Provenance

Mrs. Kate Bunner

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The image displays a landscape with a river, hills, structures, and trees. The viewpoint is slightly elevated, showcasing these elements. The background shows a range of hills reaching up to the horizon. On the left side, there are structures and trees along the riverbank. The drawing is detailed using pencil work with textured strokes and monochromatic shades of gray. Rocks near the river's edge frame the scene. The image conveys a sense of natural beauty with a focus on detail and shading.
Andrew Fisher Bunner, Cheat River, 1867, graphite on wove paper, Corcoran Collection (Gift of Kate Bunner, wife of the artist, 1902), 2015.19.260

Cheat River

Andrew Fisher Bunner · 1867 · graphite on wove paper ·  Accession ID  2015.19.260

The image shows two pencil sketches on a single sheet. The upper sketch depicts a landscape view of a waterfall cascading over a rocky cliff. The view is slightly elevated, showing the waterfall flowing down to a collection of rocks below, with a small human figure for scale. The horizon aligns with the hills and distant treetops. The strokes capture textures of the rocks and the flow of water, using shades of gray. The lower sketch portrays a dense forest scene with leafy trees extending towards the viewer. Fallen logs and boulders are shaded and detailed, giving depth. The horizon is obstructed by thick foliage. The color palette is shades of gray. Both sketches depict natural scenes through pencil work.
Andrew Fisher Bunner, Kaatskill Fall; and In the Kaatskill Clove, 1866, graphite on wove paper, Corcoran Collection (Gift of Kate Bunner, wife of the artist, 1902), 2015.19.257

Kaatskill Fall; and In the Kaatskill Clove

Andrew Fisher Bunner · 1866 · graphite on wove paper ·  Accession ID  2015.19.257

The image shows a pencil drawing of a close-up natural scene. In the upper section, there are detailed branches and leaves entwined together. The artist used controlled strokes to depict the texture of the wood and foliage with attention to light and shadow. The lower part of the drawing shows more branches and undergrowth with delicate brushwork to highlight the details of the leaves and twigs. The color palette is monochromatic with varying shades of grey. The horizon is not visible in the composition focused on interlocking branches and vegetation.
Andrew Fisher Bunner, Brush; and Hudson Brush Fence, 1866, graphite on wove paper, Corcoran Collection (Gift of Kate Bunner, wife of the artist, 1902), 2015.19.252

Brush; and Hudson Brush Fence

Andrew Fisher Bunner · 1866 · graphite on wove paper ·  Accession ID  2015.19.252

The image shows a pencil drawing of a natural landscape, focusing on tall trees from a low ground-level perspective. The horizon is low with a faint clearing bordered by more trees in the distance. The pencil technique includes fine lines for texture and depth in the foliage and tree trunks. Shading and cross-hatching depict the canopy density and sunlight filtering through. The color scheme is grayscale with graphite creating a natural impact. The drawing displays energetic scribbling for tree branches and undergrowth, while the background has minimalistic detail, conveying tranquility and space.
Andrew Fisher Bunner, Elms, Hudson, 1866, graphite on wove paper, Corcoran Collection (Gift of Kate Bunner, wife of the artist, 1902), 2015.19.259

Elms, Hudson

Andrew Fisher Bunner · 1866 · graphite on wove paper ·  Accession ID  2015.19.259

The image depicts a landscape with a stream flowing in the foreground. Boulders are scattered in the stream. An old stone bridge is visible in the background, partially covered by foliage. The scene has dense foliage blending from the foreground to the background. Tall trees with detailed branches reach up to the top of the image. The drawing style consists of fine pencil lines and shading, creating a serene texture. The color palette is monochromatic, emphasizing pencil shades over vibrant colors.
Andrew Fisher Bunner, Old Bridge at Weaverton, 1867, graphite on wove paper, Corcoran Collection (Gift of Kate Bunner, wife of the artist, 1902), 2015.19.258

Old Bridge at Weaverton

Andrew Fisher Bunner · 1867 · graphite on wove paper ·  Accession ID  2015.19.258

The drawing features a leaning tree at the center dominating the composition. The horizon is not clearly defined, and the land slopes downward towards the left side. Other vegetation and a tree stump are visible beyond the leaning tree. The artist uses precise pencil strokes to depict the foliage and texture of the tree bark. The color palette is grayscale, creating a soft, natural look. The background fades subtly, showing depth and distance, while shadowing and contouring provide clarity to the closest elements. The paper shows spots and discoloration, adding an aged character to the artwork.
Andrew Fisher Bunner, Trees, Hudson, 1866, graphite on wove paper, Corcoran Collection (Gift of Kate Bunner, wife of the artist, 1902), 2015.19.253

Trees, Hudson

Andrew Fisher Bunner · 1866 · graphite on wove paper ·  Accession ID  2015.19.253

The image shows a pencil drawing of a tall tree with a slender trunk and full, sprawling branches. The tree is detailed with a focus on the texture and density of its foliage, depicted through intricate pencil strokes that convey lightness and movement. The background is light-toned, emphasizing the monochromatic color palette of various shades of gray and natural beige. Minimal details in the backdrop keep the focus on the tree.
Andrew Fisher Bunner, Trees, West Virginia, 1867, graphite on wove paper, Corcoran Collection (Gift of Kate Bunner, wife of the artist, 1902), 2015.19.249

Trees, West Virginia

Andrew Fisher Bunner · 1867 · graphite on wove paper ·  Accession ID  2015.19.249

The image shows two landscape sketches positioned vertically on one sheet. The top sketch depicts a tranquil scene with a river flowing horizontally across the image, trees and shrubs along the riverbanks, and a tall tree on the right. The second sketch below shows a creek surrounded by dense vegetation, with trees and branches arching over the water. The sketches are characterized by fine pencil strokes capturing the textures and forms of the natural environment. The colors are primarily in shades of grey, creating a serene and monochromatic visual impact.
Andrew Fisher Bunner, Hudson; and Claverack Creek, 1866, graphite on wove paper, Corcoran Collection (Gift of Kate Bunner, wife of the artist, 1902), 2015.19.251

Hudson; and Claverack Creek

Andrew Fisher Bunner · 1866 · graphite on wove paper ·  Accession ID  2015.19.251

There are two pencil sketches on a vertically oriented paper. The top sketch shows a side view of a house made from timber with two stone chimneys and a wooden fence. Shrubs are visible beside the house. The bottom sketch shows a log cabin with a stone chimney and a rough-hewn timber roof. Both sketches are detailed and monochrome, composed of various shades of grey.
Andrew Fisher Bunner, Old Virginny, 1867, graphite on wove paper, Corcoran Collection (Gift of Kate Bunner, wife of the artist, 1902), 2015.19.261

Old Virginny

Andrew Fisher Bunner · 1867 · graphite on wove paper ·  Accession ID  2015.19.261

The image is a sketch of a riverside scene. It shows textured rocks on the riverbank, sparse vegetation, and a leaning tree. In the distance, there are hills or low mountains partially covered with trees. The river flows smoothly, reflecting light, with some rapids further away. The sketch is detailed and monochrome, done with pencil strokes.
Andrew Fisher Bunner, Potomac River Below Harper's Ferry, 1867, graphite on wove paper, Corcoran Collection (Gift of Kate Bunner, wife of the artist, 1902), 2015.19.250

Potomac River Below Harper's Ferry

Andrew Fisher Bunner · 1867 · graphite on wove paper ·  Accession ID  2015.19.250