Provenance

Dr. Dieter Erich Meyer

German, 1926 - 1982

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See all 90 works of art
The image displays a sketched view of an ancient circular structure with classical columns and a sculpted entablature. The viewpoint presents a full view of the structure, with a hill in the distance on the left. The sketch uses dark ink washes and light tones on parchment to depict the texture of the stone and architectural details. The color palette is mainly grayscale and beige. Other buildings and a hillside are faintly visible in the background, partially obscured by sketched foliage.
Themistocles von Eckenbrecher, Monument of Lysicrates, 1890, pen and black ink and watercolor, Gift of Dr. Dieter Erich Meyer, 1977.6.19

Monument of Lysicrates

Themistocles von Eckenbrecher · 1890 · pen and black ink and watercolor ·  Accession ID  1977.6.19

The image shows an individual lying in a reclining position with their head resting on a pillow. The person's head is slightly tilted to the side and their eyes are closed. They have medium-length, wavy hair. They are wearing a loose-fitting robe-like garment with roses around and on the pillow and clothing. The background has a textured surface.
Daniel Nikolaus Chodowiecki, Dreaming on Roses, 1790, etching on wove paper, Gift of Dr. Dieter Erich Meyer, 1980.49.2

Dreaming on Roses

Daniel Nikolaus Chodowiecki · 1790 · etching on wove paper ·  Accession ID  1980.49.2

The image is a portrait engraving of a man named Karl Wilh. Ramler. He is depicted facing slightly to his right with a gentle smile. His features include a high forehead, arched eyebrows, and subtle lines around his eyes. His hair is styled in a powdered wig with curls and a queue. He wears a formal coat with visible buttons and a shirt with a tied cravat. The background features an oval frame with ornamental details, and the nameplate below the portrait is elaborately decorated.
Johann Friedrich Bause, Karl Ramler, 1774, etching, Gift of Dr. Dieter Erich Meyer, 1981.35.1

Karl Ramler

Johann Friedrich Bause · 1774 · etching ·  Accession ID  1981.35.1

Three full-body figures are depicted outside. The person on the left wears a long, dark robe and a hat with a broad brim. They face slightly towards the center. The central figure stands leaning back, dressed in a fitted suit with patterned pants and holding a wide-brimmed hat. The figure on the right has long hair tied back with a ribbon, wearing a long overcoat and holding a round hat behind them. The scene is set on a cobblestone street with trees, buildings, and a fence or wall in the background.
Daniel Nikolaus Chodowiecki, The Voyage to Paris, 1798, etching, Gift of Dr. Dieter Erich Meyer, 1979.59.9

The Voyage to Paris

Daniel Nikolaus Chodowiecki · 1798 · etching ·  Accession ID  1979.59.9

The image is an etching of a young child standing. The child is facing forward with a sight turn to the right, with delicate facial features and curly hair. The child is wearing worn-out clothing, including a long coat and breeches. There is a large hat nearby, a broom by a wall, and a pottery jug in the background. The room has wooden walls and a shelf with various objects present.
Daniel Nikolaus Chodowiecki, Poor Boy Showing His Navel, 1758, etching on wove paper, Gift of Dr. Dieter Erich Meyer, 1976.52.5

Poor Boy Showing His Navel

Daniel Nikolaus Chodowiecki · 1758 · etching on wove paper ·  Accession ID  1976.52.5

The image shows a historical building with an octagonal structure in the center. The structure is made of stone blocks, adorned with carvings near the top, with a partially gated entrance facing towards us. To the left are residential buildings with shuttered windows and archways. A palm tree is visible on the right, and the sky has soft clouds. The horizon is not clear, but it appears above the central structure. The artwork is in a monochromatic sepia palette with a mix of soft and bold brushstrokes for texture. Light and shadow in the brushstrokes create depth and showcase the stonework craftsmanship. An iron fence guides the viewer's eye into the scene.
Themistocles von Eckenbrecher, Tower of Winds, 1890, pen and black ink and watercolor over touches of graphite and black chalk, Gift of Dr. Dieter Erich Meyer, 1977.6.10

Tower of Winds

Themistocles von Eckenbrecher · 1890 · pen and black ink and watercolor over touches of graphite and black chalk ·  Accession ID  1977.6.10

The image shows a frontal view of a classical architectural setting with structures resembling ancient Greek temples. The horizon aligns with the rooftops of the buildings. Flanking the central structure are two statues on tall columns. The soft, detailed depiction features muted shades of beige and gray, resembling a sepia-toned sketch. Small figures in period attire are dispersed on the ground level. The buildings and statues continue into the distance with a consistent architectural rhythm. The monochromatic color palette, use of light and shadow, and lightly clouded sky emphasize the grandeur of the scene.
Themistocles von Eckenbrecher, Academy, 1890, pen and black ink and watercolor over black chalk and touches of graphite, Gift of Dr. Dieter Erich Meyer, 1977.6.17

Academy

Themistocles von Eckenbrecher · 1890 · pen and black ink and watercolor over black chalk and touches of graphite ·  Accession ID  1977.6.17

There is a drawing of an interior scene. The scene features a group of chairs and a framed image. The room is dimly lit, with tall-backed chairs on a tiled floor and framed pictures on the walls. There is a rectangular table or pedestal in the center. Light from an unseen source illuminates part of the room, possibly from a window. Fine lines and crosshatching are used for shading and texture, creating depth and perspective in the drawing.
Daniel Nikolaus Chodowiecki, The Voyage to Paris, 1798, etching, Gift of Dr. Dieter Erich Meyer, 1979.59.14

The Voyage to Paris

Daniel Nikolaus Chodowiecki · 1798 · etching ·  Accession ID  1979.59.14

The view from an elevated vantage point shows a historical site with the Parthenon in the distance. The Acropolis and its rocky terrain dominate the scene, with ancient structures visible. The image is a detailed lithograph or sepia-toned illustration with brush or pen strokes defining the architecture. The color palette includes browns, grays, and beiges. Smaller structures and trees are present, casting shadows on the ground.
Themistocles von Eckenbrecher, View of the Acropolis, 1890, pen and black ink and watercolor over black chalk and touches of graphite, Gift of Dr. Dieter Erich Meyer, 1977.6.1

View of the Acropolis

Themistocles von Eckenbrecher · 1890 · pen and black ink and watercolor over black chalk and touches of graphite ·  Accession ID  1977.6.1

This is a drawing of a lecture or presentation in an academic setting. The scene includes an interior space similar to a lecture hall with detailed illustrations on the walls showing various scientific and anatomical drawings. In the center, a figure stands at a podium gesturing towards the audience, while others in elaborate attire stand to the side. The attendees are seated in rows, facing the speaker. Above the speaker are large posters with German text and scientific illustrations. The artwork emphasizes the scientific and scholarly atmosphere, highlighting a focus on enlightenment and learning.
Daniel Nikolaus Chodowiecki, What is the Way to be Happy?, 1791, etching on light blue laid paper, Gift of Dr. Dieter Erich Meyer, 1980.49.4

What is the Way to be Happy?

Daniel Nikolaus Chodowiecki · 1791 · etching on light blue laid paper ·  Accession ID  1980.49.4