometric shapes scattered in an intricate arrangement. The abstract composition includes intersecting curves and straight lines, with various textured shapes including a web-like net or a mechanical device framework. Small, curved elements and cross-hatching add depth, creating a layered effect. The forms suggest elements that might remind the viewer of sails, celestial bodies, or pieces of a puzzle in a dynamic, yet harmonious assembly.
Wassily Kandinsky, Small Worlds XII, 1922, drypoint, Print Purchase Fund (Rosenwald Collection), 1971.9.12

Small Worlds XII

Wassily Kandinsky · 1922 · drypoint ·  Accession ID  1971.9.12

This is a drawing of a seated figure in a crown holding a scepter within an almond-shaped frame. The central figure is clothed in a flowing robe and wears a crown with elaborate detailing. The figure holds a scepter in his right hand, pointed downwards. Above the figure, an eagle with outspread wings perches on the apex of the frame. Below the central figure, another character is depicted sitting, with an expression of wonder, surrounded by several figures that appear to be soldiers lying on the ground. The lower part of the drawing includes an inscription, "IVPITER-XXXXVII". The artwork is rendered with delicate line work and an intricate pattern of stippling and hatching, creating depth and texture in the robes and other surfaces. The setting suggests a blend of heavenly and earthly realms.
Master of the E-Series Tarocchi, Iupiter (Jupiter), c. 1465, engraving with gilding, Ailsa Mellon Bruce Fund, 1969.6.19

Iupiter (Jupiter)

Master of the E-Series Tarocchi · c. 1465 · engraving with gilding ·  Accession ID  1969.6.19

The image shows a landscape view from a slightly elevated perspective. It overlooks a flat expanse stretching towards a distant town. The horizon is placed in the middle of the composition, with a collection of buildings including a church with spires and a windmill. The brushwork is subtle and precise, using fine lines and light washes in shades of sepia and muted grays. The terrain close to us has textures and undulations, leading the eye into the scene. A building's corner is visible on the right edge. In the distance, the town is delicately sketched with quaint architecture and foliage along the horizon line. The color palette is soft and monochromatic, featuring warm browns and cool grays for a serene atmosphere.
Josua de Grave, View of Mons, Belgium, pen in brown ink with gray wash on laid paper, Ailsa Mellon Bruce Fund, 1971.69.1

View of Mons, Belgium

Josua de Grave · · pen in brown ink with gray wash on laid paper ·  Accession ID  1971.69.1

The image shows a person standing upright. They face slightly to the left with their hands together in front of their chest. The person's face is lifted upwards, eyes looking towards the upper left corner. They have long hair, draped robes, and bare feet. Near their feet is a bird rising from flames, possibly a phoenix. The background is plain with a light source in the upper left corner. The frame has a linear design, and there is text at the bottom reading "SPERANZA. XXXVIIII."
Master of the E-Series Tarocchi, Speranza (Hope), c. 1465, engraving with traces of gilding, Ailsa Mellon Bruce Fund, 1969.6.13

Speranza (Hope)

Master of the E-Series Tarocchi · c. 1465 · engraving with traces of gilding ·  Accession ID  1969.6.13

The image shows a person standing in a studio setting. The individual is in profile with a slight turn towards the viewer, engaged in painting at an easel. They have distinct facial features, aged yet expressive, and medium-length curly hair. They are dressed in formal attire typical of an artist of their era. The person holds a palette with brushes in one hand and is painting on a canvas. Nearby, an additional palette and set of brushes rest on a chair with an ornate cushion. The background features a canvas on an easel to the left with outlined artwork. The setting suggests an artistic environment with line work indicating an interior space.
Pier Leone Ghezzi, Signore Sebastiano Conca, Pittore Napoletano (Signore Sebastiano Conca, Neapolitan Painter), 1734/1755, pen and brown ink over black chalk on laid paper mounted on album page, Ailsa Mellon Bruce Fund, 1975.30.1

Signore Sebastiano Conca, Pittore Napoletano (Signore Sebastiano Conca, Neapolitan Painter)

Pier Leone Ghezzi · 1734/1755 · pen and brown ink over black chalk on laid paper mounted on album page ·  Accession ID  1975.30.1

The image is a close-up sketch of a man's face, capturing from just below the nose to the top of the head. The man's position is centered in the frame, facing forward. His facial features are characterized by intense eyes that gaze directly at the viewer, with the right side of his face prominently shaded. His hair appears to be dynamic, depicted with lines. The man's expression is serious, accentuated by the shading. Clothing is minimally detailed, with a suggestion of a garment or collar around the neck area. The background is plain and unadorned. There are no visible accessories or objects being held in the sketch.
Leonard Baskin, Delphic Arts, Francisco de Goya, Spanish, 1746-1828, 1962 (published 1963), etching in black on Rives BFK wove paper, Rosenwald Collection, 1964.8.297

Francisco de Goya, Spanish, 1746-1828

Leonard Baskin, Delphic Arts · 1962 (published 1963) · etching in black on Rives BFK wove paper ·  Accession ID  1964.8.297

The image shows a woman standing with her left leg slightly bent and her right hand raised open-palmed. Her left hand rests at her side. She has detailed facial features, long curly hair, and wears a flowing garment with additional fabric and ribbons. A swan is at her feet and they stand on water-like waves. In the background, there is a hilly landscape with a structure resembling a tower or castle atop a hill. A decorative border surrounds the entire composition.
Master of the E-Series Tarocchi, Clio, c. 1465, engraving with traces of gilding, Ailsa Mellon Bruce Fund, 1969.6.10

Clio

Master of the E-Series Tarocchi · c. 1465 · engraving with traces of gilding ·  Accession ID  1969.6.10