Provenance

Timothy and Suzanne Hyde

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The image shows a bench in a public waiting area. The bench has bags, a hat, and parcels on it. Two suitcases are on the floor under the bench. In the background, there are people standing in groups. The image is in black and white.
Esther Bubley, Waiting Room Scene, 1950, gelatin silver print, Gift of Timothy and Suzanne Hyde, 2019.183.2

Waiting Room Scene

Esther Bubley · 1950 · gelatin silver print ·  Accession ID  2019.183.2

The image shows a two-story motel building with beige siding and red doors. There is a parking lot with puddles reflecting the building's colors, a red car with a white roof parked, and snow patches nearby. The sky is overcast with a bare tree in the distance.
Alec Soth, Fairway Motor Inn, 2005, chromogenic print, Gift of Timothy and Suzanne Hyde in Honor of the 25th Anniversary of Photography at the National Gallery of Art, 2016.124.2

Fairway Motor Inn

Alec Soth · 2005 · chromogenic print ·  Accession ID  2016.124.2

Mitch Epstein, Massachusetts Turnpike 1973, 1973, printed 2005, chromogenic print, Gift of Timothy and Suzanne Hyde in Honor of the 25th Anniversary of Photography at the National Gallery of Art, 2016.124.1

Massachusetts Turnpike 1973

Mitch Epstein · 1973, printed 2005 · chromogenic print ·  Accession ID  2016.124.1

This is a photograph of a corner of a brick wall with an unfinished rough surface. The wall is made of rectangular red bricks some partially covered with cement. The upper part of the wall has the number "230" painted in white. Shadows create a pattern on the wall. The ground around the wall has grass growing at its base. The area behind the wall appears darker, partially revealing a structure or object.
John Gossage, Untitled, 2009-2011, inkjet print, Gift of Timothy and Suzanne Hyde, 2017.164.2.29

Untitled

John Gossage · 2009-2011 · inkjet print ·  Accession ID  2017.164.2.29

An open book on a wooden desk has a black fabric bookmark on its pages with some writing visible. The color palette includes brown, white, and black, set against a background of red and beige tones. The book is centered on the desk, with a blurred object on the left side.
John Gossage, Untitled, 2009-2011, inkjet print, Gift of Timothy and Suzanne Hyde, 2017.164.2.47

Untitled

John Gossage · 2009-2011 · inkjet print ·  Accession ID  2017.164.2.47

The image shows a view through vertical bars or slats creating a blurred effect. In the foreground, there is grass, dry leaves, and a shrub. A lamppost with opaque globes is visible along with a white building with a triangular roof in the background. The color palette consists of muted greens, browns, white, soft blue, and dark tree outlines. There are partial views of other buildings in the background. The horizon is not visible, but tree tops and sky suggest it is beyond the obstructed view.
John Gossage, Untitled, 2009-2011, inkjet print, Gift of Timothy and Suzanne Hyde, 2017.164.2.16

Untitled

John Gossage · 2009-2011 · inkjet print ·  Accession ID  2017.164.2.16

The image shows a van with its back doors open, revealing a tightly packed interior filled with stacks of colorful fabric and textiles, along with some stuffed toys at the bottom. The colors in the image include blue, pink, orange, yellow, and red. The van is positioned towards the right of the image, with the open doors facing the viewer. In front of the van, there is an extended metal framework on the cobblestone ground.
John Gossage, Untitled, 2009-2011, inkjet print, Gift of Timothy and Suzanne Hyde, 2017.164.2.30

Untitled

John Gossage · 2009-2011 · inkjet print ·  Accession ID  2017.164.2.30

The image shows a diagonal wooden beam on a corrugated surface. In the background are light and shadow shapes resembling jagged peaks.
John Gossage, Untitled, 2009-2011, inkjet print, Gift of Timothy and Suzanne Hyde, 2017.164.2.1

Untitled

John Gossage · 2009-2011 · inkjet print ·  Accession ID  2017.164.2.1

This is a photograph of a dead snake on a rough concrete surface. The snake is in a state of decomposition, with its body torn and discolored, exposing the interior structure. The texture of the concrete is gritty and uneven, with visible small pebbles and debris scattered across the surface. The lighting casts defined shadows, enhancing the texture of the surroundings and the contours of the snake's body. The overall tone is stark and gritty, presenting a depiction of natural decay.
John Gossage, Untitled, 2009-2011, inkjet print, Gift of Timothy and Suzanne Hyde, 2017.164.2.23

Untitled

John Gossage · 2009-2011 · inkjet print ·  Accession ID  2017.164.2.23

This is a photograph of an art installation featuring a piece of terracotta-colored fabric draped over a transparent glass stand. The fabric hangs over the edge of the stand and lies on a flat surface, creating an L-shape with clean, straight lines. The background appears softly blurred, providing an interesting juxtaposition with the sharp lines of the glass and the fabric's vibrant color. This composition uses simplicity and minimalism to draw attention to the fabric's texture and the reflective qualities of the glass.
John Gossage, Untitled, 2009-2011, inkjet print, Gift of Timothy and Suzanne Hyde, 2017.164.2.9

Untitled

John Gossage · 2009-2011 · inkjet print ·  Accession ID  2017.164.2.9