Provenance

Seymour Lipton

American, 1903 - 1986

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The image contains bold, black lines and geometric shapes, including rectangles, triangles, and semi-circles, forming an abstract composition. The arrangement of the shapes creates an abstract landscape, with some shapes resembling distant mountains and stylized trees or buildings. In the foreground, there is an elongated platform-like shape that could be interpreted as a tabletop or a bridge.
Seymour Lipton, Study for "Altar", 1963, black conté crayon on wove paper, Gift of Seymour Lipton, 1986.75.41

Study for "Altar"

Seymour Lipton · 1963 · black conté crayon on wove paper ·  Accession ID  1986.75.41

The sculpture is an abstract piece featuring a complex geometric design. It has a central rounded form enveloped by jagged and angular surfaces. The sculpture appears to be made of bronze, exhibiting a dark brown color with variations in tone that highlight the texture of the surface. It has a metallic luster and a rugged, uneven texture that enhances its three-dimensional aspect. The left side presents sharp edges, while the right side is more block-like with a rounded center. This abstract form suggests a dynamic balance between contrasting shapes.
Seymour Lipton, Gateway, 1964, nickel silver on Monel, Gift of Seymour Lipton, 1986.75.43

Gateway

Seymour Lipton · 1964 · nickel silver on Monel ·  Accession ID  1986.75.43

The image displays bold, curved lines and angular shapes forming an abstract composition. It suggests a bird with outstretched wings or a billowing fabric. The lines and pose convey movement, with a central vertical element reminiscent of a mast or musical instrument. Curvature at the base implies a horizon.
Seymour Lipton, Study for "Eagle", 1963, black conté crayon on wove paper, Corcoran Collection (Estate of Seymour Lipton), 2015.19.2961

Study for "Eagle"

Seymour Lipton · 1963 · black conté crayon on wove paper ·  Accession ID  2015.19.2961

The sculpture features an abstract form composed of several vertical metal elements shaped like pipes or columns. These elements are held together under a curved cap-like structure at the top. The metallic material exhibits a silver or grayish hue with visible welded joints. Various spots on the sculpture are tarnished or discolored. The sculpture stands upright, casting a shadow on the surface it rests upon. The setting against a neutral background allows the viewer to focus on the form and construction of the sculpture.
Seymour Lipton, Maquette for "Threshold", 1981, welded Monel, Gift of Seymour Lipton, 1986.75.1

Maquette for "Threshold"

Seymour Lipton · 1981 · welded Monel ·  Accession ID  1986.75.1

The sculpture is an abstract, geometric metal form with sharp angles, riveted connections, and visible seams. The metal is silver with patches of discoloration, potentially from welding, and some tarnishing for texture. It stands on a white marbled base. The sculpture extends into space with angular and curved projections, casting a shadow.
Seymour Lipton, Maquette for "Sailing", 1976, welded Monel, Gift of Seymour Lipton, 1986.75.3

Maquette for "Sailing"

Seymour Lipton · 1976 · welded Monel ·  Accession ID  1986.75.3

The image shows a complex composition of sharp, angular shapes and bold lines arranged dynamically. This abstract design evokes a sense of motion and structure. Strong contrasts and shadowing within the forms suggest depth and architectural qualities.
Seymour Lipton, Untitled, 1980, black conté crayon on wove paper, Gift of Seymour Lipton, 1986.75.42

Untitled

Seymour Lipton · 1980 · black conté crayon on wove paper ·  Accession ID  1986.75.42

The sculpture depicts an abstract form with flowing, curved shapes. It has an organic, dynamic presence reminiscent of a swirling or spiraling motion. The sculpture appears to be sculpted from a solid material, suggested by the shading that indicates it could be a heavier, dense medium like stone or metal. The color of the sculpture in the sketch is depicted in shades of gray, typical of a graphite or charcoal drawing. The sculpture is placed on a pedestal.
Seymour Lipton, Study for "Chrysalis", 1957, black conté crayon on wove paper, Gift of Seymour Lipton, 1986.75.8

Study for "Chrysalis"

Seymour Lipton · 1957 · black conté crayon on wove paper ·  Accession ID  1986.75.8

The image features a complex arrangement of curving and angular lines that create a bold abstract composition. The drawing resembles an interwoven mass, with sweeping arcs suggesting wings and jagged elements hinting at teeth or claws. The forms overlap and intertwine with dynamic contrasts of light and shadow, and are situated on a base that grounds the abstract shapes in the image.
Seymour Lipton, Study for "Avenger", 1957, black conté crayon on wove paper, Gift of Seymour Lipton, 1986.75.7

Study for "Avenger"

Seymour Lipton · 1957 · black conté crayon on wove paper ·  Accession ID  1986.75.7

The image depicts an abstract composition with bold, dark lines and shapes. In the center, there is a long rectangular shape surrounded by swirling curves and circular forms. The lines vary in thickness, creating depth and dimension. The overall arrangement blends geometric and organic forms, inviting the viewer to reinterpret familiar objects abstractly.
Seymour Lipton, Untitled, 1961, black conté crayon on wove paper, Gift of Seymour Lipton, 1986.75.13

Untitled

Seymour Lipton · 1961 · black conté crayon on wove paper ·  Accession ID  1986.75.13

The image displays bold, angular shapes and intersecting lines drawn with an irregular, dynamic style. This abstract composition features geometric forms such as a large triangular shape on the left and a rectangular form on the right. The drawing is structured on a cubic base.
Seymour Lipton, Untitled, 1967, black conté crayon on wove paper, Gift of Seymour Lipton, 1986.75.25

Untitled

Seymour Lipton · 1967 · black conté crayon on wove paper ·  Accession ID  1986.75.25