Provenance

Dr. Andrew Robison

American, born 1940

Explore Selected Works

See all 96 works of art
Antonio da Trento, The Martyrdom of Saints Peter and Paul, c. 1530, chiaroscuro woodcut printed from three blocks in three tones of blue, Gift of Andrew Robison, in Honor of the 50th Anniversary of the National Gallery of Art, 1990.61.1

The Martyrdom of Saints Peter and Paul

Antonio da Trento · c. 1530 · chiaroscuro woodcut printed from three blocks in three tones of blue ·  Accession ID  1990.61.1

An abstracted, brightly colored dove is at the center of this cream-white poster. The bird's form is outlined in black and its body roughly filled in with horizontal stripes in shades of coral and garnet red, pale and aquamarine blue, and smoky pale purple. The bird faces our left with its beak parted and its wings ruffled. The word “McCARTHY” is prominently printed at the top in black, while the word PEACE” is in bold, all caps in blue at the bottom. The artist signed the poster to the right of the dove, “Ben Shahn.”
Ben Shahn, Health Professions for McCarthy, Lincoln Graphics, New York, McCarthy Peace (poster), 1968, color offset lithograph on wove paper, Gift of Andrew Robison, 2017.22.1

McCarthy Peace (poster)

Ben Shahn, Health Professions for McCarthy, Lincoln Graphics, New York · 1968 · color offset lithograph on wove paper ·  Accession ID  2017.22.1

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Antichita Romane de Tempi Della Republica

Giovanni Battista Piranesi · 1748 · etchings (30) ·  Accession ID  2002.66.1.1-30

Giovanni Battista Piranesi, Arco di Pola in Istria, 1748, etching on laid paper, Edward E. MacCrone Fund and the Eugene L. and Marie-Louise Garbáty Fund, 2002.66.1.25

Arco di Pola in Istria

Giovanni Battista Piranesi · 1748 · etching on laid paper ·  Accession ID  2002.66.1.25

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A Selection of Twenty of the most Picturesque Views in Paris, and its Environs

Thomas Girtin, Frederick Christian Lewis I · published 1803 · bound volume with 53 illustrations: a proof set of 20 etchings before aquatint by T. Girtin; 20 etchings by T. Girtin, aquatinted by Lewis; one hand-colored etching by the artist, with 12 engravings at the end of the volume from Holcroft's travels ·  Accession ID  2012.90.1

Giovanni Battista Piranesi, Ponte di Rimino fabbricato da Augusto e da Tiberio imperatore, 1748, etching on laid paper, Edward E. MacCrone Fund and the Eugene L. and Marie-Louise Garbáty Fund, 2002.66.1.17

Ponte di Rimino fabbricato da Augusto e da Tiberio imperatore

Giovanni Battista Piranesi · 1748 · etching on laid paper ·  Accession ID  2002.66.1.17

Pablo Picasso, Pique I, 1959, linocut , proof with the second state in black over the first state in dark brown; the black is slightly misregistered, Daryl Reich Rubenstein Memorial Fund and Robison Fund, 2010.80.4

Pique I

Pablo Picasso · 1959 · linocut , proof with the second state in black over the first state in dark brown; the black is slightly misregistered ·  Accession ID  2010.80.4

Giovanni Battista Piranesi, Anfiteatro di Pola in Istria, 1748, etching on laid paper, Edward E. MacCrone Fund and the Eugene L. and Marie-Louise Garbáty Fund, 2002.66.1.24

Anfiteatro di Pola in Istria

Giovanni Battista Piranesi · 1748 · etching on laid paper ·  Accession ID  2002.66.1.24

Giovanni Battista Piranesi, Ponte Senatorio oggi detto Ponte Rotto, 1748, etching on laid paper, Edward E. MacCrone Fund and the Eugene L. and Marie-Louise Garbáty Fund, 2002.66.1.14

Ponte Senatorio oggi detto Ponte Rotto

Giovanni Battista Piranesi · 1748 · etching on laid paper ·  Accession ID  2002.66.1.14

Giovanni Battista Piranesi, For di Augusto, 1748, etching on laid paper, Edward E. MacCrone Fund and the Eugene L. and Marie-Louise Garbáty Fund, 2002.66.1.15

For di Augusto

Giovanni Battista Piranesi · 1748 · etching on laid paper ·  Accession ID  2002.66.1.15