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Wolfs Art Gallery

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The image depicts a river with a cascading weir, surrounded by lush greenery. In the distance, there is a line of trees and a ridge separating the sky from the landscape. A truss bridge spans the river, with industrial and residential buildings along the shore and a bluff behind them. The sky features scattered clouds against a predominantly blue backdrop. The brushstrokes are clean and defined, creating a structured aesthetic. The color palette includes muted greens, blues, and earthy tones.
Max Arthur Cohn, The Delaware at Easton, 1938, color screenprint on wove paper, Gift of Bob Stana and Tom Judy, 2017.148.13

The Delaware at Easton

Max Arthur Cohn · 1938 · color screenprint on wove paper ·  Accession ID  2017.148.13

The image features a series of intertwining and looping black lines and shapes, creating an abstract composition. These lines form a central shape that may resemble a humanoid figure embracing another. Additionally, there are areas with dense black smudges and blotches adding texture and contrast. A triangular shape is present at the bottom right, partially filled with a black smudge.
Carlos Merida, Untitled, 1934, lithograph in black on Fabriano wove paper, Gift of Bob Stana and Tom Judy, 2016.148.37

Untitled

Carlos Merida · 1934 · lithograph in black on Fabriano wove paper ·  Accession ID  2016.148.37

The image displays a series of curving and straight lines forming two elongated, arched figures with abstract shapes. These shapes intersect with bold black smudges for texture and depth. The lines and forms resemble stylized human figures bending and connected at the ends. Two darker circular forms are present, one in the upper center and another in the lower section. The composition is abstract, encouraging viewers to perceive familiar patterns or forms within the artwork.
Carlos Merida, Untitled, 1934, lithograph in black on Fabriano wove paper, Gift of Bob Stana and Tom Judy, 2016.148.38

Untitled

Carlos Merida · 1934 · lithograph in black on Fabriano wove paper ·  Accession ID  2016.148.38

The image displays intersecting lines and rounded shapes in a symmetrical arrangement with concentric circles on each side of the central axis. The abstract piece has mechanical and machine-like elements with circles resembling wheels and shadowy areas suggesting gears or machinery parts. The incorporation of smudged and blurred sections conveys motion and dynamism. The overall structure might evoke a cart or transport device in a highly stylized form.
Carlos Merida, Untitled, 1934, lithograph in black on Fabriano wove paper, Gift of Bob Stana and Tom Judy, 2016.148.39

Untitled

Carlos Merida · 1934 · lithograph in black on Fabriano wove paper ·  Accession ID  2016.148.39

The image shows a large curvaceous vase in the central foreground, filled with a variety of colorful leaves and flowers. The color palette includes shades of reds, browns, yellows, muted greens, and blues. The vase is placed on a checkered surface, with draped curtains on either side in the background.
Marguerite Zorach, Autumn Colors, c. 1940, color screenprint on wove paper, Gift of Bob Stana and Tom Judy, 2017.148.69

Autumn Colors

Marguerite Zorach · c. 1940 · color screenprint on wove paper ·  Accession ID  2017.148.69

The image shows a collection of curved and straight lines intertwined with amorphous, cloud-like shapes. It has an abstract quality with dark patches and thin lines on a faded background. The elements resemble ink blots or the textured surface of a weathered stone, with some thin lines resembling branches or abstract calligraphy. The composition is contained within a sketched rectangular boundary.
Carlos Merida, Untitled, 1934, lithograph in black on laid paper, Gift of Bob Stana and Tom Judy, 2016.148.36

Untitled

Carlos Merida · 1934 · lithograph in black on laid paper ·  Accession ID  2016.148.36

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Untitled

Edwin Mieczkowski · 1954 · color woodcut on wove paper ·  Accession ID  2018.143.41