Provenance

Print Council of America

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The image displays bold, irregular shapes and dynamic lines across the canvas. Overlapping areas of gray and mustard yellow forms, along with bold black lines and shapes, are present. Toward the lower right, there is a cluster of black, brush-like lines against a backdrop of soft teal and brown. At the top, a streak of blue stands out against the earthy tones.
Ansei Uchima, Flow and Grass, 1961, color woodcut, Rosenwald Collection, 1964.1.50

Flow and Grass

Ansei Uchima · 1961 · color woodcut ·  Accession ID  1964.1.50

The image shows a woman seated from the waist up. She is looking downwards to her right, with her head slightly tilted. The woman's facial features are delicately drawn with a visible eye and a gentle expression. Her long hair flows downwards, and she is using both hands to comb through it with her fingers. She wears a loose-fitting garment that covers her shoulders and arms. The background features a textured design. No jewelry or objects are visible. The drawing is monochrome, with dark and light shades adding depth.
Al Blaustein, Feigele, 1961, etching, Rosenwald Collection, 1964.1.5

Feigele

Al Blaustein · 1961 · etching ·  Accession ID  1964.1.5

This is a drawing featuring abstract elements. The textured surface is filled with small dots creating a speckled effect. At the center, there is an indistinct form suggesting limbs and a torso. The surrounding area is densely dotted, adding to the abstraction. The artwork is monochromatic with shades of black and white. The technique relies on contrast and texture to create a sense of movement or tension within the composition.
Jack Zajac, The Plain, 1961, aquatint, Rosenwald Collection, 1964.1.54

The Plain

Jack Zajac · 1961 · aquatint ·  Accession ID  1964.1.54

The image shows a detailed view of a tree with intricate branches and lines expanding outward. The horizon line is not visible. The drawing style features fine, precise lines to depict the texture and complexity of the tree. The color palette is monochromatic, using dark lines on a light background to highlight the detailed linework.
Peter Takal, Winter Tree, intaglio, Rosenwald Collection, 1964.1.49

Winter Tree

Peter Takal · · intaglio ·  Accession ID  1964.1.49

The image shows a central vertical form that is slightly wider in the middle and tapers towards the top and bottom. The textured, white surface has raised areas and grooves, resembling an intricately carved or layered piece.
Ezio Martinelli, Last Quarter, 1961, inkless embossed print with color stipple engraving, Rosenwald Collection, 1964.1.29

Last Quarter

Ezio Martinelli · 1961 · inkless embossed print with color stipple engraving ·  Accession ID  1964.1.29

The image shows two reclining figures from a side view. The top figure faces left with arms extended backward and short, dark hair. The lower figure faces right with arms in a similar position and is covered in a light, flowing fabric around the lower body. The color palette includes muted tones of yellow, brown, and beige, creating a soft, blended look. No facial features, jewelry, or distinct elements are visible in the abstract background.
Benton Spruance, Two Figures, 1961, 10-color lithograph, Rosenwald Collection, 1964.1.46

Two Figures

Benton Spruance · 1961 · 10-color lithograph ·  Accession ID  1964.1.46

Various sketches of human figures in different poses, ranging from standing to reclined positions. Some figures are partially obscured or abstracted, with varying levels of detail in facial features and hair. The sketches focus on studying the human form, with unclothed figures depicted. Small, focused sketches of individual limbs or heads are also included. The background is a neutral, textured surface that emphasizes the sketch quality of the illustrations. The composition suggests an exploration of form and figure through layered studies.
James McGarrell, Models I, drypoint and etching, Rosenwald Collection, 1964.1.31

Models I

James McGarrell · · drypoint and etching ·  Accession ID  1964.1.31

The image shows only the face of a person, with the rest of the body not visible. The face is positioned frontally. The facial features are abstract with broad, dark strokes highlighting the eyes, nose, and mouth. The hair forms a dark, textured halo around the face, blending into a dark circular area surrounding the head. The person’s expression appears haunting and surreal due to the exaggerated features and deep shading. The background is a plain light color. There is no visible jewelry or other objects depicted around the person.
Aubrey Schwartz, Faces - Triptych [right half], 1961, lithograph, Rosenwald Collection, 1964.1.58

Faces - Triptych [right half]

Aubrey Schwartz · 1961 · lithograph ·  Accession ID  1964.1.58

The image shows abstract shapes creating a textured silhouette against a plain background. The dark, mottled forms resemble a rough surface.
Misch Kohn, Giant, 1961, lithograph, Rosenwald Collection, 1964.1.23

Giant

Misch Kohn · 1961 · lithograph ·  Accession ID  1964.1.23

The image displays a cluster of thin black lines intersecting and overlapping across the canvas. The lines vary in intensity and direction, giving a sense of movement and complexity.
Richard Claude Ziemann, Letchworth II, 1961, etching, Rosenwald Collection, 1964.1.55

Letchworth II

Richard Claude Ziemann · 1961 · etching ·  Accession ID  1964.1.55