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    Open today 10:00 a.m. to 5:00 p.m.
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    6th and Constitution Ave NW 
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    Only have an hour to spend?

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  • Exhibitions & Events

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    • Calendar
    • Kid-Friendly Events

    Featured exhibition:

    The Stars We Do Not See: Australian Indigenous Art

    Now on view

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    A refreshed experience for our puzzle game

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    Open today 10:00 a.m. to 5:00 p.m.
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    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

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  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events

    Featured exhibition:

    The Stars We Do Not See: Australian Indigenous Art

    Now on view

  • Art & Artists

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    Artle

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    3. Diana Cinderella Mildred Bowes-Lyon Somervell
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    Diana Cinderella Mildred Bowes-Lyon Somervell

    British, 1923 - 1986

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    Artwork

    A man stabs a woman, Saint Lucy, in the chest while another man, a priest, holds a gold cup and offers her a small white wafer in this horizontal painting. Two man flank the priest, and the group is in front of a town square. Saint Lucy has pale skin and the men have tanned skin. In the center, Saint Lucy faces us and kneels with her body angled to our right. She turns her head away from us and toward the communion wafer with hermouth slightly open. Her copper-red hair is pulled back under a golden-brown cloth, which falls over her shoulders. The bodice of her thistle-purple gown has been pulled down, and blood trickles from the dagger held there. Her long sleeves are lined at the cuffs with white ruffles, and her skirt puddles on the ground. The gown has a sheen, suggesting satin or silk. She holds one hand down by her side, palm facing us, and holds up the gold cloth by her chest with the other. The man with the dagger is to our left. He hunches over Saint Lucy, stepping onto his front foot from behind her shoulder. He has dark hair, and his face is in shadow. His white shirt and butterscotch-yellow clothing expose the muscular shoulder of the stabbing arm. His pants end at the shin, and his feet are bare. To our right, the priest is balding with a white beard. His face is lined as he looks down at Saint Lucy, his head tipped toward us. He wears a white robe with a gold stole. A man wearing celestial blue and holding a thick candle kneels facing away from us between us and the priest. Another man wearing red and plum purple looks at Saint Lucy from under dark, lowered brows on the far side of the priest. Across from this group, a sixth person edges into the scene from our left, so only their profile, a shoulder, and a hand are visible. Deep in shadows, they seem to look into the town square. That space is lined with tall stone buildings to our right and an arch on the far side. A few people and oxen gather around a woman wearing pink, who stands on a platform in the square. Two more people sit atop a platform above the woman, flanking an upward shooting pink stream, like a wide ribbon. Thin white and gray clouds veil the shadowy, marine-blue sky in the upper left quadrant.
    Veronese, The Martyrdom and Last Communion of Saint Lucy, c. 1585/1586, oil on canvas, Gift of The Morris and Gwendolyn Cafritz Foundation and Ailsa Mellon Bruce Fund, 1984.28.1

    The Martyrdom and Last Communion of Saint Lucy

    The Martyrdom and Last Communion of Saint Lucy

    Veronese · c. 1585/1586 · oil on canvas ·  Accession ID  1984.28.1

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