Provenance

Mr. Robert M. Walker

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The image depicts a landscape with hilly terrain. Sketched horizontal strokes suggest a cloudy sky. On the hills are structures resembling ancient buildings. In the foreground, a figure on a donkey and another person walking are shown. A pathway curves through the terrain towards the distant buildings. The artwork is created using quick, fluid black ink brushstrokes on a pale background.
Alfred Kubin, Klinkhardt & Biermann Verlag, Unknown, Auf der Flucht (In Flight) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), 1920, lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint, Gift of Robert M. Walker, 1980.26.2.7

Auf der Flucht (In Flight) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Alfred Kubin, Klinkhardt & Biermann Verlag, Unknown · 1920 · lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint ·  Accession ID  1980.26.2.7

The image shows a pattern of overlapping oval and leaf-like shapes creating a dense, intricate design across the surface. The abstract arrangement resembles a collection of leaves scattered across the background. The earthy brown tones enhance the natural appearance, suggesting the familiarity of dried leaves or a textured surface.
Various Artists, Kurt Pfister, Klinkhardt & Biermann Verlag, Unknown, Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), 1920, bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint, Gift of Robert M. Walker, 1980.26.2.1-24

Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Various Artists, Kurt Pfister, Klinkhardt & Biermann Verlag, Unknown · 1920 · bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint ·  Accession ID  1980.26.2.1-24

The image shows a person in a three-quarter view, mainly focusing on the face. The person's head is slightly tilted to the left and turned away from the viewer. The face is depicted with heavy, textured style emphasizing deep-set eyes, a long nose, and full lips. The hair is medium length with subtle highlights. The clothing around the neck area is minimally detailed. The image is a monochromatic print on a plain background, highlighting the face and expression.
Käthe Kollwitz, Klinkhardt & Biermann Verlag, Unknown, Selbstbildnis (Self-Portrait) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), 1920, lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint, Gift of Robert M. Walker, 1980.26.2.4

Selbstbildnis (Self-Portrait) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Käthe Kollwitz, Klinkhardt & Biermann Verlag, Unknown · 1920 · lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint ·  Accession ID  1980.26.2.4

The image is a charcoal sketch of two figures viewed from the knees up. One figure is turned slightly towards the viewer, with one arm extended towards the second figure. Both figures appear to be standing close to each other. The first figure has a loosely defined face with simplified features and shoulder-length hair. The clothing is sketched in flowing lines. There are no visible jewelry or objects. The background features minimal detailing with outlines of mountains and abstract vegetation, including vertical lines indicating a tree or bare branches to the left of the figures. The illustration is simplistic with expressive strokes defining the forms and surroundings.
Karl Caspar, Klinkhardt & Biermann Verlag, Unknown, Heimuchung (The Visitation) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), 1917, published 1920, lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint, Gift of Robert M. Walker, 1980.26.2.20

Heimuchung (The Visitation) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Karl Caspar, Klinkhardt & Biermann Verlag, Unknown · 1917, published 1920 · lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint ·  Accession ID  1980.26.2.20

The image displays bold, black shapes and lines against a cream background, creating an abstract scene. The form on the left has a large, rounded shape and two circular elements suggesting eyes. Another form on the right has pointed ears and suggested eye patterns. Between these are abstract figures and intertwining lines that suggest a landscape with branching elements. Other black lines hint at a procession of varied figures or symbols—an abstract depiction of animals and natural elements.
Heinrich Campendonk, Klinkhardt & Biermann Verlag, Unknown, Bauerngang (Peasants Strolling) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), 1918, published 1920, woodcut from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint, Gift of Robert M. Walker, 1980.26.2.12

Bauerngang (Peasants Strolling) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Heinrich Campendonk, Klinkhardt & Biermann Verlag, Unknown · 1918, published 1920 · woodcut from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint ·  Accession ID  1980.26.2.12

