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Craddock and Barnard

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The circular drawing depicts various figures in flowing robes surrounded by trees and clouds. A central reclining figure lies on the ground, while other figures interact nearby. One figure gestures towards a small animal, possibly a dog, sniffing the ground. In the background, more figures walk among the trees. Above them, a seated figure is depicted in the clouds. The landscape includes sparse vegetation and a distant vista with more figures, clouds, and mountains. The style is reminiscent of Renaissance engravings, with detailed line work and an emphasis on classical forms and symmetry.
Abraham de Bruyn, Diana and Her Nymphs in a Garden, 1569, etching and engraving on laid paper, Ailsa Mellon Bruce Fund, 1972.35.1

Diana and Her Nymphs in a Garden

Abraham de Bruyn · 1569 · etching and engraving on laid paper ·  Accession ID  1972.35.1

The image shows an older man with a long beard, wearing ecclesiastical robes and a cape. He has distinct facial features such as a high forehead, deep-set eyes, a long nose, and thin lips. His hair is neatly combed back, and he wears a large cross pendant on a long chain around his neck. The background includes a heavily detailed, octagonal frame with engraved text around its perimeter.
Jean Morin, Jean Pierre Camus, etching and engraving, Ailsa Mellon Bruce Fund, 1974.53.21

Jean Pierre Camus

Jean Morin · · etching and engraving ·  Accession ID  1974.53.21

The image depicts two figures. The figure on the left is seated and facing slightly towards the right. She has a serene facial expression with her eyes downcast. Her hair is covered with a veil and she is wearing a long gown. The environment includes a bench or pedestal she is seated on and an open book nearby. The figure on the right is kneeling on the ground, facing the seated figure. This person has wavy hair falling to their shoulders and wings attached to their back. They hold a long stem with flowers in one hand. In the background, there are clouds and rays of light emanating from a central point where a dove is depicted, surrounded by several small cherubic figures with wings. The background engraving portrays cherubs and bearded figures within the clouds.
Hendrick Goltzius, The Annunciation, 1594, engraving, Ailsa Mellon Bruce Fund, 1972.35.2

The Annunciation

Hendrick Goltzius · 1594 · engraving ·  Accession ID  1972.35.2

This is a drawing of armored figures and a lion. The central figure is clad in detailed armor and a crown, holding the lion by its mane. Additional figures in armor surround him, holding banners and spears. The drawing showcases intricate line work and fine detailing, typical of the Renaissance era, with detailed textures on the armor and lion's fur. In the background, there is a landscape with figures and banners, adding depth to the scene. Text at the bottom likely provides context or narrative. The drawing reflects themes of heroism and power.
Dirck Volckertz Coornhert, Joannes Galle, The Triumph of David, 1559 (published 1638), engraving and etching on laid paper, Ailsa Mellon Bruce Fund, 1974.53.8

The Triumph of David

Dirck Volckertz Coornhert, Joannes Galle · 1559 (published 1638) · engraving and etching on laid paper ·  Accession ID  1974.53.8

The image shows an expansive landscape viewed from an elevated vantage point. In the distance, a townscape stretches across the horizon. The horizon is positioned slightly above the center of the image, cutting through the skyline where various architectural structures are silhouetted against the sky. The artist employs fine brushstrokes to capture textures within the terrain and sky. Rolling hills lead the eye towards the town, with their slopes textured by the brushwork to suggest grass and pathways. The color palette is a subdued monochrome, using shades of gray and black to achieve contrast and depth, emphasizing the scene's dramatic sky filled with sweeping clouds. Closest to us, figures are scattered along a winding path that leads into the scene.
Paul Huet, View of the Chateau d'Eu (Vue du Chateau d'Eu), 1834, lithograph, Dr. and Mrs. Ronald R. Lubritz Fund, 1976.9.12

View of the Chateau d'Eu (Vue du Chateau d'Eu)

Paul Huet · 1834 · lithograph ·  Accession ID  1976.9.12

The image shows a view from a slightly elevated position of a ruined abbey overgrown with ivy and vegetation. The horizon is not visible, with the scene filled with the ruins and trees. The etching technique used provides a detailed portrayal of the architecture and the natural landscape, with fine lines capturing the texture of the stone and foliage. The color palette is monochromatic, using shades of brown or sepia tones typical of etchings, enhancing the historical setting. Closest to the viewer are detailed arches and columns of the abbey, partly hidden by dense vegetation. Further back, more arches and windows of the abbey are visible, blending with the surrounding trees. In the background, a cloudy sky adds texture and depth to the scene.
George Cuitt the Younger, Riveaux, 1824, etching on papier mince, Dr. and Mrs. Ronald R. Lubritz Fund, 1976.9.9

Riveaux

George Cuitt the Younger · 1824 · etching on papier mince ·  Accession ID  1976.9.9

This is a drawing of an intricate architectural design. The image features a complex and ornate depiction of a corner section of a ceiling or wall. The drawing showcases architectural moldings adorned with swirling patterns and foliage. There are mythical figures integrated into the design, such as naked cherubic creatures and lions in relief. Decorative borders encompass the scene, with various shells, scrolls, and intricate textures.
Jean Lepautre, Quarts de plafons, etching, Ailsa Mellon Bruce Fund, 1974.53.34

Quarts de plafons

Jean Lepautre · · etching ·  Accession ID  1974.53.34

This is a drawing of a mythological scene. The image depicts a classical, allegorical narrative. Central to the composition is an old man sitting on a large tortoise. The man is muscular, almost nude, and holds a staff. Accompanying him are mythical or allegorical figures. In the background, there is crumbling architecture and dark figures. Latin text at the bottom conveys the message of the scene.
Dirck Volckertz Coornhert, Joannes Galle, The Triumph of Job, 1559 (published 1638), engraving and etching on laid paper, Ailsa Mellon Bruce Fund, 1974.53.9

The Triumph of Job

Dirck Volckertz Coornhert, Joannes Galle · 1559 (published 1638) · engraving and etching on laid paper ·  Accession ID  1974.53.9

This is a drawing of a mythological figure surrounded by ornamental details and celestial figures. The central figure appears to be a deity seated on a cloud supported by cherubs, with radiant light spreading from above. To the right, there are ornate carvings or engravings, including winged figures holding wreaths amidst intricate floral patterns. Below, within a decorative border, there is a circular medallion containing a profile portrait framed by garlands. The composition is elaborate and richly detailed, indicative of classic Baroque artistic style.
Jean Lepautre, Quarts de plafons, etching, Ailsa Mellon Bruce Fund, 1974.53.37

Quarts de plafons

Jean Lepautre · · etching ·  Accession ID  1974.53.37

The image shows a castle or fortification near a body of water, possibly a river or lake. The viewpoint is from across the water, giving a direct look at the structure. The style is fine etching, with detailed lines depicting stone walls and foliage. The color palette is mainly shades of gray. A boat with a sail and a person fishing is in the foreground, with the castle and trees beyond. Another sailboat is visible in the distance.
John Clerk, of Eldin, Loch Orr Castle, c. 1770/1782, etching with aquatint on chine collé, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.14

Loch Orr Castle

John Clerk, of Eldin · c. 1770/1782 · etching with aquatint on chine collé ·  Accession ID  2017.53.14