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The image shows bold, angular lines creating two human figures amidst curved and jagged lines representing foliage. The figures have elongated limbs and simplified facial features and stand under a textured sun and crescent moon. The background is filled with stylized plant shapes resembling leaves and vines that intertwine around the figures.
Georg Alexander Mathéy, Adam and Eve, 1921, woodcut on Japanese paper, Gift of Jacob Kainen, 2002.98.360

Adam and Eve

Georg Alexander Mathéy · 1921 · woodcut on Japanese paper ·  Accession ID  2002.98.360

The image displays swirling lines creating a circular motion around three central figures engaged in a dance-like gesture. Abstract shapes and curves above the figures may represent musical instruments like a saxophone or horn. The vibrant colors and dynamic poses contribute to the overall celebratory atmosphere of the scene.
Mildred Rackley, Federal Art Project (New York City), Jumping Jives, c. 1940, color woodcut on wove paper, Gift of Bob Stana and Tom Judy, 2019.109.62

Jumping Jives

Mildred Rackley, Federal Art Project (New York City) · c. 1940 · color woodcut on wove paper ·  Accession ID  2019.109.62

The image displays irregular shapes and lines on a dark background. In the center, there are patches of yellow tones with textures that resemble weathered stone. There are darker spots scattered throughout the yellow area. The composition is surrounded by blackness, accentuating the central form.
Minna Citron, Plato's Cave, 1959, etching and aquatint in black and green on wove paper, Gift of Bob Stana and Tom Judy, 2019.109.22

Plato's Cave

Minna Citron · 1959 · etching and aquatint in black and green on wove paper ·  Accession ID  2019.109.22

The image shows swirling arcs, diagonal lines, soft curves, and rounded forms in a gradient of yellow, green, and brown.
Tom A. Robertson, Composition #4, c. 1940, color screenprint on wove paper, Gift of Bob Stana and Tom Judy, 2017.148.51

Composition #4

Tom A. Robertson · c. 1940 · color screenprint on wove paper ·  Accession ID  2017.148.51

The image shows a chaotic arrangement of lines and shapes in thick black strokes against a background of vibrant pink, blue, and grey hues. There are elements resembling a fish or a bird, with eye-like circles and fin-like forms in white.
Stanley William Hayter, Combat, 1953, color engraving amnd softground etching, Gift of Ruth Cole Kainen, 2012.92.91

Combat

Stanley William Hayter · 1953 · color engraving amnd softground etching ·  Accession ID  2012.92.91

The image shows a coastal scene with cliffs, ocean, and a sky with a horizon at the top third. The brushstrokes are detailed with a stippled texture. The color palette includes pastel shades of blue and pink for the sky and water, and earthy tones of beige and brown for the cliffs. Close to us are rocky formations and grassy patches with dark outlines, while distant trees are seen as dark silhouettes. Birds are flying in the sky.
Frances H. Gearhart, Low Tide, 1930, color woodcut on wove paper, Gift of Bob Stana and Tom Judy, 2019.109.39

Low Tide

Frances H. Gearhart · 1930 · color woodcut on wove paper ·  Accession ID  2019.109.39

The image shows a collection of curved and angular shapes intermingling with strong, dark lines to form a dense composition in an abstract arrangement. The shapes and lines together suggest forms resembling mechanical parts or industrial machinery, with hints of wheels, gears, and pipes. The intricate overlapping of these shapes give an impression of a complex, interconnected system. The contrasting shades emphasize depth and add a dynamic quality to the abstract representation.
Dean Meeker, Curcubeta, 1957, color screenprint on gray wove paper, Gift of Bob Stana and Tom Judy, 2017.148.44

Curcubeta

Dean Meeker · 1957 · color screenprint on gray wove paper ·  Accession ID  2017.148.44

The image is an etching of a seascape viewpoint from a low angle. There are choppy waves, a ship in the distance, and dramatic cloud formations in the sky. The horizon is placed below the middle of the scene with emphasis on both the sky and waves. The style features dynamic lines and cross-hatching conveying motion in the sea. The color palette is black and grey, with stark contrast between the sea and sky. The texture of the etching enhances the visual impact, with swirling lines and strokes suggesting a stormy atmosphere.
Thorvald Simeon Niss, Storm at Sea, 1901, etching, Gift of Jacob Kainen, 2002.98.320

Storm at Sea

Thorvald Simeon Niss · 1901 · etching ·  Accession ID  2002.98.320

The image shows an array of geometric shapes and bold lines on a textured reddish background. A large red figure resembling a stylized deer or stag is in the lower right, with intricate patterns on its body and antlers. Accompanying the deer are hexagonal and polygonal shapes, some filled with texture or additional lines, resembling gemstones or stones. The composition blends organic shapes with rigid, angular components.
Guy MacCoy, The Deer Park, 1945, color screenprint on wove paper, Gift of Bob Stana and Tom Judy, 2017.148.42

The Deer Park

Guy MacCoy · 1945 · color screenprint on wove paper ·  Accession ID  2017.148.42

The image displays angular shapes and wavy lines in an intricate composition. The abstract artwork resembles a cityscape with structures resembling buildings, towers, and pathways. A bold color palette includes dark colors, white, red, and yellow. The shapes suggest objects like houses, chimneys, and symbols interconnected by pathways, resembling a map.
Ynez Johnston, Night Voyage, 1956, color intaglio on Arches wove paper, Gift of Bob Stana and Tom Judy, 2018.143.28

Night Voyage

Ynez Johnston · 1956 · color intaglio on Arches wove paper ·  Accession ID  2018.143.28