Provenance

Art Associates Partnership

Explore Selected Works

A man bows his bald head deeply as he rests his splayed elbows on his thighs in this freestanding plaster sculpture. The long toes of the man’s feet nearly touch, and they are angled to our right in this photograph. He sits on a low surface, also sculpted from plaster, and his long limbs create a cage around his hollowed chest. The surface of the plaster is ivory white in some areas and parchment brown in others. The piece rests on a gray pedestal against gray walls.
Wilhelm Lehmbruck, Seated Youth, 1917, composite tinted plaster, Andrew W. Mellon Fund, 1974.49.1

Seated Youth

Wilhelm Lehmbruck · 1917 · composite tinted plaster ·  Accession ID  1974.49.1

Jean-Baptiste Oudry, The Partridge Saves Her Young, 1732, brush and black ink, white gouache, and gray wash, with a simluated mount in blue and gray wash and pen and dark brown ink, on blue laid paper, Gift of Constance Mellon, 1978.45.1

The Partridge Saves Her Young

Jean-Baptiste Oudry · 1732 · brush and black ink, white gouache, and gray wash, with a simluated mount in blue and gray wash and pen and dark brown ink, on blue laid paper ·  Accession ID  1978.45.1

Jean-Baptiste Oudry, The Partridge and the Cocks, 1732, brush and black ink, gray wash, and white gouache on blue laid paper//royal blue wash border, Andrew W. Mellon Fund, 1978.50.1

The Partridge and the Cocks

Jean-Baptiste Oudry · 1732 · brush and black ink, gray wash, and white gouache on blue laid paper//royal blue wash border ·  Accession ID  1978.50.1