Provenance

Vincent Mayer

German, 1831 - 1918

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The image shows a group of men gathered around a long table. The central figure has an aura-like burst behind his head and is seated with others leaning towards him or gesturing. The men have long hair and beards, and wear long robes. One individual is pouring liquid from a pitcher into a cup, while another leans forward. On the table is a plate with food and a cup. The background shows an arched and vaulted ceiling with a stone or brick walls. The style of the image is monochromatic and engraved.
Albrecht Dürer, The Last Supper, 1510, woodcut on laid paper, Gift of W.G. Russell Allen, 1941.1.23

The Last Supper

Albrecht Dürer · 1510 · woodcut on laid paper ·  Accession ID  1941.1.23

The image depicts a seated figure, shown from head to toe, positioned with the upper body leaning slightly forward while resting against a chair. The person has short, textured hair that is dark in shade and wears a headscarf tied at the back. Their face is angled towards the viewer with features that suggest focused attention, though the details are largely composed of shading and line work typical of a sketch. They are dressed in a loose-fitting, long robe or gown that gathers at the waist, extending down to their feet. The figure is holding a small pipe in one hand, with the other resting on their lap. Next to the person is a round table that supports a tankard and a book or piece of paper. In the background, crosshatch shading suggests a simple indoor setting with no distinct details of decor or furnishings.
Cornelis Bega, A Woman Smoking, etching on laid paper, Rosenwald Collection, 1943.3.895

A Woman Smoking

Cornelis Bega · · etching on laid paper ·  Accession ID  1943.3.895

The image shows a seated figure of a woman with a child in her arms. The woman has soft facial features and styled hair under a draped head covering, wearing detailed clothing with fur trims. She is surrounded by light rays emanating from a halo. The child, with curled hair, looks up at the woman. They are both clad in fabric. The background has fine lines radiating outward, with an artist's monogram and a dated plaque at the base.
Albrecht Dürer, The Virgin Nursing the Child, 1519, engraving, Rosenwald Collection, 1943.3.3541

The Virgin Nursing the Child

Albrecht Dürer · 1519 · engraving ·  Accession ID  1943.3.3541

This is a drawing of a group of figures in a medieval village setting, with architectural elements and musical instruments prominently featured. The scene features figures clad in minimal garments, engaged in a social or performance-like scenario. Detailed architecture reminiscent of medieval European towns, with towers and a bridge visible in the background. The foreground exhibits a mix of architectural and natural elements such as vines and a small plant. Various hats and tools are shown as points of visual interest, implying daily life activities. The drawing emphasizes shading and depth through texture and linework.
Albrecht Dürer, Bath House, c. 1496/1497, woodcut on laid paper, Gift of W.G. Russell Allen, 1941.1.40

Bath House

Albrecht Dürer · c. 1496/1497 · woodcut on laid paper ·  Accession ID  1941.1.40

This is a drawing of figures in a natural setting. The illustration portrays a woman in medieval-style attire sitting next to a wild-looking figure. The background features swirling lines and branches, creating a textured backdrop. An ornate scroll is present across the top. The detailed line work and hatching add volume and intricate detailing, typical of the period's graphic work. The composition's fluidity and theatricality suggest influence from Renaissance graphic traditions.
Albrecht Dürer, The Ravisher, c. 1495, engraving on laid paper, Rosenwald Collection, 1943.3.3452

The Ravisher

Albrecht Dürer · c. 1495 · engraving on laid paper ·  Accession ID  1943.3.3452

Thirteen men are portrayed in a woodcut style. They are sitting around a long table. The central figure has long hair, a beard, and a circle above his head. The others have varying facial expressions and wear robes reminiscent of historical or religious attire. Wine glasses and a bowl are on the table. The room has a textured wall with a small window. Under the table, there is a basket with bread and a plate with the year "1523" and "AD" inscribed on it.
Albrecht Dürer, The Last Supper, 1523, woodcut on laid paper, Gift of W.G. Russell Allen, 1941.1.25

The Last Supper

Albrecht Dürer · 1523 · woodcut on laid paper ·  Accession ID  1941.1.25

The image shows two men in an intricate scene. The man on the right is seated with his hands bound, appearing submissive. He has a pronounced face with a beard and mustache, and hair styled with a crown of thorns. The seated man is muscular and partially covered with a draped cloth. The man on the left is kneeling, holding a stick in his raised right hand and gesturing with his left hand. He has curly hair and a beard. He is dressed in a tunic and a sleeveless outer garment with folds and a textured pattern. Textual elements are present above and below the scene. The background is clear with cloud-like formations suggesting a celestial setting.
Albrecht Dürer, The Man of Sorrows Mocked by a Soldier, probably 1511, woodcut on laid paper, Gift of W.G. Russell Allen, 1941.1.22

The Man of Sorrows Mocked by a Soldier

Albrecht Dürer · probably 1511 · woodcut on laid paper ·  Accession ID  1941.1.22

This is a drawing of a scene in the heavens and earth. The scene depicts a figure seated upon a cloud, surrounded by other angelic beings. To the right, a creature with multiple heads, stands prominently. Below, figures clad in robes seem to gather and point towards this creature. The composition includes intricate lines and textures, adding a dramatic quality to the image.
Albrecht Dürer, The Beast with Two Horns like a Lamb, probably c. 1496/1498, woodcut on laid paper, Gift of W.G. Russell Allen, 1941.1.26

The Beast with Two Horns like a Lamb

Albrecht Dürer · probably c. 1496/1498 · woodcut on laid paper ·  Accession ID  1941.1.26

This is a drawing of an interior scene with a winged angel kneeling before a seated figure. The room features architectural elements like arched vaults and detailed masonry, a descending dove above surrounded by light, a glimpse of an exterior landscape, a small staircase, and a hanging chandelier. The style is reminiscent of Albrecht Dürer's work.
Albrecht Dürer, The Annunciation, c. 1502/1504, woodcut on laid paper, Gift of W.G. Russell Allen, 1941.1.33

The Annunciation

Albrecht Dürer · c. 1502/1504 · woodcut on laid paper ·  Accession ID  1941.1.33

The image depicts a group scene inside an ornate architectural setting. The scene shows a gathering of figures in flowing robes under an intricately decorated archway with detailed carvings. Columns and arches suggest a grand architectural backdrop. The style resembles Albrecht Dürer, showcasing attention to detail and mastery of line work. The figures display expressions and gestures that contribute to the narrative.
Albrecht Dürer, The Betrothal of the Virgin, c. 1504/1505, woodcut on laid paper, Gift of W.G. Russell Allen, 1941.1.32

The Betrothal of the Virgin

Albrecht Dürer · c. 1504/1505 · woodcut on laid paper ·  Accession ID  1941.1.32