Provenance

Private Collection c/o Josefowitz

Josefowitz, Samuel Mr.

Explore selected works

See all 97 works of art
This is a drawing of a mythological landscape scene with figures interacting with their environment. The scene depicts an ancient world where a river or body of water is teeming with figures in various states of activity. The landscape extends into the background, showcasing a lush natural environment with trees, hills, and constructed elements like ruins or temples featuring columns. The intricate setting is detailed with figures engaged in dynamic movements and gestures, emphasizing harmony with nature. The use of monochromatic lines and shading enhances the graphic qualities.
Willem Liefrinck, Willem Liefrinck, The Deluge, c. 1530, woodcut from two blocks on two joined sheets of laid paper, Patrons' Permanent Fund, 2004.114.1

The Deluge

Willem Liefrinck, Willem Liefrinck · c. 1530 · woodcut from two blocks on two joined sheets of laid paper ·  Accession ID  2004.114.1

Two men are depicted in a full-body view, engaged in physical combat. They are both standing with legs apart, arms raised, and fists clenched. The man on the left is muscular, wearing a short, one-shouldered tunic. He has curly hair and a beard. The man on the right is also muscular, wearing a draped garment. He is clean-shaven with curly hair. Both men have bands around their fists and one wears a crown-like band on his head. The background shows an ancient stone wall with vegetation on top, and another stone structure to the right, resembling the façade of an ancient building, possibly an amphitheater. Grass and uneven terrain are visible beneath their feet.
Marco Dente, Entellus and Dares, 1520s, engraving on laid paper, Pepita Milmore Memorial Fund, 2005.91.1

Entellus and Dares

Marco Dente · 1520s · engraving on laid paper ·  Accession ID  2005.91.1

The image shows a man in a portrait from the chest up. He is slightly turned to his left but faces the viewer. The man has a mustache, small pointed beard, shoulder-length curly hair, and wears a cap. His clothing includes a robe with a fur collar. The background features an elaborate oval border with ornate decorations and a coat of arms at the base. A Latin inscription reads "POMPONIVS DE BELLIEVRE."
Robert Nanteuil, Pompone de Bellievre, engraving on laid paper, Ailsa Mellon Bruce Fund, 2006.4.4

Pompone de Bellievre

Robert Nanteuil · · engraving on laid paper ·  Accession ID  2006.4.4

Mantegna School, Andrea Mantegna, Battle of Naked Men, 1460s, engraving on laid paper, Patrons' Permanent Fund, 2004.114.4

Battle of Naked Men

Mantegna School, Andrea Mantegna · 1460s · engraving on laid paper ·  Accession ID  2004.114.4

The image is a detailed woodcut illustration presenting a cityscape from a slightly elevated perspective. The horizon is near the top of the image, with rugged cliffs or rocky hills extending across the width. The illustration features fine line work with cross-hatching providing texture and shading to the buildings and natural elements. Closest to us are architectural structures of varying heights, including a building with a pointed roof and a minaret capped with a crescent. The skyline in the distance shows densely packed edifices, including towers and gabled roofs. On the left, a tall tree stands next to the built environment. The overall visual impact is a harmonious blend of urbanity with natural elements in stark black and white tones.
Melchior Lorch, Turkish Town, 1570, woodcut on laid paper, Ailsa Mellon Bruce Fund, 2005.65.1

Turkish Town

Melchior Lorch · 1570 · woodcut on laid paper ·  Accession ID  2005.65.1

The image depicts a narrow street with tall buildings on both sides. A rectangular building with a slanted roof is seen on the left, near a group of figures by an open doorway. In the middle distance to the right, a prominent minaret with a pointed top stands out. The horizon line is low, meeting a hilly landscape in the far distance filled with buildings. The artwork features precise linework typical of woodcut prints, with cross-hatching creating depth and shadow. The color palette is monochromatic, using the paper's natural color and dark ink lines for a dramatic effect.
Melchior Lorch, Turkish Town, 1570, woodcut on laid paper, Ailsa Mellon Bruce Fund, 2005.65.2

Turkish Town

Melchior Lorch · 1570 · woodcut on laid paper ·  Accession ID  2005.65.2

The image depicts a decorative pedestal with a basin at the top, supported by a column with intricate carvings such as animal heads and decorative swags. The color palette is grayscale with hints of brown outlining the pedestal's details. The pedestal is positioned in the center of the image on a square platform. Shadows underneath the pedestal imply a light source from the upper left.
Jacques-Louis David, Basin Supported by Sphinxes, 1775/80, red chalk and gray wash on laid paper, Patrons' Permanent Fund, 1998.105.1.zz

Basin Supported by Sphinxes

Jacques-Louis David · 1775/80 · red chalk and gray wash on laid paper ·  Accession ID  1998.105.1.zz

This is a drawing of a seated figure with background elements. The figure is draped in fabric, seated with an outstretched arm and head turned upward. The lines are expressive and loose, suggestive of motion and grace. In the background, there is another faintly sketched figure within a circular shape and a cherubic form. The drawing captures movement and emotion, typical of a preliminary sketch or study.
Jacques-Louis David, Woman and Putto with a Memorial Portrait, 1775/80, black chalk and pen and ink on laid paper, Patrons' Permanent Fund, 1998.105.1.oo.b

Woman and Putto with a Memorial Portrait

Jacques-Louis David · 1775/80 · black chalk and pen and ink on laid paper ·  Accession ID  1998.105.1.oo.b

The image shows a hand-drawn illustration of a large amphora-style vase. The color palette consists of beige tones with dark brown outlines delineating the geometric patterns and details on the vase. The vase is positioned centrally in the image, with two handles on either side of the neck and a decorative band around the middle of the body.
Jacques-Louis David, Double-Handled Vase, 1775/80, transfer tracing on oiled laid paper, Patrons' Permanent Fund, 1998.105.1.www

Double-Handled Vase

Jacques-Louis David · 1775/80 · transfer tracing on oiled laid paper ·  Accession ID  1998.105.1.www

The image features three main objects in pencil on paper: an ornate column capital or pedestal at the top, a decorative urn with intricate detailing in the middle, and a shallow bowl with fluted sides at the bottom. The color palette is predominantly gray, with varying shades used to create depth and highlight the design details. Positioned on a vertical layout, the column capital or pedestal is at the top left, the urn is centrally located, and the shallow bowl is placed slightly to the right of the urn towards the bottom.
Jacques-Louis David, Decorative Details from Florence and the Vatican, 1775/80, gray wash over black chalk on laid paper, Patrons' Permanent Fund, 1998.105.1.yy

Decorative Details from Florence and the Vatican

Jacques-Louis David · 1775/80 · gray wash over black chalk on laid paper ·  Accession ID  1998.105.1.yy