Provenance

Mrs. Charles E. Slatkin

Slatkin, Regina

1909 - 1999

Explore selected works

See all 54 works of art
The image shows a central vertical line with extending horizontal elements and jagged edges, forming an abstract shape against a gradient gray background. The black and white composition gives a sense of patterns that might resemble sound waves. The fragmented black forms resemble ink blots.
Arnaldo Pomodoro, Untitled, probably 1960/1970, gray, white, and black gouache inked à la poupée on wove paper, Gift of Regina Slatkin, Carole and Laura Slatkin, 1990.58.9

Untitled

Arnaldo Pomodoro · probably 1960/1970 · gray, white, and black gouache inked à la poupée on wove paper ·  Accession ID  1990.58.9

The image includes a large, irregularly shaped orange form with torn edges against a solid blue background. Beneath the orange shape, a small red rectangle floats on the blue area. The bottom portion of the artwork is divided into a dark gray strip to the left and a brownish-green section to the right, separated by a torn line.
Emerson Woelffer, Orange is Day, 1979, cut, torn, and pasted colored paper, Gift of Regina Slatkin, Carole and Laura Slatkin, 1990.58.18

Orange is Day

Emerson Woelffer · 1979 · cut, torn, and pasted colored paper ·  Accession ID  1990.58.18

The image displays a large circle filled with intersecting vertical and horizontal lines, creating a grid-like pattern. The lines form rectangular and square sections within the circle, some in yellow and others in blue and white. The design is reminiscent of stained glass or a modernist cityscape when viewed from above. The circle is divided harmoniously with contrasting colors, evoking the structure of a pie chart.
Ilya Bolotowsky, Yellow Tondo, tempera over graphite on heavy wove paper, Gift of Regina Slatkin, 1991.169.3

Yellow Tondo

Ilya Bolotowsky · · tempera over graphite on heavy wove paper ·  Accession ID  1991.169.3

This is a drawing of mythological figures in a natural setting with water. The image depicts a scene with multiple figures around a large jug from which water is pouring abundantly. The background is filled with natural elements like trees and rocks. The detailing and engraving showcase a mythological theme commonly seen in 18th-century European art.
Pierre-Alexandre Aveline, Satyr, Nymph and River God, in or after 1736, etching, Gift of Regina Slatkin, 1984.91.7

Satyr, Nymph and River God

Pierre-Alexandre Aveline · in or after 1736 · etching ·  Accession ID  1984.91.7

The image shows a collection of colored geometric shapes outlined in white, set against a grid background. The composition includes triangles and quadrilaterals in shades of orange, green, and black, with a red shape pointing downward. Grid lines serve as a backdrop, contrasting with the layout of the shapes in the design.
Larry Zox, Diamond Cut, 1967, colored pencil over graphite on graph paper, Gift of Regina Slatkin, 1991.169.9

Diamond Cut

Larry Zox · 1967 · colored pencil over graphite on graph paper ·  Accession ID  1991.169.9

The image contains a pattern of bold, curved lines in black and white on the top half, resembling an abstract wave or ripple. The lines converge into a pointed shape below, expanding into two fan-like forms with wavy, yellow and black stripes. The composition is set against a vibrant blue background.
Nicholas Krushenick, Untitled, collage of lithograph in black and yellow mounted onto blue backing paper, Gift of Regina Slatkin, 1991.169.5

Untitled

Nicholas Krushenick · · collage of lithograph in black and yellow mounted onto blue backing paper ·  Accession ID  1991.169.5

The image features an abstract arrangement of geometric shapes and lines. A large, irregular blue shape is in the center, surrounded by red and orange wavy lines. Above, there is a dark blue section with a cloudy texture. The image includes annotations specifying elements within it.
Theodoros Stamos, Untitled (blue with orange lines), 1973-1975, tempera, graphite, and ballpoint pen on heavy wove paper, Gift of Regina Slatkin, 1991.169.8

Untitled (blue with orange lines)

Theodoros Stamos · 1973-1975 · tempera, graphite, and ballpoint pen on heavy wove paper ·  Accession ID  1991.169.8

The image displays intersecting shapes and colors in an abstract composition. There is a large orange rectangle at the center with rough edges against a gray background. A small orange triangle is in the upper right corner. On the left, there is a deep blue triangle and a large green area. A small red rectangle is on the right.
Herman Cherry, Untitled, 1979/1981, collage with colored paper and gouache mounted on board, Gift of Regina Slatkin, Carole and Laura Slatkin, 1990.58.1

Untitled

Herman Cherry · 1979/1981 · collage with colored paper and gouache mounted on board ·  Accession ID  1990.58.1

The image includes abstract shapes and lines, such as a vertical rectangle in magenta with a jagged edge, and a wider greenish-blue shape with torn paper-like edges. These shapes are set against a background divided into sections of reddish-brown and greenish-blue. The arrangement vaguely resembles a doorway, with the magenta element suggesting a standing figure. The colors and textures enhance the abstract nature, evoking a sense of layered surfaces or peeling paint.
Esteban Vicente, Daytime, probably 1960/1970, collage with colored papers and colored tissue papers mounted on styrofoam board, Gift of Regina Slatkin, Carole and Laura Slatkin, 1990.58.15

Daytime

Esteban Vicente · probably 1960/1970 · collage with colored papers and colored tissue papers mounted on styrofoam board ·  Accession ID  1990.58.15

The image shows a landscape with architectural ruins. A tall, crumbling structure is on the left, while rocky formations and trees are on the right. The horizon line is in the middle, with hills in the distance blending into the sky. The sky has detailed cloud formations, showing a sense of motion. The style is detailed with fine linework and shading for texture, resembling an engraving. The color scheme is black, white, and grey. The ground is scattered with stones and plants, a figure is seen in the distance, adding scale to the ruins.
Quentin-Pierre Chedel, Veue des ruines d'une Tour qu'on dit avoir ete batie par les Romains, etching, Gift of Regina Slatkin, 1984.91.9

Veue des ruines d'une Tour qu'on dit avoir ete batie par les Romains

Quentin-Pierre Chedel · · etching ·  Accession ID  1984.91.9