Provenance

Hans M. Calmann

German, 1899 - 1982

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See all 26 works of art
The image depicts a rugged landscape with towering rock formations and a cascading waterfall. The scene is detailed with precise lines and subtle color washes in earthy tones. Small structures are visible in the distance among the rocky terrain, with sparse vegetation in the background.
Roelandt Savery, Mountainous Landscape with Castles and Waterfalls, c. 1606, black, ocher, red, and blue chalks, with traces of white heightening on gray-green laid paper, Woodner Collection, Gift of Dian Woodner, 2011.42.2

Mountainous Landscape with Castles and Waterfalls

Roelandt Savery · c. 1606 · black, ocher, red, and blue chalks, with traces of white heightening on gray-green laid paper ·  Accession ID  2011.42.2

The image displays swirling and curved lines creating an abstract composition. In the center, there is a figure wrapped in flowing fabric or flames, with a gesture suggesting movement. The lines can evoke a windswept cloak or chaotic fire around the figure, giving a sense of motion and energy. The figures are sketch-like, appearing like ghostly images floating among swirling clouds or smoke.
Baldassare Franceschini, The Assumption of the Virgin, c. 1667, red chalk on cream laid paper, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.83

The Assumption of the Virgin

Baldassare Franceschini · c. 1667 · red chalk on cream laid paper ·  Accession ID  2007.111.83

This is a drawing depicting multiple figures in a dynamic scene. The artwork shows a muscular winged figure reaching out a hand to a seated bearded figure, with another figure partially visible. The drawing utilizes gestural lines and shading, using charcoal and red chalk. Swirling cloud-like forms in the background enhance the dramatic and dynamic feel of the scene.
Gaspare Diziani, The Sacrifice of Isaac, c. 1755, tip of the brush with gray ink over red chalk, gray wash, strengthened with pen and gray and brown ink, heightened with white gouache, Wolfgang Ratjen Collection, Purchased as the Gift of Diane A. Nixon, 2007.111.68

The Sacrifice of Isaac

Gaspare Diziani · c. 1755 · tip of the brush with gray ink over red chalk, gray wash, strengthened with pen and gray and brown ink, heightened with white gouache ·  Accession ID  2007.111.68

The image depicts several figures in various positions, viewed from the waist up or in three-quarter view. One figure appears to be leaning forward, partially obscured by a column; their facial features are soft and not clearly defined, with long flowing hair. Other figures in the composition seem to be bending or kneeling, engaged in a dynamic scene. The attire visible includes draped garments with some having hues of red and green. No jewelry or objects are prominently displayed in their hands. The background is loosely defined, with architectural elements like columns and arches, rendered in soft, muted tones that blend with the figures.
Jacopo Bassano, The Mocking of Christ, 1568, colored chalks on blue laid paper, Andrew W. Mellon Fund, 1980.30.1

The Mocking of Christ

Jacopo Bassano · 1568 · colored chalks on blue laid paper ·  Accession ID  1980.30.1

The image depicts a drawing showing multiple full-body figures engaged in various activities. Central in the foreground, two figures, a man and a woman, appear to be interacting closely; the man is standing with one hand on his hip, wearing historical attire with breeches and a vest, while the woman beside him is in a dress with embellishments. To the left, three figures are seated around a table; an adult appears to be caring for a child, with the other adult figure draped in fabric. On the right, a group of figures is depicted ascending or descending a staircase, dressed in historical attire. The setting indicates an ornate interior space, possibly a grand hall, with large architectural features like columns and draped curtains adding depth and texture to the composition. The background is filled with architectural elements.
Luis Paret y Alcázar, Dance in a Palace, c. 1770/1775, pen and black ink with gray wash over graphite and squared in graphite on laid paper, Gift of the Christian Humann Foundation, 1996.128.31

Dance in a Palace

Luis Paret y Alcázar · c. 1770/1775 · pen and black ink with gray wash over graphite and squared in graphite on laid paper ·  Accession ID  1996.128.31

The image shows a drawing of a woman standing elegantly with her body slightly turned to the side. She has delicate facial features, a serene expression, and styled hair. She wears a flowing robe and holds a small vessel in one hand. The background includes a cherub-like figure and swirling patterns. The drawing is done in sepia tones, giving it an aged look.
Biagio Pupini, Mary Magdalene [recto], in or after 1524, brush and brown ink with brown wash heightened in white over black chalk, Ailsa Mellon Bruce Fund, 1972.57.1.a

Mary Magdalene [recto]

Biagio Pupini · in or after 1524 · brush and brown ink with brown wash heightened in white over black chalk ·  Accession ID  1972.57.1.a

The image shows a standing woman turned slightly to her right, looking down. She has delicate facial features and long hair. She is wearing flowing robes and holds a vessel on a pedestal. In the background, there is a hint of a natural environment and another figure seated near shrubs. The artwork is done in a brown wash, emphasizing textures and shading.
Biagio Pupini, Mary Magdalene [verso], in or after 1524, brush and brown ink with brown wash heightened in white over black chalk, Ailsa Mellon Bruce Fund, 1972.57.1.b

Mary Magdalene [verso]

Biagio Pupini · in or after 1524 · brush and brown ink with brown wash heightened in white over black chalk ·  Accession ID  1972.57.1.b

The image shows a landscape featuring a towering cliff on the left side. The horizon is not visible, with the rock formation dominating the scene. At the top of the cliff, there is a small structure. The artwork is done in sepia tones, giving it an old, textured look. The color palette is predominantly brown. A small encampment with people, a tent, and a boat are visible at the base of the cliff. The cliff's surface is depicted with rugged, layered lines, adding depth to the image.
Teodoro Filippo di Liagno, Landscape with a Large Rock, c. 1621/1629, pen and brown ink with brown wash and black chalk, Ailsa Mellon Bruce Fund, 1971.60.2

Landscape with a Large Rock

Teodoro Filippo di Liagno · c. 1621/1629 · pen and brown ink with brown wash and black chalk ·  Accession ID  1971.60.2

The image depicts a woman from the shoulders up. She is facing forwards with her head slightly turned to the left. The woman has a softly drawn face with features including arched eyebrows, almond-shaped eyes, a straight nose, and full lips. Her curly hair frames her face, styled naturally. She wears a simple necklace with round beads. The woman's clothing has a low neckline, but details are minimal. The background is depicted with hatch lines.
Isaac Fuller, Young Woman with a Pearl Necklace, 1660s, pen and brown ink on laid paper, Gift of Lowell Lisbon and Spink-Leger in honor of Diane Nixon, 2000.179.1

Young Woman with a Pearl Necklace

Isaac Fuller · 1660s · pen and brown ink on laid paper ·  Accession ID  2000.179.1

The image shows a man walking barefoot while carrying a child on his shoulders. The man is holding a staff in his left hand, stepping forward. He has wavy hair, defined facial features, and wears loose-fitting clothing. The child has curly hair and a halo, reaching towards the man's head. In the background, there is a partially visible architectural structure. The image is in monochrome with signs of aging on the paper.
Austrian 14th Century, An Aedicule with Two Studies of Saint Christopher, c. 1340, pen and black ink with black wash on vellum, Woodner Collection, Gift of Andrea Woodner, 2006.11.2

An Aedicule with Two Studies of Saint Christopher

Austrian 14th Century · c. 1340 · pen and black ink with black wash on vellum ·  Accession ID  2006.11.2