The image shows a black-and-white drawing of five figures: four women and one man. They are depicted from the waist up, with two on the left, one facing forward, and three on the right facing away. The man wears a hat, and the women have various updos. The women on the right wear long skirts, while the clothing of the figures on the left is less defined. One woman on the left is walking, with partially visible facial features. The background features broad strokes resembling trees or vertical structures, with no specific details indicating a location. The name "Whold" is signed at the bottom left of the drawing.
Max Unold, Klinkhardt & Biermann Verlag, Unknown, Die Straße (The Street) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), 1920, lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint, Gift of Robert M. Walker, 1980.26.2.19

Die Straße (The Street) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Max Unold, Klinkhardt & Biermann Verlag, Unknown · 1920 · lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint ·  Accession ID  1980.26.2.19

In this abstract image, black lines and angular shapes form two figures facing each other. The strokes create a sense of movement, with some lines suggesting limbs and others indicating the background. The composition depicts a scene that may suggest conversation or contemplation, with shapes resembling heads and shoulders leaning towards each other.
Otto Mueller, Klinkhardt & Biermann Verlag, Unknown, Badende (Bathers) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), 1920, lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint, Gift of Robert M. Walker, 1980.26.2.14

Badende (Bathers) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Otto Mueller, Klinkhardt & Biermann Verlag, Unknown · 1920 · lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint ·  Accession ID  1980.26.2.14

The image shows a group of people seated around a long banquet table. Most figures are depicted from the waist up, with a few shown entirely. The individuals are positioned closely together, gesturing and focused on the dining experience. Facial features are vaguely outlined, with varied hairstyles. The clothing is suggested with simple lines, possibly indicating a formal or historical setting. The table is filled with plates, glasses, and dining accessories. The background features simple line work representing walls and a window or archway, with additional figures indicating a populated, enclosed space.
Adolf Ferdinand Schinnerer, Klinkhardt & Biermann Verlag, Unknown, Das Gastmahl (The Banquet) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), 1920, lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint, Gift of Robert M. Walker, 1980.26.2.22

Das Gastmahl (The Banquet) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Adolf Ferdinand Schinnerer, Klinkhardt & Biermann Verlag, Unknown · 1920 · lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint ·  Accession ID  1980.26.2.22

The image displays bold, angular lines and geometric shapes arranged in an abstract composition. The triangles and intersecting lines form figures resembling human faces, with exaggerated features like elongated eyes and prominent noses. The overall abstraction suggests tribal masks or ancient stone carvings, providing a primitive and dynamic quality to the image.
Max Pechstein, Klinkhardt & Biermann Verlag, Unknown, Weib vom Manne begehrt (Woman Desired by Man) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), 1919, published 1920, woodcut from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint, Gift of Robert M. Walker, 1980.26.2.15

Weib vom Manne begehrt (Woman Desired by Man) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Max Pechstein, Klinkhardt & Biermann Verlag, Unknown · 1919, published 1920 · woodcut from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint ·  Accession ID  1980.26.2.15

The image shows a person holding a stringed instrument. The individual is seated and wearing a pointed hat with stars and a ruffled collar. Their facial features are exaggerated, including elongated eyes, a prominent nose, and closed lips forming a subtle smile. The person's hairstyle is simple, covered mostly by the hat. They wear a garment with a checkered pattern and large circular buttons. The person's arms are visible, one hand holding the instrument's neck and the other resting against it. Next to them is a puppet-like figure with a wide smile, also wearing spotted clothing. The background consists of thick, dark lines, creating a sense of dimension without a specific setting.
Max Beckmann, Klinkhardt & Biermann Verlag, Unknown, Pierrot und Maske (Pierrot and Mask) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time), 1920, lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint, Gift of Robert M. Walker, 1980.26.2.24

Pierrot und Maske (Pierrot and Mask) from Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)

Max Beckmann, Klinkhardt & Biermann Verlag, Unknown · 1920 · lithograph from a bound volume with 15 lithographs, eight woodcuts, eight photomechanical reproductions, and one drypoint ·  Accession ID  1980.26.2.24