Provenance

Julius Garfinckel

1872 - 1936

Explore selected works

See all 31 works of art
The image displays an etching featuring an individual seen from the side, emphasizing the head, torso, and upper part of the legs. The person is seated with a slight leftward body turn, maintaining an upright posture. They have curly hair and a delicate facial profile with a prominent nose. The clothing is depicted with fine lines and shading, and they are holding a small, dark object on their lap. The background is simple, directing attention to the figure. The piece is signed by Whistler in the bottom right corner, along with the date 1859.
James McNeill Whistler, Bibi Lalouette, 1859, etching and drypoint in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.405

Bibi Lalouette

James McNeill Whistler · 1859 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.405

This is a drawing of a barn scene with animals and farming implements. The drawing showcases a rustic barn with an open, arched doorway revealing an interior with a source of light. In the foreground, there is a pair of animals that are harnessed and a third animal resembling a dog is at the entrance of the barn. The overall composition captures a moment in rural life, with emphasis on the textures and shading to denote various elements such as wooden boards, animals, and hay. The surroundings suggest a setting involved in agricultural or domestic work.
James McNeill Whistler, Nathaniel Sparks, Flaming Forge, 1901, etching in dark brown on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.409

Flaming Forge

James McNeill Whistler, Nathaniel Sparks · 1901 · etching in dark brown on laid paper ·  Accession ID  2015.19.409

The image shows a woman reclining on the ground, leaning against a tree or similar natural structure. She has long hair tied back, delicate facial features, and is wearing a patterned garment with a scarf around her neck. In the background are trees, a few figures or animals, and a detailed sky and surroundings.
James McNeill Whistler, Nursemaid and Child, 1859, etching and drypoint in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.420

Nursemaid and Child

James McNeill Whistler · 1859 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.420

The image shows two people in a doorway or interior space. One person is on the left, facing inward, while the second person is on the right, slightly leaning forward and extending their hands. The person on the left has their hair tied back and is dressed in a long garment. The other person also has their hair tied back and wears a long-sleeved dress. The space includes shelves with containers and pottery. The doorway is framed by textured stone or brick.
James McNeill Whistler, Auguste Delâtre, La Marchande de Moutarde, 1858, etching in black on wove paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.416

La Marchande de Moutarde

James McNeill Whistler, Auguste Delâtre · 1858 · etching in black on wove paper ·  Accession ID  2015.19.416

The image shows a young child in a relaxed seated pose. The child has a slight lean, with their head tilted and gazing straight ahead. The facial features are depicted with large eyes, a small nose, and medium-length hair. The child wears a loose-fitting outfit with long sleeves and a high collar. They are barefoot, with one leg extended forward and the other bent at the knee. The background is minimalistic with faint horizontal lines.
James McNeill Whistler, Bibi Valentin, 1859, etching and drypoint in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.430

Bibi Valentin

James McNeill Whistler · 1859 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.430

The image shows a person seated in a small interior space resembling a pantry or storeroom. The person is seated with their body slightly hunched forward, head bowed and facial features obscured. They are wearing a long-sleeved dress with a bonnet. Various household objects such as baskets and jars are around them, with shelves filled with containers and food items. Sacks are also on the floor. The surroundings are depicted in an intricate etching style, creating a dimly lit, cozy atmosphere.
James McNeill Whistler, La Vieille aux Loques, 1858, etching and drypoint in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.417

La Vieille aux Loques

James McNeill Whistler · 1858 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.417

The image features a view looking slightly upward at an old, rustic building. The focus is on the structure itself, displaying detailed textures created through etching. The building is depicted with intricate lines, conveying the appearance of weathered wood and aged masonry. Near an entrance, a figure is seen standing in a shadowed area, adding depth and scale to the scene. The color palette is monochromatic, using shades of black, grey, and off-white to evoke antiquity and somberness. The background is obscured, highlighting the building within the frame.
James McNeill Whistler, The Unsafe Tenement, 1858, etching in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.429

The Unsafe Tenement

James McNeill Whistler · 1858 · etching in black on laid paper ·  Accession ID  2015.19.429

The image shows a sketch with multiple figures in a dimly lit interior setting. In the center, a man stands in a semi-profile position with his hand on his hip, facing another figure who is partially visible to the left. To the right of him, two men stand close together, wearing wide-brimmed hats and facial hair. In the foreground, there's an anvil and a hammer, indicating a workshop, possibly a smithy. In the background on the right, two women are seated and huddled, draped in shawls or long garments. Next to them, a small child stands holding a stick. Hanging from the ceiling are long tools or pieces of metal. The sketch depicts a slice of everyday life from the period in a rough yet detailed style.
James McNeill Whistler, The Forge, 1861, drypoint in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.410

The Forge

James McNeill Whistler · 1861 · drypoint in black on laid paper ·  Accession ID  2015.19.410

James McNeill Whistler, Reading by Lamplight, 1859, etching and drypoint in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.424

Reading by Lamplight

James McNeill Whistler · 1859 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.424

The image shows a riverside scene with sailboats on the water. The horizon shows trees and buildings. The brushwork or etching technique is detailed, highlighting the sailboats and their reflections in the water. The color palette is predominantly black, gray, and pale tones. The buildings and trees in the distance blend harmoniously with the still water and boats.
James McNeill Whistler, Hurlingham, 1879, etching and drypoint in black on laid paper, Corcoran Collection (Bequest of Julius Garfinckel, 1938), 2015.19.414

Hurlingham

James McNeill Whistler · 1879 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.414