Provenance

Howard Sturges

American, died 1955

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See all 29 works of art
The image displays a man in 18th-century attire standing against a tree. He has fair skin and powdered white hair. He is elegantly dressed in a green coat, blue waistcoat, white cravat, dark breeches, blue stockings, and black shoes with gold buckles. The man is holding a three-cornered hat, standing with one arm on a tree branch, legs crossed at the ankle, with a calm expression and a slight smile. The background features a tree, serene landscape with foliage, a reflective body of water, distant hills, and a cloudy sky.
James Millar, Lord Algernon Percy, c. 1777/1780, oil on canvas, Gift of Howard Sturges, 1956.9.4

Lord Algernon Percy

James Millar · c. 1777/1780 · oil on canvas ·  Accession ID  1956.9.4

The image depicts a landscape with ruins on a hill. The horizon line is low, with ruined structures extending into the distance. Several figures are scattered across the hillside, some engaged in conversation or activity. The ruins show arched windows and partial standing walls. The brushstrokes use monochromatic tones, primarily gray and sepia. The color palette is muted and includes hints of sepia tones. The sky above is softly rendered, allowing the paper texture to show through.
Giacomo Guardi, Capriccio of Classical Ruins with a Fortress, pen and brown ink with gray wash on laid paper, Gift of Howard Sturges, 1956.9.19

Capriccio of Classical Ruins with a Fortress

Giacomo Guardi · · pen and brown ink with gray wash on laid paper ·  Accession ID  1956.9.19

The image is a sketch showing two figures in full length. The person on the right, a taller male figure, is standing upright holding the hand of a smaller figure to the left. The male has a simple face with a downward glance and short, slightly curved hair under a cap. He wears a long coat with buttons and tall boots, suggesting attire with a military influence, and a belt with pouches around his waist. The child, positioned to the left, looks up at the taller figure. They have a face with delicate features, and curly hair accentuated by a bow or hair accessory. The child is dressed in a knee-length skirt or dress with a collar and polka dot pattern, wearing shoes or sandals. In one hand, the child holds a few flowers. There is no detailed background, as the emphasis remains on the figures, sketched on a plain, light-colored paper. The signature "Ch. Béizard" is inscribed at the bottom right corner.
Christian Bérard, French Soldier and Child, brush and black ink, Gift of Howard Sturges, 1956.9.29

French Soldier and Child

Christian Bérard · · brush and black ink ·  Accession ID  1956.9.29

The image shows a man with light complexion in a formal outfit against a plain background. He is turned slightly to his left, with well-defined facial features including prominent cheekbones, a straight nose, and slightly upturned lips. His hair is voluminous, brushed back and slightly wavy. He is wearing a high-collared white shirt with a black jacket.
John Hoppner, Portrait of a Gentleman, c. 1810/1815, oil on canvas, Gift of Howard Sturges, 1956.9.3

Portrait of a Gentleman

John Hoppner · c. 1810/1815 · oil on canvas ·  Accession ID  1956.9.3

Thomas Barker, Shepherd Boys and Dog Sheltering from a Storm, c. 1789/1790, oil on paper on canvas, Gift of Howard Sturges, 1956.9.1

Shepherd Boys and Dog Sheltering from a Storm

Thomas Barker · c. 1789/1790 · oil on paper on canvas ·  Accession ID  1956.9.1

The image shows a Venetian canal with buildings on either side, gondolas and small boats on the water, and a high horizon line made up of rooftops and buildings. The drawing style is detailed with fine lines and gray tones, giving a monochromatic appearance. Light creates contrast and depth, and the color palette is muted, mostly grayscale.
Francesco Tironi, The Grand Canal Looking Toward the Salute and the Dogana, 1770s, pen and brown ink with gray wash on laid paper, Gift of Howard Sturges, 1956.9.17

The Grand Canal Looking Toward the Salute and the Dogana

Francesco Tironi · 1770s · pen and brown ink with gray wash on laid paper ·  Accession ID  1956.9.17

The image depicts two sketches of a man playing the violin. In both sketches, the man is shown in a slightly bent posture, focusing on the violin. The man's facial features are rough but expressive, with prominent cheekbones and a subtle smile in one of the images. He wears a wide-brimmed hat and a loose-fitting jacket. The man holds a violin and bow, with the violin under his chin. The background is plain with the texture of the paper visible.
Antoine Watteau, Two Studies of a Violinist Tuning His Instrument, 1717/1718, black and red chalk heightened with white chalk on light brown laid paper, with later framing line in brown ink, Gift of Howard Sturges, 1956.9.27

Two Studies of a Violinist Tuning His Instrument

Antoine Watteau · 1717/1718 · black and red chalk heightened with white chalk on light brown laid paper, with later framing line in brown ink ·  Accession ID  1956.9.27

The image depicts a naval scene with a fleet of ships at sea. The viewpoint appears to be from a mid to low vantage point. The ships are sailing on the horizon, with their masts and flags visible. There is a large ship on the right with detailed sails and rigging, and smaller boats in the water nearby. The color scheme is monochromatic, using shades of gray and sepia. The painting technique seems to involve washes and delicate strokes. The scene appears historical and timeless, with a moody atmosphere. In the distance, other ships are arranged in an organized manner. The sky merges with the sea, creating an atmospheric effect.
Anonymous Artist, Marine, pen and black ink with gray wash, Gift of Howard Sturges, 1956.9.8

Marine

Anonymous Artist · · pen and black ink with gray wash ·  Accession ID  1956.9.8

James Millar, Lady Algernon Percy, c. 1777/1780, oil on canvas, Gift of Howard Sturges, 1956.9.5

Lady Algernon Percy

James Millar · c. 1777/1780 · oil on canvas ·  Accession ID  1956.9.5

The image features a view of a large fountain from slightly below eye level. The horizon is low, revealing a landscape of rolling hills and a single column on the left. The fountain is ornate and dominates the scene, with water cascading down its tiers. A large building with architectural details is in the background to the right. The brushstrokes are loose and there is a monochromatic palette of gray and sepia, creating a soft effect. The composition has a timeless quality, highlighting the interplay of light and shadow on the water's surface.
French 18th Century, The Fountain, 18th century, brown wash over black chalk, Gift of Howard Sturges, 1956.9.6

The Fountain

French 18th Century · 18th century · brown wash over black chalk ·  Accession ID  1956.9.6