Provenance

Joshua P. Smith

Smith, Joshua P.

American, 1942 - 2005

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This is a photograph of a hand holding a crumpled paper object. The image shows a close-up of a hand holding a crumpled piece of paper or tissue, with the arm of the person wearing a light-colored suit. The background consists of a dark, shadowed area, possibly the lower part of a person in darker fabric, standing beside the person in the suit, indicated by the visible ankles and shoes. The lighting is soft, highlighting the textures in the fabric of the trousers and the delicate details in the hand and paper. The composition evokes a sense of intimacy or quiet moment captured candidly.
Louis Faurer, Freudian Handclasp, New York City, 1947, printed c. 1981, gelatin silver print, Joshua P. Smith Collection, 2001.128.28

Freudian Handclasp, New York City

Louis Faurer · 1947, printed c. 1981 · gelatin silver print ·  Accession ID  2001.128.28

There is a narrow canyon with massive rock walls. In the foreground, a large rock face has a safety chain. The horizon is high, with steep rock walls meeting varied textures and colors resembling sky. The cliffs are textured with intricate patterns in earthy tones. In the distance, the walls converge, leading the gaze deeper into the canyon with soft light adding depth.
John Pfahl, Canyon Point, Zion National Park, Utah, 1977, chromogenic print, Patrons' Permanent Fund, 2001.67.180

Canyon Point, Zion National Park, Utah

John Pfahl · 1977 · chromogenic print ·  Accession ID  2001.67.180

The image shows a grayscale landscape with hills stretching into the distance. Fallen logs and stumps cover the hills in a chaotic pattern.
Frank Gohlke, Area Clearcut Prior to 1980 Eruption Surrounded by Downed Trees – Clearwater Creek Valley – 9 Miles East of Mount Saint Helens, Washington, 1981, printed 1983, gelatin silver print, Patrons' Permanent Fund, 2001.67.79

Area Clearcut Prior to 1980 Eruption Surrounded by Downed Trees – Clearwater Creek Valley – 9 Miles East of Mount Saint Helens, Washington

Frank Gohlke · 1981, printed 1983 · gelatin silver print ·  Accession ID  2001.67.79

The image shows an elevated view of a city at night with a river on the left and busy roads below. Buildings with illuminated windows line the riverbank, casting reflections on the dark water. The brushstrokes are textured, especially in the water, creating movement. The color palette includes deep blues, purples, and warm yellows, giving a night-time ambiance. Vehicle lights create streaks of light on the streets. Tall structures and a bridge cross the river, framed by foliage and occasional light sources.
Yvonne Jacquette, Mississippi Night Lights - Minneapolis, 1985-1986, color lithograph and screenprint on wove paper, Gift of the Collectors Committee, 2004.5.2

Mississippi Night Lights - Minneapolis

Yvonne Jacquette · 1985-1986 · color lithograph and screenprint on wove paper ·  Accession ID  2004.5.2

The image shows a large window covered with horizontal blinds, revealing chairs inside a modern building. Through the window, there is a view of desert plants, a paved area, tall trees, and possibly distant buildings. The scene has a black and white color scheme, emphasizing shapes and contrasts.
Henry Wessel, Tucson, Arizona, 1976, gelatin silver print, Patrons' Permanent Fund, 2001.67.226

Tucson, Arizona

Henry Wessel · 1976 · gelatin silver print ·  Accession ID  2001.67.226

This is a photograph of a press meeting with microphones and cameras. The photograph captures numerous microphones aimed towards a central figure surrounded by individuals holding cameras and recording devices. The individuals present have a mix of focused and cheerful expressions. In the background, several people are standing and observing. The composition suggests an energetic atmosphere of a media frenzy or press conference.
Garry Winogrand, Thomas Consilvio, Muhammad Ali--Oscar Bonavena Press Conference, New York City, 1970, printed 1983, gelatin silver print, Patrons' Permanent Fund, 2001.67.242

Muhammad Ali--Oscar Bonavena Press Conference, New York City

Garry Winogrand, Thomas Consilvio · 1970, printed 1983 · gelatin silver print ·  Accession ID  2001.67.242

The image features intersecting lines that create an abstract form. Dark and roughly textured patches contrast with lighter, swirling strokes, creating a sense of movement and complexity. The lines suggest chaotic natural forces or organic growth patterns.
Susan Rothenberg, Keith Brintzenhofe, Douglas Volle, Universal Limited Art Editions, Stumblebum, 1985-1986, color lithograph on Arches wove paper, The William Stamps Farish Fund, 1998.77.40

Stumblebum

Susan Rothenberg, Keith Brintzenhofe, Douglas Volle, Universal Limited Art Editions · 1985-1986 · color lithograph on Arches wove paper ·  Accession ID  1998.77.40

The image depicts a person's arm holding a ruler horizontally against a backdrop of a mountain range. The mountains have snowy peaks with rugged surfaces. Below them are darker trees and an open field with small trees. The image is in black and white with high contrast. The person's arm is in the lower left, partially covering the corner, and there is a plaque describing the Teton Range below the ruler.
Kenneth Josephson, Wyoming, 1971, gelatin silver print, Patrons' Permanent Fund, 2001.67.112

Wyoming

Kenneth Josephson · 1971 · gelatin silver print ·  Accession ID  2001.67.112

The image features an abstract composition of curved and angular shapes. The shapes suggest smooth, rounded shells or fish bodies. The largest shape is blue with swirling patterns and hints of red, white, and black. Below it, another shape with similar coloring but more elongated forms resembles a shell or coral fragment. Overlapping lines and color gradients create a sense of depth and movement within the composition.
John Ferren, Sea Forms, 1937, color woodcut and wood engraving on wove paper, The Aaron I. Fleischman Fund, 1992.72.1

Sea Forms

John Ferren · 1937 · color woodcut and wood engraving on wove paper ·  Accession ID  1992.72.1

This is a photograph of a vintage car parked on a city street. The vehicle is from the early to mid-20th century, with rounded fenders and classic design. It is parked beside a curb on a cobblestone street. The black and white image emphasizes the texture and age of the car, casting shadows that highlight its curves and contours. In the foreground, an object lies on the pavement, while in the background, a sidewalk and a stone structure can be seen. The image captures a nostalgic portrayal of a classic vehicle in an urban scene.
Helen Levitt, New York, c. 1942, gelatin silver print, Patrons' Permanent Fund, 2001.67.134

New York

Helen Levitt · c. 1942 · gelatin silver print ·  Accession ID  2001.67.134