Provenance

Julius Garfinckel

1872 - 1936

Explore selected works

See all 31 works of art
The sculpture depicts a circular bronze medal. In the center is an eagle with outstretched wings, holding arrows and an olive branch. Inscriptions above the eagle read "HERBERT HOOVER PRESIDENT" and "CHARLES CURTIS VICE PRESIDENT." Around the eagle are various embossed details, including a rising star, a globe with country names, and symbols of education and exploration like a telescope and an open book.
Henry Kirke Bush-Brown, Medallic Art Company, U.S. Mint, Herbert Hoover Inaugural Medal [obverse], 1929, bronze, Corcoran Collection (Gift of Julius Garfinckel), 2015.19.3639.b

Herbert Hoover Inaugural Medal [obverse]

Henry Kirke Bush-Brown, Medallic Art Company, U.S. Mint · 1929 · bronze ·  Accession ID  2015.19.3639.b

The image shows an artwork of a man seated, holding a musical instrument. He has facial features including a mustache and thick, curly hair. He is wearing a coat over a shirt with a scarf and is positioned against a lightly sketched background.
James McNeill Whistler, Becquet, 1871, etching and drypoint in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.404

Becquet

James McNeill Whistler · 1871 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.404

The image is an etching of a girl in a full-length view. She is standing, facing slightly to her right, with one foot stepping forward. Her facial features are delicate and youthful, with softly outlined eyes and a serene expression. Her hair is long and wavy, falling past her shoulders with short bangs across her forehead. She is dressed in a simple, flowing ankle-length dress and is barefoot. The etching showcases fine details in the fabric of the dress and hair. There are no visible jewelry or objects. The background consists of sketch-like vertical lines, and the etching is signed by the artist near the right side of the dress.
James McNeill Whistler, Florence Leyland, 1874, drypoint in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.415

Florence Leyland

James McNeill Whistler · 1874 · drypoint in black on laid paper ·  Accession ID  2015.19.415

This is a drawing of a domestic interior scene with figures engaged in various activities. The setting appears to be a small, enclosed space. The drawing is composed predominantly of intricate line work and hatching. In the center, a window with shuttered blinds is discernible, casting soft light into the room. Below the window, a group is gathered, with a central figure holding what could be a child. The lines are gestural and the forms are hinted rather than explicitly detailed, suggesting a moment frozen in casual intimacy. The overall tone of the drawing is warm and homey, despite the minimalistic and sketch-like execution.
James McNeill Whistler, Bead-Stringers, 1880, etching and drypoint in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.403

Bead-Stringers

James McNeill Whistler · 1880 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.403

This is a drawing of an outdoor scene by a body of water. The composition features lines depicting a natural landscape, with a person on the left side. The drawing uses a monochromatic color palette to suggest the beauty of nature. The surrounding trees and reflections in the water create a textured atmosphere. The composition conveys a sense of calm, capturing a moment in nature.
James McNeill Whistler, Fine Art Society, The Camp, 1861 (published 1879), drypoint in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.408

The Camp

James McNeill Whistler, Fine Art Society · 1861 (published 1879) · drypoint in black on laid paper ·  Accession ID  2015.19.408

The image shows a scene from a canal perspective looking up towards a stone bridge. The water reflects the structures above, with the bridge forming a prominent horizontal line across the image. Two figures are seen interacting on the bridge. Beyond the bridge, buildings rise vertically with balconies and archways in the urban landscape. The horizon is not visible in the composition, which focuses on the city structures. The brushstrokes are delicate and intricate, capturing details and textures in the stonework and water surface. The monochromatic palette in shades of sepia or light brown gives a classic, timeless quality to the scene, echoing the historic architecture depicted.
James McNeill Whistler, Ponte del Piovan, 1879-1880, etching and drypoint in brown-black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.422

Ponte del Piovan

James McNeill Whistler · 1879-1880 · etching and drypoint in brown-black on laid paper ·  Accession ID  2015.19.422

The artwork depicts a riverside scene with a bustling dock area. The composition features a line of old buildings and ships along the river bank extending into the distance. The sky has gentle brushstrokes creating a subtle texture, suggesting lightly clouded skies. The color palette is monochromatic in shades of sepia and brown. Figures are engaged in activities by the water, with small boats spread across the scene. In the distance, tall ships with masts stand against the row of buildings, and a sign reading "Thames Police" is visible on one of the structures.
James McNeill Whistler, Thames Police, 1859, etching and drypoint in black on wove paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.427

Thames Police

James McNeill Whistler · 1859 · etching and drypoint in black on wove paper ·  Accession ID  2015.19.427

The image shows several individuals sitting from the waist up. A man with a headscarf and jacket is on the left, a central male figure in a hat and jacket is in the middle, and another person with a pipe is on the right. Next to them, a possible parent and child are engrossed in a book. The figures vary in facial hair and wear casual attire. The background features wooden panels and benches, hinting at an indoor setting like a tavern or communal space. The image is etched in a linear style with high contrasts.
James McNeill Whistler, Longshoremen, 1859, etching and drypoint in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.419

Longshoremen

James McNeill Whistler · 1859 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.419

The sculpture is a bronze medallion with a profile relief of a man's head and shoulders facing left. The man has short, neatly combed hair, a prominent nose, and a thoughtful expression. The medallion is circular with a detailed texture, enhancing its three-dimensional depth. It features the inscription "INAUGURATION - MARCH 4, 1929." The bronze color catches light, highlighting the embossed figure's contours. The medallion appears to be handheld or displayed as a collectible item.
Henry Kirke Bush-Brown, Medallic Art Company, U.S. Mint, Herbert Hoover Inaugural Medal [obverse], 1929, bronze, Corcoran Collection (Gift of Julius Garfinckel, 1929), 2015.19.3639.a

Herbert Hoover Inaugural Medal [obverse]

Henry Kirke Bush-Brown, Medallic Art Company, U.S. Mint · 1929 · bronze ·  Accession ID  2015.19.3639.a

This is a drawing of an interior scene with several individuals seated at tables. The drawing depicts a casual setting where various individuals are seated around tables. Some tables have bottles and glasses. The lines are sketchy and expressively capture the informal atmosphere of the location. The scene is drawn with a focus on the interaction and posture of the individuals. Some individuals appear to be engaged in conversation or contemplation. The drawing uses a limited range of lines to convey depth and mood.
James McNeill Whistler, Soupe à Trois Sous, 1859, etching in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.426

Soupe à Trois Sous

James McNeill Whistler · 1859 · etching in black on laid paper ·  Accession ID  2015.19.426