Provenance

Carus Gallery, Inc.

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The image features intersecting lines and rectangular shapes creating a grid-like pattern. The bottom half shows a checkered pattern, and the top section includes curved shapes.
Louis Lozowick, Doorway into Street, 1929, lithograph in black on wove paper, Gift of Ruth Cole Kainen, 2005.99.21

Doorway into Street

Louis Lozowick · 1929 · lithograph in black on wove paper ·  Accession ID  2005.99.21

The image shows a woman from the waist up, facing forward with hands clasped below her waist. She has distinct facial features, wide open eyes, slightly parted lips, and long, dark hair framing her face and falling over her shoulders. She appears lightly dressed or nude from the waist up, with a dark garment covering her lower body. The background has textured dark strokes, creating a shadowy atmosphere. The image is rendered in a loose, sketchy style with dark shades, and the figure is highlighted against deep shadow and light contrast.
Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing, Study of a Model (Modellstudie), 1894/1895, drypoint on buff paper, Ailsa Mellon Bruce Fund, 1971.71.2

Study of a Model (Modellstudie)

Edvard Munch, Carl Sabo, L. Angerer, Otto Felsing · 1894/1895 · drypoint on buff paper ·  Accession ID  1971.71.2

The image shows a person seated on a chair. The person is centered, with their hands resting on their lap and legs slightly apart. Their face appears indistinct due to the dark and textured nature of the image, with prominent cheekbones and a neutral expression. The person wears a dark robe with a hood, concealing much of their hair. The garment blends into the shadowy surroundings. The background features an unclear, textured landscape, potentially depicting a natural scene with trees and an open sky. The image has deep shadows and a monochromatic palette, creating a somber mood.
Paula Modersohn-Becker, Old Woman, posthumous printing after 1919 by Felsing, etching and aquatint, Ailsa Mellon Bruce Fund, 1971.71.1

Old Woman

Paula Modersohn-Becker · posthumous printing after 1919 by Felsing · etching and aquatint ·  Accession ID  1971.71.1

This is a painting of a stylized, abstracted figure with exaggerated facial features and large, expressive eyes. The figure appears to be situated indoors, in a setting of swirling lines and contrasting colors. The color palette is dominated by dark greens, reds, and blacks, with touches of white and yellow. The brushwork and contours present a sense of motion, with the red hue capturing attention as it contrasts against the darker shades. The sharp lines and expression contribute to a feeling of tension, suggesting an intense emotional state.
Walter Gramatté, Qual (Torment), 1920/1921, lithograph in black, yellow, red, and gray-green on blotting paper, Ruth and Jacob Kainen Collection, 1989.80.9

Qual (Torment)

Walter Gramatté · 1920/1921 · lithograph in black, yellow, red, and gray-green on blotting paper ·  Accession ID  1989.80.9

The image shows swirling lines and curved shapes forming an abstract scene. There is a large symmetrical, organic shape to the left that resembles an ear. Intertwined with the lines are a horse-like figure and radiating lines in the background.
Max Klinger, Triumph, 1878/1880, etching in black on chine collé, Anonymous Gift, 1995.82.5

Triumph

Max Klinger · 1878/1880 · etching in black on chine collé ·  Accession ID  1995.82.5

The image shows a tall, intricately designed table with a pedestal base at the center, surrounded by hanging gloves. The color palette is monochromatic, with shades of grey and off-white. The gloves create a horizontal pattern across the top, while floral designs decorate the margins. The table has ornate detailing and is placed in the foreground with geometric lines emphasizing its position.
Max Klinger, Repose (Ruhe), 1878/1880, etching in black on chine collé, Anonymous Gift, 1995.82.8

Repose (Ruhe)

Max Klinger · 1878/1880 · etching in black on chine collé ·  Accession ID  1995.82.8

The image contains intricate lines and swirling shapes creating an abstract depiction of frothy, wave-like patterns. On the left side, two slender, pole-like forms rise vertically, topped by fluid shapes. The circular shapes in the waves give the impression of roses or swirling clouds. The abstract elements suggest an interaction between land and sea, with recognizable motifs adding to the scene's texture and depth.
Max Klinger, Homage (Huldigung), 1878/1880, etching in black on chine collé, Anonymous Gift, 1995.82.6

Homage (Huldigung)

Max Klinger · 1878/1880 · etching in black on chine collé ·  Accession ID  1995.82.6

The image is a minimalistic line drawing of a nude figure lying on their side. The figure is stretched out horizontally with their head turned towards the viewer. The hair is depicted with simple lines. There are no clothes, jewelry, or objects in the drawing. The background shows semi-circular shapes resembling an abstract landscape against a blank backdrop.
Ernst Ludwig Kirchner, Erna Lying on the Beach among Rocks, 1912, reed pen and black ink, Ailsa Mellon Bruce Fund, 1984.18.1

Erna Lying on the Beach among Rocks

Ernst Ludwig Kirchner · 1912 · reed pen and black ink ·  Accession ID  1984.18.1

The image features elongated, flowing shapes extending from an open window on the left. These shapes lead into a main form resembling a flying creature with a long neck and pointed beak. The creature's wings stretch outwards, creating a sense of movement. Below, there are clusters of detailed flowers. The juxtaposition of the flying figure with the floral elements creates visual tension.
Max Klinger, Abduction (Entführung), 1878/1880, etching and aquatint in black on chine collé, Anonymous Gift, 1995.82.9

Abduction (Entführung)

Max Klinger · 1878/1880 · etching and aquatint in black on chine collé ·  Accession ID  1995.82.9

The image shows a man in a pinstripe suit and bow tie bending over with one arm extended, a woman in a long dress facing away, two individuals conversing, and a small dog playing or chasing something. In the background, there are dense trees, a large gazebo with ornate detailing, a railing, and round street lamps.
Max Klinger, Action (Handlung), 1878/1880, etching in black on chine collé, Anonymous Gift, 1995.82.2

Action (Handlung)

Max Klinger · 1878/1880 · etching in black on chine collé ·  Accession ID  1995.82.2