Provenance

Frank B. Bristow

American, 1885 - 1968

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See all 573 works of art
The image shows a scene with an old stone building and a tower with a small arched window. Roofs extend on the horizon to the right. In the foreground, there is a slope with gravestones, indicating a cemetery. The artwork uses cross-hatched etching for detail. The color scheme is sepia, giving an aged look. Two figures are near gravestones, under a sky with wispy clouds.
F. L. Griggs, Syde, 1935, etching in black on wove paper, Gift of Jacob Kainen, 2002.98.114

Syde

F. L. Griggs · 1935 · etching in black on wove paper ·  Accession ID  2002.98.114

This image shows a view of an ancient Gothic-style church with arches and pointed windows. The composition features the church, adjacent buildings, a high horizon, dark trees in the distance, a flock of birds in the sky, and a dirt path in the foreground with a horse-drawn wagon and driver. The illustration uses fine lines typical of an etching, with a monochromatic sepia color palette.
F. L. Griggs, Lone-End, 1930, etching on laid paper, Gift of Jacob Kainen, 2002.98.112

Lone-End

F. L. Griggs · 1930 · etching on laid paper ·  Accession ID  2002.98.112

The image depicts a rugged mountain peak in the center, dominating the scene. Land meets the sky on both sides of the peak. The technique features expressive, textured brushstrokes, possibly created through an etching process. The color palette is monochromatic, with variations of black, grey, and white. Strong contrasts are visible between the mountain and the sky. Swirling, diagonally streaked lines suggest movement in the sky.
David Young Cameron, The Scuir of Eigg, 1931, drypoint in black on laid paper, Gift of Jacob Kainen, 2002.98.84

The Scuir of Eigg

David Young Cameron · 1931 · drypoint in black on laid paper ·  Accession ID  2002.98.84

The image shows a river with tall grass along its edge. A stone bridge crosses the river with two figures standing on it, possibly fishing. In the background, there is a thatched-roofed cottage among trees. The illustration features intricate etching with detailed line work to show textures. The color palette is monochromatic, using shades of gray for a tranquil effect.
Douglas Warner Gorsline, Bridge and Stream [verso], 1946, etching in black on laid paper, Corcoran Collection (Bequest of Frank B. Bristow), 2015.19.1191.b

Bridge and Stream [verso]

Douglas Warner Gorsline · 1946 · etching in black on laid paper ·  Accession ID  2015.19.1191.b

The image shows a pastoral scene in black and white with fine line work. A small bridge with a circular archway crosses a stream. A dirt path winds through the landscape flanked by grass and bushes. A rocky cliff ascends on the left with a tower-like structure partially obscured by vegetation. The horizon features a cloudy sky, with swirling lines indicating motion. In the distance, a tall, thin structure, possibly a spire or chimney, stands amid faint hills and trees. The scene conveys a serene atmosphere through hatching and cross-hatching techniques.
Jan van de Velde II, Cascade under a Stone Bridge, c. 1616, etching on laid paper, Gift of Jacob Kainen, 2002.98.68

Cascade under a Stone Bridge

Jan van de Velde II · c. 1616 · etching on laid paper ·  Accession ID  2002.98.68

The image shows a dense forest with many tree trunks, predominantly birches, extending vertically. The viewpoint is at ground level, offering a direct view into the clustered trees. The horizon is obscured by the foliage and trees, with no clear view beyond the wooded area. The artwork depicts detailed textures of the bark and leaves, created with fine lines. The color palette consists of sepia tones, giving a monochromatic quality to the scene. The foreground is filled with tree trunks and a forest floor displaying patterns of light and shadow. In the distance, the dense forest merges into shadowy depths.
Luigi Lucioni, Associated American Artists, Pine in the Birches, 1958 (published 1959), etching in brown on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1300

Pine in the Birches

Luigi Lucioni, Associated American Artists · 1958 (published 1959) · etching in brown on wove paper ·  Accession ID  2015.19.1300

The image shows birds flying over the ocean. The point of view is slightly elevated and angled, with no distinct horizon line. The brushstrokes are detailed, depicting the birds' feathers and waves. The color palette is monochromatic, using shades of gray. The birds are in motion, with the ocean waves in the background.
Stow Wengenroth, Terns, 1951, lithograph in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1484

Terns

Stow Wengenroth · 1951 · lithograph in black on wove paper ·  Accession ID  2015.19.1484

This is a depiction of two peacocks. One peacock is shown with its feathers fanned out, displaying intricate feather patterns and eye-like designs on its plumage. The other peacock is shown with its tail not fanned out, revealing detailed feather structure. In the foreground, there are leafy plants with large flowers. The style of the drawing is meticulous and detailed, created using lines to convey texture and depth, typical of engravings or etchings.
Lionel Lindsay, The White Fan, 1935, wood engraving in black on laid paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1278

The White Fan

Lionel Lindsay · 1935 · wood engraving in black on laid paper ·  Accession ID  2015.19.1278

The image shows two individuals seated next to each other. Both are sitting in a relaxed position, angled slightly towards each other. The person on the left has wavy hair and distinct facial features, wearing a dress with puffy sleeves. The individual on the right has short hair partially covered by a wide-brimmed hat, also wearing a dress. Their attire features similar ruffled and textured elements, and they have their hands resting on their laps or the edges of their seats. The background of the image is plain and minimal.
Isabel Bishop, Associated American Artists, Noon Hour, 1935 (published 1946), etching in black on laid paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1104

Noon Hour

Isabel Bishop, Associated American Artists · 1935 (published 1946) · etching in black on laid paper ·  Accession ID  2015.19.1104

This is a drawing of an archway in a narrow street. The detailed pencil work depicts an arched passageway within a stone or brick building. The arch is the central focal point, with intricate linework in the shading suggesting texture in the masonry. The surrounding area displays additional architectural features, including walls and structures along the street. The drawing style resembles etching, emphasizing contrast with darkened areas within the arch and lighter areas outside the tunnel.
Louis Conrad Rosenberg, Street in Constantine, 1924, etching in black on wove paper, Corcoran Collection (Bequest of Frank B. Bristow, 1968), 2015.19.1371

Street in Constantine

Louis Conrad Rosenberg · 1924 · etching in black on wove paper ·  Accession ID  2015.19.1371