Provenance

Robert Stana and Thomas Judy

Robert Stana

American

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This image features bold geometric shapes in red and blue hues, including rectangles and a heart shape in the center. The pattern resembles a flag, with one blue rectangle bearing the words "flag of my home" in red script.
Corita Kent, Flag of My Home, 1976, screenprint in blue and red on wove paper, Gift of Bob Stana and Tom Judy, 2019.109.46

Flag of My Home

Corita Kent · 1976 · screenprint in blue and red on wove paper ·  Accession ID  2019.109.46

The image shows a night street scene from an elevated perspective, featuring two buildings, a vintage car parked on the street, and a starry night sky. The buildings have flat facades and large windows. The painting has smooth brushstrokes with a dream-like quality and a color palette of muted tones such as grays, browns, and blacks with subtle highlights capturing the scene's light.
Clarence H. Carter, Railroad Avenue, 1931, color aquatint on wove paper, Gift of Bob Stana and Tom Judy, 2015.115.11

Railroad Avenue

Clarence H. Carter · 1931 · color aquatint on wove paper ·  Accession ID  2015.115.11

The image depicts a river with a cascading weir, surrounded by lush greenery. In the distance, there is a line of trees and a ridge separating the sky from the landscape. A truss bridge spans the river, with industrial and residential buildings along the shore and a bluff behind them. The sky features scattered clouds against a predominantly blue backdrop. The brushstrokes are clean and defined, creating a structured aesthetic. The color palette includes muted greens, blues, and earthy tones.
Max Arthur Cohn, The Delaware at Easton, 1938, color screenprint on wove paper, Gift of Bob Stana and Tom Judy, 2017.148.13

The Delaware at Easton

Max Arthur Cohn · 1938 · color screenprint on wove paper ·  Accession ID  2017.148.13

This print consists of thin vertical columns and horizontal lines, creating a complex pattern. Large dark shapes resemble industrial structures like chimneys or smokestacks, with the space above them mostly light, like a pale gray sky. The overlapping lines create a texture vaguely similar to that of woven fabric.
Soledad Salamé, Sol Print Studios, Gulf Distortion XII, 2011, color screenprint with interference pigments on plastic film, Gift of Bob Stana and Tom Judy, 2016.148.46

Gulf Distortion XII

Soledad Salamé, Sol Print Studios · 2011 · color screenprint with interference pigments on plastic film ·  Accession ID  2016.148.46

This is a drawing of a group of mythical figures engaged in a dance. The illustration shows a group of humanoid figures with animalistic features, such as horns and stylized garments, forming a circle around a central figure who appears to be dancing. The central figure has one leg raised and arms extended, surrounded by other characters in different poses. The setting seems to be in a natural landscape with minimalistic representations of grass or foliage. The strokes are fine and detailed, giving each figure distinctive expressions and features.
Helen King Boyer, I. The Dance of Death, 1942, drypoint on wove paper, Gift of Bob Stana and Tom Judy, 2019.109.24

I. The Dance of Death

Helen King Boyer · 1942 · drypoint on wove paper ·  Accession ID  2019.109.24

The image features rough rectangular shapes layered over each other, with a vertical striped line running through the center. The torn edges and mixed colors create an abstract composition dominated by beige and black. The text "Compro" is prominent, accompanied by letters and simple shapes in the corners.
George Herms, Compro, 1977, collage with rubber stamping on wove paper, Gift of Bob Stana and Tom Judy, 2015.115.20

Compro

George Herms · 1977 · collage with rubber stamping on wove paper ·  Accession ID  2015.115.20

The image shows two individuals from the back, centered within the frame. Both figures are facing away from the viewer. The individual on the left has short, wavy hair and broad shoulders, while the person on the right has long, wavy hair cascading down their back. The male figure wears a textured jacket and trousers, while the female figure wears a dress with vertical lines. The woman's left arm is draped around the man's shoulder, her hand resting on his back. The background features a textured pattern with lines radiating outward from the couple, creating a halo effect around them.
Philip Hanson, Dancing Couple II, 1968, etching in black and yellow on wove paper, Gift of Bob Stana and Tom Judy, 2015.115.19

Dancing Couple II

Philip Hanson · 1968 · etching in black and yellow on wove paper ·  Accession ID  2015.115.19

The image contains interconnected geometric and curved lines in shades of gold, red, and black. The shapes resemble an architectural mosaic, with arches and domes. In the center, there is a golden oval frame with an engraving of a bearded figure. Above this is a seated woman with drapery in a domed archway. The composition combines elements evocative of Roman architecture, temples, and coliseums in an abstract manner.
Clare Romano, Pratt Graphic Art Center, Eternal City IV, 1969, color collagraph and etching on Murillo wove paper, Gift of Bob Stana and Tom Judy, 2019.109.60.8

Eternal City IV

Clare Romano, Pratt Graphic Art Center · 1969 · color collagraph and etching on Murillo wove paper ·  Accession ID  2019.109.60.8

The image shows an industrial setting viewed from ground level. A large cylindrical gas holder dominates the scene, surrounded by various structures. The brushstrokes are expressive, creating a rough texture. The color palette includes earthy reds and browns, with hints of blue. A figure in a long coat and hat stands near a red-brick wall next to a vintage blue car. Clusters of smaller buildings with sloped roofs can be seen in the background.
Morris Topchevsky, Gas and Steel, c. 1930 - 1940, etching with aquatint and drypoint (unique inking) with hand additions and scraping on wove paper, Gift of Bob Stana and Tom Judy, 2022.173.59

Gas and Steel

Morris Topchevsky · c. 1930 - 1940 · etching with aquatint and drypoint (unique inking) with hand additions and scraping on wove paper ·  Accession ID  2022.173.59

The image shows red and brown vertical and diagonal lines arranged to create a dynamic interplay of shapes across the canvas. The composition evokes the appearance of tall trunks of trees or layered folds of fabric. The varied tones of red and brown create depth and dimension in the artwork.
Edward Avedisian, Untitled, c. 1970, watercolor on wove paper, Gift of Bob Stana and Tom Judy, 2019.109.5

Untitled

Edward Avedisian · c. 1970 · watercolor on wove paper ·  Accession ID  2019.109.5