Provenance

Washington Printmakers, Inc.

Washington Printmakers Gallery

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See all 13 works of art
The image shows swirling lines and irregular shapes merging to form an abstract composition. In the center, there is a face-like shape with exaggerated eyes and a smile. The artwork combines flowing lines with geometric shapes, creating a complex and intricate design. The piece invites viewers to see familiar objects in its abstraction.
Dorothy Stratton, The Directors, c. 1986, hand-colored blowtorch etching and engraving on wove paper, Gift of Bob Stana and Tom Judy, 2018.143.63

The Directors

Dorothy Stratton · c. 1986 · hand-colored blowtorch etching and engraving on wove paper ·  Accession ID  2018.143.63

The image displays various shapes and lines. Two teardrop shapes enclose standing and reclining figures, connected by hourglass-like shapes. The composition includes rain-like droplets, a cat-like silhouette on a line, circular designs resembling mandalas, a fish on the right, and a cluster of flowers at the bottom center. The scene appears dreamlike with whimsical, symbolic elements in a garden setting.
Jorg Schuldhess, Neger Geburnt, USA (The Birth of Black Man), 1974, etching, Gift of the Washington Printmakers' Inc., 1975.50.1.9

Neger Geburnt, USA (The Birth of Black Man)

Jorg Schuldhess · 1974 · etching ·  Accession ID  1975.50.1.9

The image contains two stylized portraits of the same person resembling George Washington. One portrait is in black and white with detailed shading and a backdrop of yellow dots. The other portrait is in blue tones and framed by a blue rectangle. Both portraits show the person's face and shoulders with distinct features like prominent brows, a long nose, and a firm mouth. The hair is stylized and appears rolled or curly. There are no visible clothes or background elements, just the dotted yellow pattern on the left and the solid blue on the right. The portraits contrast each other through their use of color and shading, set against a plain background.
Michael Clark, Bi-George, 1974, color lithograph, Gift of the Washington Printmakers' Inc., 1975.50.1.2

Bi-George

Michael Clark · 1974 · color lithograph ·  Accession ID  1975.50.1.2

The image displays a series of concentric circles and overlapping spheres against a stark, two-toned background. The circular forms vary in size and some are solid black while others appear as rings, dominating the center of the image. The circles together resemble an abstract pattern. The top portion of the image features a darker area with small white spots, resembling a starry night sky.
Tadeusz Lapinski, Video Spectators, 1974, lithograph, Gift of the Washington Printmakers' Inc., 1975.50.1.7

Video Spectators

Tadeusz Lapinski · 1974 · lithograph ·  Accession ID  1975.50.1.7

This is a drawing of a resting goat. The drawing depicts a simplified and abstracted form of a goat lying down, with minimalistic lines outlining its body and head. The goat's ears are upright, and its facial features are subtly suggested, including a beard. The background is blank, emphasizing the goat's form.
Jennie Lea Knight, Emly Sleeping, 1974, lithograph, Gift of the Washington Printmakers' Inc., 1975.50.1.6

Emly Sleeping

Jennie Lea Knight · 1974 · lithograph ·  Accession ID  1975.50.1.6

The image features a vertical rectangular column made up of horizontal lines in shades of red, brown, and beige. The lines create a textured appearance resembling weathered wood or stacked bricks.
Daniel Brush, Untitled, 1974, color lithograph, Gift of the Washington Printmakers' Inc., 1975.50.1.1

Untitled

Daniel Brush · 1974 · color lithograph ·  Accession ID  1975.50.1.1

The image consists of various geometric shapes and lines within a rectangular frame against a textured background. At the top, there is a pentagonal shape with a web-like pattern inside. Below it, irregularly shaped forms converge, including one resembling crumpled graph paper and another akin to a puzzle piece. These elements are interspersed with blotches and crosshatches, suggesting fabric swatches or pieces of a map.
Jacob Kainen, Grand Master, 1974, etching and aquatint in black on wove paper, Gift of the Washington Printmakers' Inc., 1975.50.1.5

Grand Master

Jacob Kainen · 1974 · etching and aquatint in black on wove paper ·  Accession ID  1975.50.1.5

The image displays an abstract composition with teardrop-shaped forms scattered across the canvas. A large circular shape with intersecting lines is at the center, surrounded by the teardrop shapes that vary in size and density. The overall pattern suggests movement and texture, resembling seeds or raindrops dispersed across the surface. The composition evokes ripples in water or a starburst effect, highlighting the interplay of light and shadow within the abstract forms.
John Sirica, Landscape, 1974, lithograph, Gift of the Washington Printmakers' Inc., 1975.50.1.10

Landscape

John Sirica · 1974 · lithograph ·  Accession ID  1975.50.1.10

The image shows a person's face in a frontal view. The face takes up most of the frame. The facial features include eyes, a brow, a nose, and a mouth. The hair is depicted with lines suggesting a messy style. The background has a paper-like texture. There are no visible clothes or accessories.
Mitchell Jamieson, State, 1974, engraving (lucite), Gift of the Washington Printmakers' Inc., 1975.50.1.4

State

Mitchell Jamieson · 1974 · engraving (lucite) ·  Accession ID  1975.50.1.4

This is a painting of a stylized figure with wing-like extensions from its head, standing at the center of a muted lavender background. The figure's body is rendered in contrasting tones of gold and deep red, giving it a texture reminiscent of tribal art and abstract expressionism. Its face features closed eyes and a serene expression. Flanking the figure are three elongated, trumpet-like forms in gold. The artwork showcases layered paint application, imparting depth and texture, with a geometric simplicity and earthy palette reflecting an abstract approach.
Bill Harris, Pleasure Flight, 1993, color monotype on Arches wove paper, Gift of Bob Stana and Tom Judy, 2019.109.42

Pleasure Flight

Bill Harris · 1993 · color monotype on Arches wove paper ·  Accession ID  2019.109.42