Provenance

Richard M. Foster

British

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Sixteen men, women, and children sit on or walk among seven horses against a landscape with tall, narrow trees, buildings, and distant mountains under a vivid blue sky in this horizontal painting. In the lower left corner, a man and woman approach the group, which are arrayed across a dirt ground. The man carries a large basket with chickens over one arm and doffs his hat with his other hand. Just behind him, the woman carries a flat-bottomed, wide basket of fruit and vegetables balanced on her head. Some of the men in the main group wear wide-brimmed, feathered hats, long coats in shades of peanut brown, black, and scarlet red, and knee-length pants over stockings. The two other women wear gold-trimmed dresses in shimmering orchid pink or sapphire blue. Several of the men and women ride or prepare to ride horses, which range in shades of brown, gray, white, and black. Nine dogs with brown, white, or black fur frolic, stand, or lie among the horses. One boy pours from a jug into a stemmed glass with a flaring bowl, held by a man holding a curling hunting horn. Just beyond this pair, another man, wearing black and sitting on a horse, blows into a curving horn held up in one hand, while his other hand is planted on his hip. All the people have pale pink skin except for two men. One, to our right, is possibly of short stature and he has an olive complexion. He wears a crimson-red jacket and holds a falcon on one gloved hand. The second man has brown skin and holds the reins of a gray horse near the right edge of the composition. Near the lower right corner of the painting, a potted miniature orange tree sits on a ledge next to a peacock who perches nearby. A second peacock’s head peers out from behind the ledge. A fountain just behind the group at the center has water pouring from a stylized fish’s mouth. A sculpted woman riding the fish holds up a long object while water spouts in thin streams from her breasts. Another statue stands between two tall, spear-like trees to our left. To our right, about two dozen people look onto the scene below from a rooftop terrace on a section of the building rising up along the right edge of the painting. There, a band of musicians plays while guests dine at a small table with a peacock-shaped pie, as two more people bring out trays of food. On the front face of that structure, a man and woman talk on a balcony, as a monkey eating an orange perches on the banister. A grassy lawn or garden stretches back to a large manor house, which is hazy in the distance to our right. The horizon comes about a quarter of the way up this composition, and the sky above has bright white and flint-gray clouds against a brilliant blue sky. The overlapping letters “DG” are inscribed on the rump of a horse to our left, near the fountain. Painted in red in the lower right corner, the letters “PHILS” are entwined in a monogram next to a “W.”
Philips Wouwerman, The Departure for the Hunt, c. 1665/1668, oil on panel, The Lee and Juliet Folger Fund, in honor of Earl A. Powell III, Director of the National Gallery of Art (1992-2019), 2019.2.1

The Departure for the Hunt

Philips Wouwerman · c. 1665/1668 · oil on panel ·  Accession ID  2019.2.1

A woman playing a lute sits next to a table, on which a man perches and leans toward her in this vertical painting. Two people look on from the background. All the people have pale skin. The table is covered by cloth patterned in brick red, fawn brown, and black, and it extends off the right edge of the painting. The woman sits along the narrow end of the table to our left of center. Her body faces us as she holds the lute in her lap, one foot resting on a small wooden box. Her left elbow, to our right, is propped on the table to hold the neck of the lute. Her curly, blond hair is pulled back under a string of pearls and a fuzzy salmon-pink cap, or a feather, covers the back of her head. The bodice and puffy, elbow-length sleeves of her gown have cream-white and peach-colored stripes, and the ivory-white satin skirt falls to her feet. She wears a thin gold necklace and pearl earrings. With lips parted, she turns her face up to look at the cleanshaven man sitting on the table next to her. The man’s brown curls fall loosely over his shoulders. A long, wide white collar hangs down the front of his mustard-brown jacket. The voluminous white shirt he wears underneath shows where the jacket is unbuttoned near his waist and at his cuffs. He wears thigh-length, red pantaloons and close-fitting tan leggings. Baggy white socks hang around his ankles, and his brown shoes are tied with laces. A wooden flute sticks out of the pocket farther from the woman, and he holds a tall black hat in his lap, cradled in his left hand, to our right. With his other hand, he reaches to pluck a string near the peg board of the lute. One foot dangles off the edge of the table, and the other is propped on a bench, next to an open book. A glass with a tall stem and rounded bowl sits on the table next to him. Farther back in the shadows of the room, an older woman looks toward the couple, perhaps at the man’s hand on the lute, with her mouth slightly open. A white bonnet frames the woman’s face, and she wears a black hood and cloak over her dark dress. A bed under a box-like canopy sits along the back wall, and is cut off by the left edge of the painting. Dark curtains hanging from the canopy are pulled back to show two white pillows laid one atop the other. Also at the back of the room, to our right, a man peers in through a half-opened, arched door. He wears a conical, black, brimless hat and has a white collar over a dark coat. He looks toward the older woman with one index finger held to the corner of his grinning mouth. The wall is covered with gold-embossed, brown leather squares. The artist signed and dated the painting as if he had written in the open book on the bench: “J Steen 1667,” with the letters J and S entwined.
Jan Steen, Ascagnes and Lucelle (The Music Lesson), 1667, oil on canvas, Corcoran Collection (William A. Clark Collection), 2014.136.45

Ascagnes and Lucelle (The Music Lesson)

Jan Steen · 1667 · oil on canvas ·  Accession ID  2014.136.45