Provenance

Galerie Cailleux

est. 1912

Explore Selected Works

See all 33 works of art
Augustin Pajou, Ancient Ruins on the Bank of the Tiber, 1752/1756, pen and brown ink over black chalk on laid paper, Ailsa Mellon Bruce Fund, 1999.75.5.b

Ancient Ruins on the Bank of the Tiber

Augustin Pajou · 1752/1756 · pen and brown ink over black chalk on laid paper ·  Accession ID  1999.75.5.b

Augustin Pajou, Lion's Head from the Capitoline Staircase, 1752/1756, black chalk on laid paper, Ailsa Mellon Bruce Fund, 1999.75.5.a

Lion's Head from the Capitoline Staircase

Augustin Pajou · 1752/1756 · black chalk on laid paper ·  Accession ID  1999.75.5.a

Charles Michel-Ange Challe, Arches of the Larger Baths at Hadrian's Villa, c. 1748, black chalk and white chalk with stumping on light brown laid paper, with later framing line in brown ink, Ailsa Mellon Bruce Fund, 1999.19.2

Arches of the Larger Baths at Hadrian's Villa

Charles Michel-Ange Challe · c. 1748 · black chalk and white chalk with stumping on light brown laid paper, with later framing line in brown ink ·  Accession ID  1999.19.2

Charles Michel-Ange Challe, Architectural Fantasy with a Pyramidal Mausoleum, c. 1747, pen and brown ink with brown wash on laid paper, Ailsa Mellon Bruce Fund, 1986.6.1

Architectural Fantasy with a Pyramidal Mausoleum

Charles Michel-Ange Challe · c. 1747 · pen and brown ink with brown wash on laid paper ·  Accession ID  1986.6.1

Augustin Pajou, The Borghese Cybele, 1752/1756, pen and brown ink with brown wash over black chalk on laid paper, Ailsa Mellon Bruce Fund, 1999.75.4

The Borghese Cybele

Augustin Pajou · 1752/1756 · pen and brown ink with brown wash over black chalk on laid paper ·  Accession ID  1999.75.4

Jean-Baptiste Deshays, Herdsmen Driving Cattle across a Stream, c. 1760, oil and brown wash over black chalk on laid paper laid down on board, Ailsa Mellon Bruce Fund, 1999.19.4

Herdsmen Driving Cattle across a Stream

Jean-Baptiste Deshays · c. 1760 · oil and brown wash over black chalk on laid paper laid down on board ·  Accession ID  1999.19.4

François Boucher, Return to the Fold, 1750/1765, brown and black chalk heightened with white on brown laid paper, Andrew W. Mellon Fund, 1978.4.1

Return to the Fold

François Boucher · 1750/1765 · brown and black chalk heightened with white on brown laid paper ·  Accession ID  1978.4.1

Jean-Claude-Richard, Abbé de Saint-Non, Saint Luke at His Easel and Four Expressive Heads, 1775, etching [counterproof] reworked in brown wash on laid paper, Gift of the Christian Humann Foundation, 1996.128.38

Saint Luke at His Easel and Four Expressive Heads

Jean-Claude-Richard, Abbé de Saint-Non · 1775 · etching [counterproof] reworked in brown wash on laid paper ·  Accession ID  1996.128.38

Jean-Claude-Richard, Abbé de Saint-Non, Details from "The Adoration of the Magi" and "The Pool at Bethesda", 1774, etching (counterproof) reworked in brown wash on laid paper, Gift of the Christian Humann Foundation, 1996.128.39

Details from "The Adoration of the Magi" and "The Pool at Bethesda"

Jean-Claude-Richard, Abbé de Saint-Non · 1774 · etching (counterproof) reworked in brown wash on laid paper ·  Accession ID  1996.128.39

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A Standing Female Nude

Pierre Paul Prud'hon · c. 1810 · black chalk heightened with white chalk on blue paper ·  Accession ID  2017.126.7