Provenance

Mr. and Mrs. J. Watson Webb

Webb, Electra Havemeyer
Webb, James Watson
Webb, J. Watson and Electra

American, he: 1884 - 1960; she: 1888 - 1960

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See all 38 works of art
This is a drawing of an urban passageway with shadowy figures. The composition includes a cobblestone path leading through a tunnel, framed by dark, textured walls. The path leads to a lighter area in the background with architecture and windows, suggesting buildings. In the foreground, subtle shadowy forms of individuals can be seen. The intricate line work and shading create an atmosphere of transition between light and dark spaces, emphasizing the tunnel's shadowy nature.
James McNeill Whistler, The Beggars, 1879/1880, etching and drypoint on laid paper, Gift of Mr. and Mrs. J. Watson Webb in memory of Mr. and Mrs. H.O. Havemeyer, 1942.15.11

The Beggars

James McNeill Whistler · 1879/1880 · etching and drypoint on laid paper ·  Accession ID  1942.15.11

The image depicts a building next to a canal in Venice. The point of view is from the canal, facing the building. There is no visible horizon line. The intricate architectural details such as balconies, arched windows, and walls are shown with delicate lines. The scene is in sepia tones, giving it a vintage look. There is a figure in a gondola near the building, and another figure further back. The style resembles an etching, with fine linework showing the building and its reflection on the water.
James McNeill Whistler, The Balcony, 1879/1880, etching and drypoint on laid paper, Gift of Mr. and Mrs. J. Watson Webb in memory of Mr. and Mrs. H.O. Havemeyer, 1942.15.24

The Balcony

James McNeill Whistler · 1879/1880 · etching and drypoint on laid paper ·  Accession ID  1942.15.24

The image features a cityscape viewed from a body of water. The horizon is near the center, with a line of buildings, including domes and towers, suggesting a historic city, potentially Venice. The city is depicted with delicate linework, providing an impressionistic feel. The lines are intricate, creating a sense of lightness. The color palette is understated, with sepia and black tones, offering a vintage appearance. The scene is serene, with the water mirroring the skyline and faint sketches of boats and poles adding depth and calm.
James McNeill Whistler, Little Venice, 1880, etching on laid paper, Gift of Mr. and Mrs. J. Watson Webb in memory of Mr. and Mrs. H.O. Havemeyer, 1942.15.1

Little Venice

James McNeill Whistler · 1880 · etching on laid paper ·  Accession ID  1942.15.1

The image displays a cityscape with a perspective from an elevated point. The scene shows a busy street with people moving among tall buildings. A clock tower stands in the distance at the top center of the composition. The intricate linework on the buildings creates texture and depth. The color scheme is monochromatic, with beige and dark brown tones dominating the etching. The street appears crowded and lively with figures moving through it. Detailed facades and awnings adorn the surrounding buildings, enhancing the sense of a bustling urban area.
James McNeill Whistler, The Rialto, 1880, etching and drypoint on laid paper, Gift of Mr. and Mrs. J. Watson Webb in memory of Mr. and Mrs. H.O. Havemeyer, 1942.15.28

The Rialto

James McNeill Whistler · 1880 · etching and drypoint on laid paper ·  Accession ID  1942.15.28

This is a drawing of an interior scene viewed through a window. The drawing depicts a richly textured surface, seemingly the roughness of an exterior wall, with a prominent window at its center. Inside the window, there's a scene of a room with a cloaked figure. The drawing utilizes varying intensities of cross-hatching to create light and shadow.
James McNeill Whistler, Nocturne: Furnace, 1880, etching and drypoint in dark brown on laid paper, Gift of Mr. and Mrs. J. Watson Webb in memory of Mr. and Mrs. H.O. Havemeyer, 1942.15.30

Nocturne: Furnace

James McNeill Whistler · 1880 · etching and drypoint in dark brown on laid paper ·  Accession ID  1942.15.30

The image shows a cityscape with a wide waterway in the foreground. Viewed from above, the scene includes buildings of different heights along the horizon. A detailed building is visible on the left side, and boats are scattered in the water. The sky is filled with swirling clouds, giving a sense of movement. The color scheme is mainly sepia, creating an antique atmosphere. The style blends fine and gestural line work to depict the calm water and dynamic sky and urban elements.
James McNeill Whistler, Long Venice, 1879/1880, etching and drypoint on laid paper, Gift of Mr. and Mrs. J. Watson Webb in memory of Mr. and Mrs. H.O. Havemeyer, 1942.15.29

Long Venice

James McNeill Whistler · 1879/1880 · etching and drypoint on laid paper ·  Accession ID  1942.15.29

The image shows a canal scene from an elevated perspective. People and boats are visible on the water. Buildings line the canal, leading the eye towards the horizon. The etching technique creates a sketch-like quality with fine lines suggesting details. The color palette is monochromatic, with warm tones on the paper and black ink for contrast. Figures attend to boats near the canal's edge, while others engage in activities near a bridge in the distance. Architectural features frame the urban environment.
James McNeill Whistler, The Bridge, Santa Marta, 1879/1880, etching and drypoint on laid paper, Gift of Mr. and Mrs. J. Watson Webb in memory of Mr. and Mrs. H.O. Havemeyer, 1942.15.21

The Bridge, Santa Marta

James McNeill Whistler · 1879/1880 · etching and drypoint on laid paper ·  Accession ID  1942.15.21

This is a drawing of a riverside scene. The etching shows a group of figures outside a rustic building with multiple small windows. A canopy or cloth is draped above them. Some figures are seated, while another figure is standing to the side. Below, there is a body of water with a small boat or dock visible, adding a serene atmosphere to the scene. The line work is delicate and light, emphasizing texture and capturing an everyday moment.
James McNeill Whistler, Fruit-Stall, 1880, etching and drypoint on laid paper, Gift of Mr. and Mrs. J. Watson Webb in memory of Mr. and Mrs. H.O. Havemeyer, 1942.15.17

Fruit-Stall

James McNeill Whistler · 1880 · etching and drypoint on laid paper ·  Accession ID  1942.15.17

The image shows a city skyline across a body of water. The structures of the city meet the water, with buildings and ships. The skyline displays tall spires and domes. Delicate lines depict the scene resembling a sketch, with minimalistic detailing. The color palette is various shades of brown, giving an antique look. Linear strokes represent water with subtle movement.
James McNeill Whistler, Salute Dawn, 1879/1880, etching and drypoint on laid paper, Gift of Mr. and Mrs. J. Watson Webb in memory of Mr. and Mrs. H.O. Havemeyer, 1942.15.32

Salute Dawn

James McNeill Whistler · 1879/1880 · etching and drypoint on laid paper ·  Accession ID  1942.15.32

This is a detailed sketch of a bustling waterfront scene. The horizon is towards the upper third of the image, showing ships docked. A tall pole is in the center, intersecting the horizon. The sketch showcases buildings along the street with small figures. The intricate lines vary in thickness, adding depth and texture. The lines continue into the distance, fading into ships and sky. The color palette is monochromatic with sepia tones.
James McNeill Whistler, The Little Mast, 1880, etching and drypoint on laid paper, Gift of Mr. and Mrs. J. Watson Webb in memory of Mr. and Mrs. H.O. Havemeyer, 1942.15.3

The Little Mast

James McNeill Whistler · 1880 · etching and drypoint on laid paper ·  Accession ID  1942.15.3