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Jack Stern

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The image shows a view from inside a car traveling on a bridge with several cars heading in the same direction. The bridge is suspended between two metal structures, with streetlights along its length creating a line of glowing orbs. The steel framework of the bridge stretches into the distance, and the horizon is obscured by its architectural elements. The scene is captured in black and white, emphasizing the bridge's silhouette against a faintly illuminated sky. Smooth, fluid lines depict the bridge and vehicles, creating a strong graphic contrast in shades of grey and black.
David Vestal, George Washington Bridge, New York / New Jersey, 1960, gelatin silver print, Gift of Jack and Judy Stern, 2018.141.2

George Washington Bridge, New York / New Jersey

David Vestal · 1960 · gelatin silver print ·  Accession ID  2018.141.2

This is a black and white photograph of an urban street scene. The image features tall buildings surrounding a street where vintage cars are parked. In the center, there is a massive brick wall with a water tower on top. A streetlamp, intersection sign, and parts of a delivery van and Volkswagen van can be seen. The scene reflects a gritty, industrial atmosphere of a mid-20th century city with towering architecture and muted tones.
David Vestal, West 28th Street, New York, October 1963, gelatin silver print, Gift of Jack and Judy Stern, 2018.141.5

West 28th Street, New York

David Vestal · October 1963 · gelatin silver print ·  Accession ID  2018.141.5

The image shows a low-angle view through the bars of a fire escape, surrounded by buildings covered in snow. Snowflakes fall in the air. The scene is in black and white, highlighting the contrast between buildings and snow. Geometric lines of the structures add structure to the composition.
David Vestal, From 22nd St., Back Window, 1958, gelatin silver print, Gift of Jack and Judy Stern, 2018.141.10

From 22nd St., Back Window

David Vestal · 1958 · gelatin silver print ·  Accession ID  2018.141.10

The image depicts part of a person's body from the waist down, standing outside a dark doorway on a brick wall. The person is partially hidden by the wall, with only their extended hands and a slight glimpse of their legs visible. The person's facial features and hair are not visible due to their positioning. The individual is wearing dark clothing that contrasts with their hands, which are illuminated by light. They appear to be holding onto the wall as they lean out from the doorway. In the background, there is a brick wall and a glass entryway with sunlight streaming through, casting shadows on the floor and the wall. No jewelry or additional objects can be seen on the person.
David Vestal, André Kertész at Long Island University, Brooklyn, New York, 1969, gelatin silver print, Gift of Jack and Judy Stern, 2018.141.1

André Kertész at Long Island University, Brooklyn, New York

David Vestal · 1969 · gelatin silver print ·  Accession ID  2018.141.1

This is a photograph of a partially open white door within a white wall. The door features ornate paneling and worn white paint, with a transom window above it. The lighting is soft, creating gentle shadows.
David Vestal, Carroll Street, Brooklyn, New York, 1968, gelatin silver print, Gift of Jack and Judy Stern, 2018.141.6

Carroll Street, Brooklyn, New York

David Vestal · 1968 · gelatin silver print ·  Accession ID  2018.141.6

This is a photograph of an urban street scene. It features a parking lot advertisement and an old building. The image shows a corner of a street with a multi-story building labeled "Associated Blind, Inc." It has a vintage air conditioning unit and various signage. There is a large billboard advertising a 'Corvair '65' car, indicating an era around the 1960s. Below the billboard, there are signs for parking fees and "Toy Parking." Beside the building, a small, worn-down, shed-like structure stands, possibly serving as an office for the parking area. The architecture and signage suggest a bustling urban environment with a focus on parking options. The photograph captures the gritty texture and layered details typical of mid-20th century cityscapes.
David Vestal, West 23rd Street, New York, 1964, printed 1965, gelatin silver print, Gift of Jack and Judy Stern, 2018.141.4

West 23rd Street, New York

David Vestal · 1964, printed 1965 · gelatin silver print ·  Accession ID  2018.141.4

The image depicts an older man in a half-body shot looking down at a desk cluttered with papers. He has a serious expression with white, somewhat unkempt hair. He is wearing a white dress shirt and glasses, and the background shows a dimly lit indoor setting with a brick wall. The surface around him is covered with stacks of papers and documents.
David Vestal, Minor White, Arlington, Massachusetts, April 1970, gelatin silver print, Gift of Jack and Judy Stern, 2018.141.8

Minor White, Arlington, Massachusetts

David Vestal · April 1970 · gelatin silver print ·  Accession ID  2018.141.8

The image shows a man seated at a table, with the upper half of his body visible. He is positioned slightly leaning forward, with his right hand raised and holding a cigarette. The man's facial features are somewhat obscured by the smoke and dim lighting, but he has short hair and appears to be wearing a serious expression. He is dressed in a dark button-up shirt over a lighter undershirt. On the table in front of him, there is an ashtray, and another person’s arm is partially visible on the left-hand side. The background appears to be a simple, undecorated wall with soft shadows, indicative of a dimly lit room filled with smoke.
David Vestal, Sid Grossman Teaching at 7 West 24th Street, New York, 1953, printed 2001, gelatin silver print, Gift of Jack and Judy Stern, 2018.141.3

Sid Grossman Teaching at 7 West 24th Street, New York

David Vestal · 1953, printed 2001 · gelatin silver print ·  Accession ID  2018.141.3

The image shows a woman from the waist up, positioned slightly to the right of the frame and facing the camera. She has straight, medium-length dark hair held back with a wide headband. Her facial features include a smooth skin tone and a gentle expression with a hint of a smile. She is wearing a light-colored blouse with a bow-tie collar. The background consists of an outdoor scene with dry terrain and scattered vegetation, including a large tree on the right. There is a clothesline in the distance with garments hanging in the background.
David Vestal, Ramona Mack, Sacaton, Arizona, 1966, gelatin silver print, Gift of Jack and Judy Stern, 2018.141.13

Ramona Mack, Sacaton, Arizona

David Vestal · 1966 · gelatin silver print ·  Accession ID  2018.141.13

The image depicts a view through a window with visible crossbars, showing a lattice effect created by a window frame and bare branches of trees against the sky. In the distance, a large multi-story house with a steep roof and several windows is visible. The sky occupies the upper portion of the image, giving a sense of openness. The composition captures the contrast between the silhouetted branches and the light sky. The color palette is predominantly grayscale, with shades of black, white, and gray. The scene conveys a mood of quiet observation and stillness, focusing on architectural and natural elements.
David Vestal, Minor White's House, Arlington, Massachusetts, April 1970, gelatin silver print, Gift of Jack and Judy Stern, 2018.141.12

Minor White's House, Arlington, Massachusetts

David Vestal · April 1970 · gelatin silver print ·  Accession ID  2018.141.12