Provenance

Rudolf L. Baumfeld

Rudolf Lothar Franz Israel Baumfeld

Austrian, active in the United States, 1903-1988

Explore selected works

See all 930 works of art
The image consists of four oval illustrations, each depicting different religious figures or scenes. The top left illustration shows a figure holding a pastoral staff interacting with another robed figure carrying a burden on their back. The top-center image shows a robed and hooded figure standing serenely holding a book, with figures in the background engaged in a procession. The bottom left illustration depicts people engaged in prayer or reverence near a large wooden box. The bottom right illustration shows a figure raising a whip or flail while another figure leans over, with ruins or structures in the backdrop. Each scene is framed with text indicating religious dedications or calendar dates.
Jacques Callot, St. Alexander Carbonarius; St. Clare; St. Digna and Companions; St. Concordia, c. 1632/1635, etching on laid paper, R.L. Baumfeld Collection, 1969.15.710

St. Alexander Carbonarius; St. Clare; St. Digna and Companions; St. Concordia

Jacques Callot · c. 1632/1635 · etching on laid paper ·  Accession ID  1969.15.710

The image features four circular illustrations, each depicting different religious or historical scenes. The top left roundel shows a figure on a cloud surrounded by smaller figures and labeled "S. MARIA DE MONTE CARMEL." The top right roundel shows two figures in action with a third figure on the ground, labeled "S RAINELDVS." The bottom left roundel depicts a group of figures around a standing individual, labeled "S. ALEXIS." The bottom right roundel shows a figure kneeling in prayer amid rocky or indoor surroundings, labeled "S. ARNVLPHVS ABB. M." Each roundel is labeled with the month "IVL" corresponding to July.
Jacques Callot, St. Mary of Mont Carmel; St. Raineldis; St. Alexis; St. Arnold of Metz, c. 1632/1635, etching on laid paper, R.L. Baumfeld Collection, 1969.15.701

St. Mary of Mont Carmel; St. Raineldis; St. Alexis; St. Arnold of Metz

Jacques Callot · c. 1632/1635 · etching on laid paper ·  Accession ID  1969.15.701

The image shows three figures and a child seated. The central figure is a woman with a child on her lap. The child has one hand raised. The woman wears a veil and flowing robes and is seated on an ornate chair. Two men stand on either side. One holds a staff and an open book, with a contemplative expression. The other man holds a closed book and gestures towards the woman and child. Each adult figure has a halo. A detailed wall is behind them.
Jacques Callot, Virgin and Child with Saints James and Jerome, 1608/1611, engraving on laid paper, R.L. Baumfeld Collection, 1969.15.265

Virgin and Child with Saints James and Jerome

Jacques Callot · 1608/1611 · engraving on laid paper ·  Accession ID  1969.15.265

The image shows a pastoral scene with a view of a landscape from a slightly elevated perspective. The horizon line is visible, with hills rising above it and a village nestled on the horizon. The artwork features intricate line work typical of etching, conveying texture and depth through lines and hatching. The monochrome color palette consists of blacks and browns on a cream background. A figure walks with a dog, and a row of buildings is depicted along with trees framing the scene. The land extends into gentle slopes with structures in the distance.
French 17th Century, Landscape, in or after 1635, etching on laid paper, R.L. Baumfeld Collection, 1969.15.151

Landscape

French 17th Century · in or after 1635 · etching on laid paper ·  Accession ID  1969.15.151

This is a drawing of a large outdoor gathering under trees. Numerous figures are engaged in various activities under the expansive, ancient trees. The tree branches spread wide, offering canopy and places to hang or lean objects. The figures are depicted in a community-like setting, with some seated, seemingly involved in social interaction, while others are engaged in tasks such as cooking, carving, and serving. Items such as cooking pots and fabrics are scattered around, indicating a lively outdoor feast or gathering. A sense of movement occupies the right side of the drawing, while a more static interaction takes place on the left. The drawing is detailed, with fine lines and cross-hatching to depict shadows and textures.
Jacques Callot, The Feast of the Bohemians, 1621, etching and engraving on laid paper, R.L. Baumfeld Collection, 1969.15.135

The Feast of the Bohemians

Jacques Callot · 1621 · etching and engraving on laid paper ·  Accession ID  1969.15.135

The image shows two full-body illustrations of a person playing a violin in different positions. The individual has short wavy hair and wears a feathered hat. They are dressed in historical attire, including a puffed sleeve shirt, a waistcoat, knee-length drawers, stockings, and shoes with bows, as well as a cape. The individual is holding a violin on their shoulder with one hand and a bow with the other, positioned as if playing. The background is a plain, lightly textured backdrop.
Jacques Callot, Violinist, c. 1622, etching on laid paper, R.L. Baumfeld Collection, 1969.15.459

Violinist

Jacques Callot · c. 1622 · etching on laid paper ·  Accession ID  1969.15.459

The image displays a pastoral scene with a woman standing at the center, holding a staff and a distaff. Dogs are shown in motion nearby, with a fence running horizontally in front of them. Beyond the fence, sheep are grazing in a landscape of rolling hills with trees. In the distance, there are hills or small mountains under a cloudy sky. The illustration is detailed with cross-hatching and fine lines, giving it a monochromatic appearance in sepia tones.
Jacques Callot, The Huntress, 1628, etching on laid paper, R.L. Baumfeld Collection, 1969.15.598

The Huntress

Jacques Callot · 1628 · etching on laid paper ·  Accession ID  1969.15.598

This is a drawing of a battle scene with fortified castles in the background. Soldiers on horseback and infantry with spears and banners engage in combat. The sky is dramatic with dark clouds and rays of light shining through. The lines are heavily inked, giving a sense of movement and chaos. The style resembles historical engravings or etchings of battles.
Jacques Callot, Conversion of Paul, 1635, etching on laid paper, R.L. Baumfeld Collection, 1969.15.890

Conversion of Paul

Jacques Callot · 1635 · etching on laid paper ·  Accession ID  1969.15.890

The image shows two full-bodied figures in theatrical costumes labeled "Scapino" and "Cap. Zerbino." "Scapino" has an elongated nose, a hat with feathers, a long coat, a striped outfit, and a sword. "Cap. Zerbino" also has an elongated nose, a feathered hat, a detailed jacket, and distinctive shoes. Both figures have expressive postures. In the background, several figures interact, with buildings and trees on each side, and a bag on the ground between them.
Jacques Callot, Scapino and Cap. Zerbino, c. 1622, etching on laid paper, R.L. Baumfeld Collection, 1969.15.68

Scapino and Cap. Zerbino

Jacques Callot · c. 1622 · etching on laid paper ·  Accession ID  1969.15.68

This is a drawing of six oval-shaped engravings depicting various scenes unfolding in historical or mythical settings. The images show intense and dynamic scenes of conflict, architecture, and gatherings, with groups of figures interacting energetically. The scenes are detailed within each oval, providing glimpses of narrative moments possibly from a larger story. The line work is intricate, and the composition of each oval creates continuity across the series.
Jacques Callot, Mysteries of the Passion, c. 1631, etching on laid paper, R.L. Baumfeld Collection, 1969.15.620

Mysteries of the Passion

Jacques Callot · c. 1631 · etching on laid paper ·  Accession ID  1969.15.620