Provenance

Gary Sokol

Explore selected works

See all 14 works of art
The image shows a rooftop view of weathered structures made of cracked concrete and aged materials. The rooftop surface is uneven with visible cracks and a rough texture, extending towards the edge lined with low walls. Old antennas are mounted on blocky structures to the left. In the distance, two tall skyscrapers rise into the sky, partially obscured by haze. The palette is monochromatic with a sepia tone, dominated by shades of brown and cream highlighting the texture of the surfaces.
Madoka Takagi, South View from 335 East 9th Street, Manhattan, 1990, platinum/palladium print, Gift of Gary B. Sokol, 2021.108.5

South View from 335 East 9th Street, Manhattan

Madoka Takagi · 1990 · platinum/palladium print ·  Accession ID  2021.108.5

This is a photograph of a zeppelin flying in the distance, captured alongside the structure of a bridge. The image features a close-up perspective of a bridge's steel elements, which are prominently displayed in the foreground. The structure showcases a series of large rivets and a cable running diagonally across the frame. In the background, a zeppelin gently floats in the sky above a vast, indistinct landscape. The photograph utilizes a monochromatic palette, giving it a timeless, historical feel, and emphasizing the contrast between the industrial construction and the smooth expanse of the sky.
Peter Stackpole, Untitled (Building the San Francisco – Oakland Bay Bridge), 1934–1936, gelatin silver print, Gift of Gary B. Sokol, 2024.91.3

Untitled (Building the San Francisco – Oakland Bay Bridge)

Peter Stackpole · 1934–1936 · gelatin silver print ·  Accession ID  2024.91.3

The image shows a man standing on a steel girder high above a body of water. He is facing towards the right side of the image, with his body slightly turned towards the camera. The man is wearing a protective helmet, jacket, and trousers suitable for labor work. He has a safety harness secured around his waist and is gripping a large bolt on the metal beam. In the background, there is water extending towards a distant cityscape under a slightly overcast sky, with industrial buildings and ships visible on the horizon.
Peter Stackpole, Untitled (Building the San Francisco – Oakland Bay Bridge), 1934–1936, gelatin silver print, Gift of Gary B. Sokol, 2024.91.5

Untitled (Building the San Francisco – Oakland Bay Bridge)

Peter Stackpole · 1934–1936 · gelatin silver print ·  Accession ID  2024.91.5

The image depicts two people at the beach, lying on the sand. The man is on the left, wearing dark swim trunks and round sunglasses, propped up on one arm. The woman is on the right, wearing a striped bikini and sunglasses, reclining back on her arms. Both are on a patterned blanket with personal items nearby. The background shows a sandy beach.
Madoka Takagi, Coney Island 29, May 22, 1991, platinum/palladium print, Gift of Gary B. Sokol, 2021.108.3

Coney Island 29

Madoka Takagi · May 22, 1991 · platinum/palladium print ·  Accession ID  2021.108.3

The image displays a construction site with large concrete pillar structures positioned on the right, with additional structures in the background. On the left, there is a metal framework extending into the scene, possibly part of a bridge under construction. The setting includes hills, trees, and a clear sky with a gradient in tones. The photograph is in sepia.
Peter Stackpole, Untitled (Building the San Francisco – Oakland Bay Bridge), 1934–1936, gelatin silver print, Gift of Gary B. Sokol, 2024.91.4

Untitled (Building the San Francisco – Oakland Bay Bridge)

Peter Stackpole · 1934–1936 · gelatin silver print ·  Accession ID  2024.91.4

This is a photograph of a construction scene on a steel structure above a body of water. The image captures a view of two construction workers on the exposed beams of what appears to be a bridge under construction. The foreground features the steel framework and cables, while the background shows an urban landscape with buildings. The photograph is in sepia tones and illuminated by daylight.
Peter Stackpole, Untitled (Building the San Francisco – Oakland Bay Bridge), 1934–1936, gelatin silver print, Gift of Gary B. Sokol, 2024.91.7

Untitled (Building the San Francisco – Oakland Bay Bridge)

Peter Stackpole · 1934–1936 · gelatin silver print ·  Accession ID  2024.91.7

Two police officers are shown standing side by side from head to toe with their arms crossed over their chests. The officer on the left has short, dark hair and a clean-shaven face, while the officer on the right has a short mustache and similar short, dark hair. Both officers wear police uniforms with short-sleeved shirts, visible badges, dark trousers, and caps. They also wear utility belts with various items. The scene takes place outdoors in front of a food stand or diner, with signs advertising burgers and hot dogs. There are bottled drinks and other small items visible through a window behind the counter.
Madoka Takagi, Coney Island 65, June 27, 1991, platinum/palladium print, Gift of Gary B. Sokol, 2021.108.2

Coney Island 65

Madoka Takagi · June 27, 1991 · platinum/palladium print ·  Accession ID  2021.108.2

This is a photograph of workers on a steel structure. The photograph shows a tall steel structure, with detailed riveted steel beams. The structure is against a clear sky. The monochrome enhances the texture and light play on the metallic surface, emphasizing the scale and height of the construction. The composition conveys a sense of industrial strength and engineering complexity.
Peter Stackpole, Untitled (Building the San Francisco – Oakland Bay Bridge: Constructing the Cable Guide Tower), 1934–1936, gelatin silver print, Gift of Gary B. Sokol, 2024.91.6

Untitled (Building the San Francisco – Oakland Bay Bridge: Constructing the Cable Guide Tower)

Peter Stackpole · 1934–1936 · gelatin silver print ·  Accession ID  2024.91.6

This is a photograph of an abandoned, curved hallway with large windows. The photograph shows a walkway inside a neglected structure with large, rectangular windows on both curved walls. The outdoor environment is visible through the dusty glass. The ceiling and walls show decay and peeling paint. Light from the windows creates shadows on the debris-littered floor. The windows have metal frames, with some panes open or missing, indicating the building's abandoned state.
Madoka Takagi, Ellis Island, 1988, platinum/palladium print, Gift of Gary B. Sokol, 2021.108.4

Ellis Island

Madoka Takagi · 1988 · platinum/palladium print ·  Accession ID  2021.108.4

This is a photograph of a worker balancing on a large hook over a body of water with an industrial setting in the background. The black and white image captures a dramatic moment where a worker is performing a task high above the water. The worker is secured with a safety harness and helmet, and is gripping a rope, standing on a large metal ball that is part of the crane's hook mechanism. Below, parts of another worker and more equipment are visible. In the background, there is a body of water bordered by industrial structures and distant hilly terrain. The photograph emphasizes the theme of industrial labor and the conditions often associated with it.
Peter Stackpole, Untitled (Building the San Francisco – Oakland Bay Bridge), 1934–1936, gelatin silver print, Gift of Gary B. Sokol, 2024.91.1

Untitled (Building the San Francisco – Oakland Bay Bridge)

Peter Stackpole · 1934–1936 · gelatin silver print ·  Accession ID  2024.91.1