Provenance

Mr. Frederick Mulder

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See all 159 works of art
The image shows an architectural structure from a slightly elevated viewpoint. The focus is on a large building with intricate archways and towers. Flowing fountains and sculpted horse statues are visible below the building. The illustration features detailed strokes, resembling an engraving or etching, emphasizing architectural and decorative details. The color scheme is mainly monochrome, with shades of grey and black highlighting scattered lights against the night sky. A dense crowd gathers near us, while trees and additional architectural elements can be seen in the distance against a cloudy sky.
Auguste Lepère, 14 Juillet. Illumination du Palais du Trocadéro, 1883, wood engraving, Ailsa Mellon Bruce Fund, 2007.12.22

14 Juillet. Illumination du Palais du Trocadéro

Auguste Lepère · 1883 · wood engraving ·  Accession ID  2007.12.22

The image features a woman seated in a reclined position from head to knees. She gazes to the right with delicate facial features, curly hair partly covered by flowing headgear or fabric with wing-like elements. She wears a draped garment exposing her shoulders and upper chest, and is interacted with objects on a table: a rod, smoking container, ornate vessels, and a candle-like object. Swirling clouds or smoke form the background, and the scene is encircled by a decorative calligraphic border.
Jan Pietersz Saenredam, Robert de Baudous, Vanitas, Vanitatum et Omnia Vanitas, engraving on laid paper, Gift of Ruth Cole Kainen, 2012.92.604

Vanitas, Vanitatum et Omnia Vanitas

Jan Pietersz Saenredam, Robert de Baudous · · engraving on laid paper ·  Accession ID  2012.92.604

The image depicts a man seated on a large, ornate armchair with a crown on top. He is viewed from behind, leaning forward with his arms on the armrests. His head is slightly tilted down and he wears a hat, dark jacket, and light trousers. Two cannon barrels are beside the chair, and a rooster is visible. In the background, a woman stands with her hair up and covered in a shawl.
Aubert, Honoré Daumier, Repos de la France, 1834, lithograph on chine collé, Gift of Jacob Kainen, 2002.98.15

Repos de la France

Aubert, Honoré Daumier · 1834 · lithograph on chine collé ·  Accession ID  2002.98.15

The image displays a landscape with trees, foliage, a horizon in the background, and birds in flight. The brushstrokes are intricate and detailed with swirling lines typical of etching. The color palette is monochromatic in shades of black and tan. A dirt path curves between the trees.
John Constable, Milford Bridge, c. 1826, etching on wove paper [1st state], Ailsa Mellon Bruce Fund, 1987.4.2

Milford Bridge

John Constable · c. 1826 · etching on wove paper [1st state] ·  Accession ID  1987.4.2

This is a drawing of a scene with horses and construction work. In the lower part of the image, individuals are depicted engaging in construction or manual labor activities. Tools and materials are scattered around them. Above and to the left, there is a group of figures mounted on horses. Some appear to be conversing. The background includes architectural structures and trees, with a castle or fortress on a hill. The scene conveys a sense of different societal roles and actions coming together during a historical event or significant construction endeavor.
John Baptist Jackson, The Crucifixion (Left Panel), 1741, chiaroscuro woodcut printed from four blocks in buff, light brown, gray, and red brown on laid paper, Gift of Ruth Cole Kainen, 2012.92.522

The Crucifixion (Left Panel)

John Baptist Jackson · 1741 · chiaroscuro woodcut printed from four blocks in buff, light brown, gray, and red brown on laid paper ·  Accession ID  2012.92.522

The image depicts a landscape viewed from an elevated perspective, showing a countryside with a horizon filled with mountains and sky. In the foreground, a shepherd tends to his flock and another figure rests on the ground. A stream or path leads through hilly terrain with trees and buildings towards a village or town. The scene conveys depth through distant hills and mountains. The artwork is detailed with intricate lines, characteristic of an etching, creating textures in clouds and foliage. The color palette is monochromatic, employing contrast between light and dark lines to define details. Mythical figures are present in the clouds above.
Hieronymus Cock, Mercury with the Head of Argus in His Hand, 1558, etching on laid paper, Ailsa Mellon Bruce Fund, 1979.2.1

Mercury with the Head of Argus in His Hand

Hieronymus Cock · 1558 · etching on laid paper ·  Accession ID  1979.2.1

The image shows a boat at sea from a low angle. The horizon is high, with a large ship silhouette against the sky. The artwork features bold lines and solid dark ink, suggestive of a woodcut print. The sea has intense waves against lighter areas. The color palette is black and cream. In the distance, a smaller shape resembling a buoy or ship silhouette is visible to the right.
Emil Nolde, Emil Nolde, unidentified, Fishing Steamer (Fischdampfer), 1910, woodcut on wove paper, Epstein Family Fund, 1979.18.1

Fishing Steamer (Fischdampfer)

Emil Nolde, Emil Nolde, unidentified · 1910 · woodcut on wove paper ·  Accession ID  1979.18.1

The image shows bold black shapes and lines against a light background. Two forms with intricate star-like patterns are visible. The shape on the left suggests a figure with a helmet and spear, while the right shape resembles an animal with pointed ears and a tail.
Pablo Picasso, Pique I, 1959, linocut, working proof printed in black directly onto large cream paper (recto); linocut, proof of a new, straight-edged background plate printed in tan with graphite notes by the printer, crossed through with an X by the printer (verso), Daryl Reich Rubenstein Memorial Fund and Robison Fund, 2010.80.3

Pique I

Pablo Picasso · 1959 · linocut, working proof printed in black directly onto large cream paper (recto); linocut, proof of a new, straight-edged background plate printed in tan with graphite notes by the printer, crossed through with an X by the printer (verso) ·  Accession ID  2010.80.3

The image shows a classical ruin scene from a slightly elevated point of view. Architectural elements are combined with natural surroundings. The horizon is placed near the middle, appearing slightly elevated due to the mountainous landscape that recedes into the distance. Hills and mountains can be seen in the background under a sky painted with soft hues of blue and occasional white clouds. Close to us, a shepherd dressed in red sits by a water's edge, accompanied by a flock of sheep. On the right, impressive ruins with tall columns and statues provide a focal point, with two figures standing on steps. The style of the painting reveals smooth brushwork, evident in the detailing of foliage and stone structures. The color palette is dominated by earth tones, browns, and greens contrasted against the serene sky.
John Baptist Jackson, Ulysses and Polyphemus, 1701-1780, chiaroscuro woodcut printed from two blocks in yellow-green and black on laid paper, Gift of Ruth Cole Kainen, 2012.92.132

Ulysses and Polyphemus

John Baptist Jackson · 1701-1780 · chiaroscuro woodcut printed from two blocks in yellow-green and black on laid paper ·  Accession ID  2012.92.132

The image depicts a close-up of two individuals facing each other. The person on the left is looking forward with defined facial features and curly hair. The individual on the right is in profile, with features including a strong nose and styled hair. Both are wearing garments with voluminous collars, and the right person's hand is touching the left person's chin. The background is a neutral brown tone.
John Baptist Jackson, Two Lovers, chiaroscuro woodcut printed from five blocks in shades of brown and gray on laid paper, Gift of Ruth Cole Kainen, 2012.92.533

Two Lovers

John Baptist Jackson · · chiaroscuro woodcut printed from five blocks in shades of brown and gray on laid paper ·  Accession ID  2012.92.533