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Antiquarius

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This is a drawing of a scene involving a hillside and architectural structures. The image shows a moment under a wooden scaffold with a ladder. Several figures surround a central figure who is reclining or lying down. The figures have somber and caring postures, appearing to offer support or comfort. Delicate and fluid lines compose the figures, illustrating flowing hair and draped clothing. The backdrop features a soft, distant rendering of an ancient city or fortress situated atop a hill. The foreground includes a framework, a basket, and scattered objects that suggest a scene of significance and preparation. The grayscale tones and line quality indicate a high level of craftsmanship and attention to detail in this illustration.
Giuseppe Bernardino Bison, B. Degenhart, The Deposition, 1827, lithograph on wove paper, Purchased as a Gift of Ellen von Seggern Richter and Jan Paul Richter, 2022.65.1

The Deposition

Giuseppe Bernardino Bison, B. Degenhart · 1827 · lithograph on wove paper ·  Accession ID  2022.65.1

The image shows a muscular, nude male figure with curly hair holding a branch with leaves and grapes in one hand and a shallow bowl in the other. A smaller figure, surrounded by grape vines, is situated next to him. In the background, there is an arched niche with radial lines. An inscription is visible beneath the figures.
Gian Jacopo Caraglio, Bacchus in a Niche, 1526, engraving on laid paper, Gift of David H. McDonnell, 2021.112.8

Bacchus in a Niche

Gian Jacopo Caraglio · 1526 · engraving on laid paper ·  Accession ID  2021.112.8

This is a drawing of a battle scene. The foreground shows mounted figures engaged in a skirmish. In the background, a town or village is under attack, with smoke and fire visible. Various animals like horses and cattle are present. The composition is detailed and intricate, conveying movement and energy. Text at the bottom adds context to the events depicted.
Antonio Tempesta, Aetas Ferrea (The Iron Age), c.1599, etching on laid paper, Ruth and Jacob Kainen Memorial Acquisition Fund, 2022.193.2

Aetas Ferrea (The Iron Age)

Antonio Tempesta · c.1599 · etching on laid paper ·  Accession ID  2022.193.2

This is a drawing of a historical scene depicting a large wooden horse surrounded by numerous soldiers. The image portrays an elaborate scene of an ancient military procession or event. The central focus is on the large wooden horse being pulled on wheels. The drawing is detailed, with soldiers and figures on horseback and foot engaged in various activities. The background features architectural elements such as arches and stone structures. The figures have exaggerated musculature and dynamic poses, conveying movement and intensity. Light and shadow enhance the three-dimensional form of the characters and objects. The composition is dense, with many human figures interacting and horses adding to the complexity and energy of the image.
Giulio Bonasone, The Trojans Hauling the Wooden Horse into Troy, 1545, engraving on laid paper, Ailsa Mellon Bruce Fund, 2017.149.2

The Trojans Hauling the Wooden Horse into Troy

Giulio Bonasone · 1545 · engraving on laid paper ·  Accession ID  2017.149.2

The image shows an outdoor scene with four people. In the center, a kneeling man holds a child and looks up towards the sky. Beside him, an elderly man holds two children under his arms. On the left, a woman carries a child on her shoulder and holds another child by the hand. The background includes a large wooden door, grass, and stones.
School of Marcantonio Raimondi, God Appearing to Noah, c. 1515/1520, engraving on laid paper, Ruth and Jacob Kainen Memorial Acquisition Fund, 2022.193.3

God Appearing to Noah

School of Marcantonio Raimondi · c. 1515/1520 · engraving on laid paper ·  Accession ID  2022.193.3

The image shows two men. One man is standing upright with his right arm bent upwards towards his chest. He has strong facial features, a defined jawline, a short beard, and curly hair. He wears a loose garment draped over his shoulders and a cloak. The other man is kneeling and looking up at the standing man. He has an elderly appearance with a pronounced nose, a beard, and short hair, and wears a fur-trimmed coat. Next to the kneeling man is a dog looking towards the standing man. The background features textured foliage, trees, shrubbery, clouds, and sunlight.
Francesco Brizio, Saint Roch with a Donor, c. 1603, etching and engraving on laid paper, Purchased as the Gift of Bert Freidus, 2016.151.2

Saint Roch with a Donor

Francesco Brizio · c. 1603 · etching and engraving on laid paper ·  Accession ID  2016.151.2

This is a drawing of a mythological scene depicting various figures working and interacting. The scene is filled with human figures engaged in industrious activities within an architectural setting resembling an ancient workshop or forge. The figures are shown in detailed anatomical poses, and the setting includes elements like stone walls, arches, and steps with textures and patterns. The combination of tools, presence of draped garments, and mythical winged figures suggest a classical or allegorical narrative. Various angelic or cherubic figures are seen assisting or in action, adding complexity to the scene.
Enea Vico, The Forge of Vulcan, c. 1546/1547, engraving on laid paper, Ruth and Jacob Kainen Memorial Acquisition Fund, 2020.82.2

The Forge of Vulcan

Enea Vico · c. 1546/1547 · engraving on laid paper ·  Accession ID  2020.82.2

This is a drawing showing a central figure seated on a block with an inscription that reads "PACE." The figure holds an olive branch in one hand and a chain in the other. A muscular figure lies bound beneath the central figure. Above them, a winged cherub-like figure crowns the seated figure with a garland. Two more winged figures, possibly putti, are present in the scene. The drawing is detailed with a focus on light and shadow, creating a sense of depth and classical elegance.
Domenico Tibaldi, Allegory of Peace, c. 1560, engraving on laid paper, Ailsa Mellon Bruce Fund, 2017.149.1

Allegory of Peace

Domenico Tibaldi · c. 1560 · engraving on laid paper ·  Accession ID  2017.149.1

The image features horses and figures in motion amidst swirling clouds. The composition depicts horses rearing and tangled in a chaotic manner, with dramatic lighting suggesting a powerful light source. The figures are dynamically positioned within the scene, showing careful attention to form and musculature. The lines are fluid and controlled, with shading adding depth to the composition.
comte de Anne-Claude-Philippe de Tubières Caylus, Nicolas Le Sueur, La Chute de Phaëton (The Fall of Phaeton), c. 1729-1742, etching and chiaroscuro woodcut printed in black, light blue, and gray on laid paper, Gift of David H. McDonnell, 2021.112.7

La Chute de Phaëton (The Fall of Phaeton)

comte de Anne-Claude-Philippe de Tubières Caylus, Nicolas Le Sueur · c. 1729-1742 · etching and chiaroscuro woodcut printed in black, light blue, and gray on laid paper ·  Accession ID  2021.112.7

Giovanni Battista Bracelli, Attila at the Gates of Rome, 1649, etching on laid paper [proof], Purchased as the Gift of Bert Freidus, 2016.151.3

Attila at the Gates of Rome

Giovanni Battista Bracelli · 1649 · etching on laid paper [proof] ·  Accession ID  2016.151.3