Provenance

Marshall Levine

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The image shows an enclosed field of black with irregularly shaped slits and marks arranged in rows within a roughly oval boundary, creating an abstract composition.
Lucio Fontana, International Graphic Arts Society, Concetto Spaziale (Spatial Concept), 1968, relief etching in black on embossed and punctured Fabriano wove paper, Corcoran Collection (Gift of the Lasky Charitable Lead Trust, 2004), 2015.19.3275

Concetto Spaziale (Spatial Concept)

Lucio Fontana, International Graphic Arts Society · 1968 · relief etching in black on embossed and punctured Fabriano wove paper ·  Accession ID  2015.19.3275

The image features a series of diagonal lines and curving shapes intersecting to form a dynamic wave-like pattern. The abstract artwork evokes the appearance of a densely woven textile or the rippled surface of a body of water in motion. The overlapping lines and shapes create intricate patterns, similar to those found in nature or a busy cityscape. Earthy tones are visible within the lines, contrasting against the predominant green hues and adding depth to the composition.
Stanley William Hayter, Eugenio Tellez, Editions Alecto, Onde Verte, 1965, color etching with softground on wove paper, Corcoran Collection (Gift of the Lasky Charitable Lead Trust, 2004), 2015.19.3278

Onde Verte

Stanley William Hayter, Eugenio Tellez, Editions Alecto · 1965 · color etching with softground on wove paper ·  Accession ID  2015.19.3278

The image shows a full-body depiction of a nude person from the back, standing with a slight contrapposto stance. The person's head is turned to their left, displaying curly hair that falls naturally around the head. The person's muscular build is emphasized through shading. In the scene, the person is positioned in the middle of a simple interior space with a blank wall and a floor with a subtle pattern. A large, rectangular mirror is on the right side of the image, reflecting a part of the person's body and an easel or similar structure, along with a partially visible heart motif on the wall. The composition is rendered in pencil or charcoal sketches.
Theophilus Brown, The Model, 1982, charcoal, graphite, and gouache on Strathmore wove paper, Corcoran Collection (Gift of the Lasky Charitable Lead Trust, 2004), 2015.19.3271

The Model

Theophilus Brown · 1982 · charcoal, graphite, and gouache on Strathmore wove paper ·  Accession ID  2015.19.3271

The image showcases interwoven and overlapping curves and lines forming an intricate abstract pattern. The shapes resemble human figures, creating an impression of a group. The figures are in shades of purple, brown, and green, blending into each other. Curved lines create a sense of flow and unity in the composition.
Stanley William Hayter, St. George's Gallery, Family, 1955, color engraving and softground etching on laid paper, Corcoran Collection (Gift of the Lasky Charitable Lead Trust, 2004), 2015.19.3277

Family

Stanley William Hayter, St. George's Gallery · 1955 · color engraving and softground etching on laid paper ·  Accession ID  2015.19.3277

The image displays an intricate array of interwoven lines and shapes resembling cracked surfaces or detailed topographical maps. A circular pattern is at the center, with faint circular outlines around it. The composition has a textured appearance, reminiscent of natural formations like geological features or cellular structures.
Bruce Conner, Kaiser Graphics, Collectors Press, #100 MANDALA, 1970, offset photolithograph in black on wove paper, Corcoran Collection (Gift of the Lasky Charitable Lead Trust, 2004), 2015.19.3272

#100 MANDALA

Bruce Conner, Kaiser Graphics, Collectors Press · 1970 · offset photolithograph in black on wove paper ·  Accession ID  2015.19.3272

This is a drawing of a large dark figure bending over a small child. The image depicts a large, dark, humanoid figure with exaggerated features bending over a small, unclothed child, who is lying on the ground. Surrounding these figures are dynamic sketch-like drawings of additional figures and a sailing ship in the distance. The style is sketchy and expressive, marked by strong lines and a high contrast between light and dark areas.
Max Pechstein, Fritz Gurlitt, Das Findelkind (The Foundling), 1923, drypoint and etching in black on handmade paper, Corcoran Collection (Gift of the Lasky Charitable Lead Trust, 2004), 2015.19.3282

Das Findelkind (The Foundling)

Max Pechstein, Fritz Gurlitt · 1923 · drypoint and etching in black on handmade paper ·  Accession ID  2015.19.3282

The image displays bold, dynamic shapes and lines in dark shades intersected by lighter areas. This abstract composition includes sweeping strokes and angular forms. The use of deep blacks contrasted with hints of green and blue creates a pattern resembling a stormy night sky, with dark clouds and occasional flashes of light. The juxtaposition of dark and light builds an abstract scene reminiscent of natural forces in motion.
Gabor Peterdi, Storm, 1958, color etching, engraving, and liftground on wove paper, Corcoran Collection (Gift of the Lasky Charitable Lead Trust, 2004), 2015.19.3283

Storm

Gabor Peterdi · 1958 · color etching, engraving, and liftground on wove paper ·  Accession ID  2015.19.3283

The image shows irregular stone-like shapes in shades of gray forming a composition. In the center is a square filled with earthy brown and orange hues, resembling cracked soil with a green plant sprouting. The juxtaposition of rocky textures surrounding a vivid patch of soil can suggest the sight of plants emerging through cracks in pavement or barren land.
William T. Wiley, Landfall Press, Wash Doubt, 1972, color lithograph on wove paper, Corcoran Collection (Gift of the Lasky Charitable Lead Trust, 2004), 2015.19.3289

Wash Doubt

William T. Wiley, Landfall Press · 1972 · color lithograph on wove paper ·  Accession ID  2015.19.3289

The image showcases interconnected delicate, curved lines that form an abstract composition resembling organic structures. Along the lines are elongated, oval shapes filled with soft pink color. The composition forms an abstract pattern on a textured background.
Hans Bellmer, Georges Visat, Untitled, 1969, color engraving on laid paper, Corcoran Collection (Gift of the Lasky Charitable Lead Trust, 2004), 2014.136.228

Untitled

Hans Bellmer, Georges Visat · 1969 · color engraving on laid paper ·  Accession ID  2014.136.228

The image shows a series of vertical and horizontal black shapes with soft, uneven edges, creating a grid-like pattern against a lighter background. The abstract composition suggests shadows or silhouettes of tall structures or columns, resembling a darkened urban skyline or interior beams of a building. The interplay of dark and light areas creates the illusion of depth and perspective within the composition.
Pierre Soulages, Fernand Mourlot, Dokumenta, Lithographie No. 16, 1964, lithograph in black and gray on wove paper, Corcoran Collection (Gift of the Lasky Charitable Lead Trust, 2004), 2015.19.3285

Lithographie No. 16

Pierre Soulages, Fernand Mourlot, Dokumenta · 1964 · lithograph in black and gray on wove paper ·  Accession ID  2015.19.3285